因为一段放不下的往事，青年男女决定对拾荒老人的家闯空门。

因为一段放不下的往事，青年男女决定对拾荒老人的家闯空门。

打工人贺清清和总裁严景淮一起被江水欢打死。贺清清意外得到重生机会和碰谁谁穷的强大能力，为了摆脱这该死的穷命，她必须嫁给一个富二代破除能力，直到她再次遇见了严景淮。实际上严景淮也是重生的，能力是读心术，严景淮看着贺清清在自己面前装小白兔，但心里疯狂吐槽自己。两个人相爱相杀，并逐渐勾起过往的记忆，原来两个人很早以前就认识。

智慧与苏州、何泰、金熙、泰贤的现实与不显示主义之间的浪漫喜剧。

智慧与苏州、何泰、金熙、泰贤的现实与不显示主义之间的浪漫喜剧。

这是我跟随民间记忆计划返回我的村子拍摄的第四部“邹家村系列”片子。2013年初，我又回到村子，面对遍布村里的垃圾，我开始带着村里的孩子，尝试来改变村子的环境。我们一起捡垃圾，一场艰难顽固的搏斗在我们之间展开。面对垃圾越捡越多，困惑无奈情绪产生，内心犹如充满垃圾一样难以喘息，在村子现实面前无助、无力。95岁的沙奶奶和她49岁“脑子不正常”的儿子西柱的日常生活贯穿在片子中，孤独，等待着、活着。我陪伴在他们身边，感觉到母爱和温暖。这部片子是我再次抨击现实高墙，重新定位自己未来的一段艰难内心历程的印证。

这是我跟随民间记忆计划返回我的村子拍摄的第四部“邹家村系列”片子。2013年初，我又回到村子，面对遍布村里的垃圾，我开始带着村里的孩子，尝试来改变村子的环境。我们一起捡垃圾，一场艰难顽固的搏斗在我们之间展开。面对垃圾越捡越多，困惑无奈情绪产生，内心犹如充满垃圾一样难以喘息，在村子现实面前无助、无力。95岁的沙奶奶和她49岁“脑子不正常”的儿子西柱的日常生活贯穿在片子中，孤独，等待着、活着。我陪伴在他们身边，感觉到母爱和温暖。这部片子是我再次抨击现实高墙，重新定位自己未来的一段艰难内心历程的印证。

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.