The movie follows the original tale in a somewhat loose fashion, but manages to retain the majority of the images and action. 　　A seminary student must survive three nights in prayer guarding the deceased witch maiden while she, along with an army of hellish demons, try to lure him out of his Holy Ring of Chalk.

An immortal blues musician terrorizes childhood sweethearts reunited over the Thanksgiving [email protected]

Ploy是個漂亮的學生，但是很窮，所以她靠著在舞廳跳舞賺錢。然而，她的身體似乎出了狀況，她常常跑醫院，認識了一位前途有為的醫生並與他戀愛。 　　在Ploy二十歲生日的夜晚，她得知她是食人鬼的繼承人，但她一點都不想讓邪靈控制她，她該怎麼辦呢..

一群警察为了追逃犯，进入了一座被诅咒的丛林，那是一个魔幻的世界，有许多不寻常的生物。他们发现，原来关于古老宝藏的诅咒是真的，丛林里的村落又隐藏许多尚未揭开的秘密，卷入了未知的漩涡当中的警察们，极力想生存下去，回到原本属于自己的世界，然而背后隐藏的真相，却又不是那么简单... 　　伍特在父亲被杀后回到了家乡，痛苦的记忆和秘密一直困扰着他，旧的敌人又出现了；奈梭，一位越狱的疯狂精神病患，跑来向伍特和他的父亲孔康复仇。奈梭把伍特引诱到神秘森林中，那里充满了多年前的恐怖回忆－孔康杀了奈梭的父亲。但森林里也布满了不可告人的邪恶势力，伍特和他的队友得要替存活而奋战。黑暗势力和古老的魔鬼，一个个解决了队员，伍特把奈梭带回监狱的时间，一分一秒流逝，他不但得要面对奈梭，还得对抗吞噬灵魂的古老邪恶势力。

A witch is put to death in Colonial America, leaving her husband and infant daughter behind. Seventeen years later, the daughter has grown up and stands to inherit money set up by her mother’s family. Now that the stage is set, the mother wants to return to life by taking over her daughter’s body.

A witch is put to death in Colonial America, leaving her husband and infant daughter behind. Seventeen years later, the daughter has grown up and stands to inherit money set up by her mother’s family. Now that the stage is set, the mother wants to return to life by taking over her daughter’s body.

美丽的女子苏芮缇被鬼魂困在家中不得自由，她深深思念真心所爱的天才诗人杰德夫·沃玛（Aftab Shivdasani 饰）。此前他们凭借书信交流，虽未谋面但互属忠意。无奈相爱之人不相见，杰德夫以为苏芮缇早已死去，沉浸在无尽的痛苦中不能自拔。在忠诚的仆人布拿的帮助下，苏芮缇持着圣物趁夜逃遁，却经历了最为恐怖的夜晚。另一方面，在一片豪华庄园内，杰德夫思念爱人，愁眉不展，任凭妹妹卡伦娜如何规劝。某天，他独自骑马去郊外排遣心中郁结，却在河边发现一名昏迷的女子。 　　他将女子带回家，似曾相识的感觉让他心中若有所动，而接下来的故事朝着不可预测的方向发展……

影片讲述了在世纪转折期间，意大利都灵被压榨的纺织厂工人开始争取改善工作环境，西尼加利亚教授（马斯杜安尼）被社会主义者派遣到那里帮助工人组织罢工和斗争。

Lou Diamond Phillips和Fred Gwynne与一群专业罪犯联手，他们拥有抢劫银行所需的一切。他们唯一能做的就是一个警察和他的搭档，他们比他们更愚蠢！当这个团伙进入银行金库时，可以肯定的是，会有组织的疯狂和无组织的犯罪！

"Scar Tissue" is a simple but effective visual essay on gendered body language, contrasting close-up images of strained women's feet in high heels with mid-sections of men, arms crossed in seemingly proprietary and smug comfort. As Amy Taubin says, “Juxtaposed, the two [genders] appear as if from totally different species; the film left me with a yen to see one of those heels planted splat in the middle of one of those bellies".