The controversial Thai Buddhist temple “Dhammakaya” is in crisis as its abbot was charged with money-laundering and receiving stolen property. The film reflects the clash between politics and faith in modern Thai society.

The controversial Thai Buddhist temple “Dhammakaya” is in crisis as its abbot was charged with money-laundering and receiving stolen property. The film reflects the clash between politics and faith in modern Thai society.

甚少有电影提到二次大战美国的亚洲人集中营的事。本片就是少数中的少数，透过美国人和亚洲人的眼同时看见历史上的痛。　　一九三0年代，在纽约工会组织…

《过来抱抱我》讲述了因曾经的一起杀人案导致命运交错的一对男女间的故事，播出时间尚未确定。

一个男人发现他的妻子和他最好的朋友背叛了他，他杀死了他们两个，然后是自杀了。五十年后，他的鬼魂出没于同一栋公寓楼，他多次与搬进公寓的年轻女子发生性关系，让她们认为自己疯了，杀死了她们的男性追求者，并且也杀死了她们邻居的情人。

Julio feels that Gabriel is never satisfied, and Gabriel thinks Julio is too vague; maybe you shouldn’t work with your friends. They are carrying out research together for a film, a film to tell the true story of an American priest who went to live in the south of Chile after dropping the atomic bomb on Hiroshima. Their efforts take them down many forking paths, to Curepto and Licantén, Queens and Manhattan, Philadelphia and Iowa, through the many neighbourhoods of Santiago. We hear their thoughts in voiceover and see the places they pass by on screen, architectures, landscapes and facades strangely devoid of people, the locations of a film yet to take concrete form. For the priest’s story is full of holes and both men are helpless not to fill them, a constant flow of ideas triggered by everything they see, hear and think about along the way: empty billboards, Mapuche chieftains, films and novels of a dizzying number of genres, Cold War tensions and all the things they touched. Is the film about the journey or the destination, or are they, like everything else here, just two sides of the same coin? A backdrop is no longer a backdrop once the writing’s on the wall.

Julio feels that Gabriel is never satisfied, and Gabriel thinks Julio is too vague; maybe you shouldn’t work with your friends. They are carrying out research together for a film, a film to tell the true story of an American priest who went to live in the south of Chile after dropping the atomic bomb on Hiroshima. Their efforts take them down many forking paths, to Curepto and Licantén, Queens and Manhattan, Philadelphia and Iowa, through the many neighbourhoods of Santiago. We hear their thoughts in voiceover and see the places they pass by on screen, architectures, landscapes and facades strangely devoid of people, the locations of a film yet to take concrete form. For the priest’s story is full of holes and both men are helpless not to fill them, a constant flow of ideas triggered by everything they see, hear and think about along the way: empty billboards, Mapuche chieftains, films and novels of a dizzying number of genres, Cold War tensions and all the things they touched. Is the film about the journey or the destination, or are they, like everything else here, just two sides of the same coin? A backdrop is no longer a backdrop once the writing’s on the wall.

一个男人发现他的妻子和他最好的朋友背叛了他，他杀死了他们两个，然后是自杀了。五十年后，他的鬼魂出没于同一栋公寓楼，他多次与搬进公寓的年轻女子发生性关系，让她们认为自己疯了，杀死了她们的男性追求者，并且也杀死了她们邻居的情人。