父親過世、母親離家的土豆，與親人關係疏離，甫成年便投入社會。在搬金紙、噴農藥，甚至是遊走法律邊緣的謀生方式間，土豆與友人們也曾躁動想望、期盼翻轉，但不停離散與流動的生命旅程，卻讓他們沒有機會停歇與改變。有時像大人，有時又像小孩的他們，可有機會停止複製這樣的人生？

父親過世、母親離家的土豆，與親人關係疏離，甫成年便投入社會。在搬金紙、噴農藥，甚至是遊走法律邊緣的謀生方式間，土豆與友人們也曾躁動想望、期盼翻轉，但不停離散與流動的生命旅程，卻讓他們沒有機會停歇與改變。有時像大人，有時又像小孩的他們，可有機會停止複製這樣的人生？

Five women are running an old hotel and trying to save it from inexorable decay. Guests arrive over the course of a weekend: a couple bears the wounds of a long-term misunderstanding; a domineering mother interferes in her daughter’s relationship; two girls try to save their own love story in the face of opposition from a possessive mother. Viver Mal is the reverse shot of Mal Viver, which is screening in the Competition: here, João Canijo reveals everything that was floating in the depth of field in this film’s mirror image. Reality becomes the intertwining and multiplication of different points of view; the intersection between what can be seen and what the eye misses. Like a play of light reflections, Viver Mal is Mal Viver in another dimension. The image is distorted, but at the same time seeks a new definition by relaunching itself into infinity.

Five women are running an old hotel and trying to save it from inexorable decay. Guests arrive over the course of a weekend: a couple bears the wounds of a long-term misunderstanding; a domineering mother interferes in her daughter’s relationship; two girls try to save their own love story in the face of opposition from a possessive mother. Viver Mal is the reverse shot of Mal Viver, which is screening in the Competition: here, João Canijo reveals everything that was floating in the depth of field in this film’s mirror image. Reality becomes the intertwining and multiplication of different points of view; the intersection between what can be seen and what the eye misses. Like a play of light reflections, Viver Mal is Mal Viver in another dimension. The image is distorted, but at the same time seeks a new definition by relaunching itself into infinity.

悠扬庄重的法螺响起，深夜的码头边，勇敢的白人司机（克里·欧文 Clive Owen 饰）接受了一项史无前例的重要任务。渡船靠岸，从船上下来一名身穿红袍的少年喇嘛（李淳 Mason Lee 饰）。他的脸上浮现出与年龄并不相符的成熟与自信，少年喇嘛送给司机一只小盒子，并阻止 司机立刻打开的念头。他们二人双双进入车厢，谁知此时码头尽头又出现两辆汽车。来者不善，少年喇嘛的行踪和安危足以引起一连串的重大政治事件。 　　司机沉着冷静，以娴熟的技术驾驶汽车，与对手们在混乱的码头上展开连番紧张刺激又妙趣横生的捉迷藏。他能否将身后这位具有先见之明的少年喇嘛安全送达……

悠扬庄重的法螺响起，深夜的码头边，勇敢的白人司机（克里·欧文 Clive Owen 饰）接受了一项史无前例的重要任务。渡船靠岸，从船上下来一名身穿红袍的少年喇嘛（李淳 Mason Lee 饰）。他的脸上浮现出与年龄并不相符的成熟与自信，少年喇嘛送给司机一只小盒子，并阻止 司机立刻打开的念头。他们二人双双进入车厢，谁知此时码头尽头又出现两辆汽车。来者不善，少年喇嘛的行踪和安危足以引起一连串的重大政治事件。 　　司机沉着冷静，以娴熟的技术驾驶汽车，与对手们在混乱的码头上展开连番紧张刺激又妙趣横生的捉迷藏。他能否将身后这位具有先见之明的少年喇嘛安全送达……

主人公周文本是归德高中公认的天才少年，偶然间得到一部神秘手机，可以将现实世界变成游戏副本，从此开启无限流刷本打怪升级之路，却也因此变成旁人眼中沉迷手机游戏的堕落少年。不料意外接踵而来，先是在和一名叫安静的神秘转校生的对决中落败，后又莫名被血洗联邦的恶魔井道仙缠上，强制周文收下元气技迷仙经。历经坎坷后，还没来得及喘口气，神秘的次元生物又开始打破次元壁规则，涌向地球，给人类带来巨大威胁。为了提升实力守护家园，周文日复一日的在游戏中挑战极限，刷本升级，以获取击败敌人的经验和资源。别人拿命去冒险，他却拼命打游戏，凭借游戏经验，在现实中一路过关斩将，保护着珍视的家人和朋友们。