Returning home from a camping trip, four friends pick up a stranded motorist, who surprises them all with blast of knock-out gas. Coming to, the four now find themselves imprisoned in a decrepit house with six other strangers, and all are outfitted with a device attached at the base of the skull. Unsure what they are doing there and who is behind it all, the group is soon enlightened by video that advises them that there is a way out of the house. But the threshold they must cross is one of excruciating pain... The mechanisms they wear are for collection of chemicals naturally produced by the human brain once the vials are filled, the captives are free to go. Unfortunately for them, the only way for the body to secrete the precious fluid is to experience life-threatening pain. Plus, there is a 24-hour window in which to secure their freedom; after that, the doors are locked forever. At first, there is uncertainly, and even a botched attempt to remove the device, but a solution is devised each must submit to a torture session until all have been subjected, and the collected fluid levels rise high enough to ensure their release. In the face of torture, however, not everyone is willing to play by the newly created rules the group is ripped apart by infighting, secret alliances, double-crosses and shattering outbursts of violence. With the clock ticking down the minutes, the one for all mentality devolves...just how far will each go in order to survive?

Inspired by Preston Sturges's Sullivan's Travels, I Hate But Love (Nikui anchikusho) is a high-octane romantic comedy and road movie that follows a celebrity dissatisfied with his personal and professional life who impulsively leaves Tokyo to deliver a much-needed Jeep to a remote village. When his controlling girlfriend (also his career manager) follows, the two must reconcile while dodging reporters.

Inspired by Preston Sturges's Sullivan's Travels, I Hate But Love (Nikui anchikusho) is a high-octane romantic comedy and road movie that follows a celebrity dissatisfied with his personal and professional life who impulsively leaves Tokyo to deliver a much-needed Jeep to a remote village. When his controlling girlfriend (also his career manager) follows, the two must reconcile while dodging reporters.

一个宁静的早晨，小鸟崔蒂（梅尔·布兰克 Mel Blanc 配音）正在自己舒适温暖的鸟窝里睡觉。相比此前曾多次受到骚扰，鸟窝下方的木杆上缠上一圈又一圈带刺的铁丝。在木杆旁边，全身布满伤痕的黑猫希尔维斯特无比郁闷地坐在那里。这时，黑猫想出一个好办法，他搬来一张蹦蹦床，终于可以躲过铁刺网窥探鸟窝了。崔蒂吓了一跳，尝试用各种办法击退了这个犯人的对手。一计不成又施一计，希尔维斯特将自己的手指打扮成美丽的小山雀吸引崔蒂，被荷尔蒙冲昏头脑的小鸟险些中招。可没过多久，崔蒂又被当成网球遭受拍打。 　　多美好的一天，完全被贪婪的希尔维斯特破坏了……

韩剧《可恶的女人们》有不少遇到各式各样问题的女人们，其中一名女人被丈夫抛弃因而离婚，在美国当医生，后来回到韩国展开报复。她故意到抢走丈夫的女人所在的医院工作，进行她高超的报复行动。另外有一名女人则是虽然怀疑丈夫有外遇，却坚持不离婚守则。 　　在《可恶的女人们》剧中，和美国电视剧《欲望主妇》一样，探讨的是不同人生观与价值观的主妇们，在面临人生中难题时有什么样的心情转折，又会如何去解决人生中的难题。

剧里的四个女人都带着这样的标准奔向自己的幸福，我们通过她们的人生故事，告诉大家人生中有失败，也有彷徨，但这并不是最终的结果。很多家庭主妇们绝望…

在空间彼此交错的混乱世界中，一个顽皮的小女孩始终想追到一只自由飞翔的小鸟。曾提名西南偏南电影节创新奖的导演乌娜·洛伦岑，在这部素描动画短片中利用线与面的不断变化，将几组人物与场景叠加在了同一个画面中。不同平面与重力之间的变幻关系构成了宛如“彭罗斯阶梯”的奇异景象，隐喻了新旧观念交替之际人类在固执己见与顺势应变之间的艰难抉择。

在空间彼此交错的混乱世界中，一个顽皮的小女孩始终想追到一只自由飞翔的小鸟。曾提名西南偏南电影节创新奖的导演乌娜·洛伦岑，在这部素描动画短片中利用线与面的不断变化，将几组人物与场景叠加在了同一个画面中。不同平面与重力之间的变幻关系构成了宛如“彭罗斯阶梯”的奇异景象，隐喻了新旧观念交替之际人类在固执己见与顺势应变之间的艰难抉择。

Emilia, 17, arrives at her Aunt Ines' hostel at the border between Argentina and Brazil, looking for her long lost brother. In this luxuriant jungle, where local myths and legends abound, a dangerous beast believed to be the spirit of an evil man taking the form of different animals seems to be roaming around. On a journey to sexual awakening, Emilia will have to confront her past in order to kill the beast.

贝蕾育达女士在泰国具有强大的影响力，旗下的百货公司排名前五，百货的实际管理者是副董事长希拉，他是贝蕾育达女士收养的孙子。贝蕾育达女士还有个亲孙子迪恩，不想继承家业，只喜欢音乐，却被奶奶要求管理公司。克迪卡是一位美丽而具有天赋的服装设计师，她来到迪恩的公司工作。其实她曾经和迪恩是恋人，但贝蕾育达女士用钱要挟两人分手。阴差阳错，克迪卡住到了希拉家里。他们一起面对集团内外的业务以及遭遇的突发事故，互相支持，互相鼓励，渐生情愫。而迪恩非常吃醋，想要跟克迪卡重修旧好，也搬进了希拉家里。这场没有硝烟的战争被贝蕾育达女士发现，她极力反对，要求希拉利用一切方法来引诱克迪卡，离开自己的亲孙子，而希拉其实早就爱上了克迪卡。经过种种风波，希拉和克迪卡终于修成正果。