暗影涌动，刻不待时。男主人公约翰（纳尔逊•布朗 Nelson Brown饰）匆忙闯进洗手间，颤抖着双手翻出洗漱包，东西凌乱不堪的散乱一地。满眼的血腥，约翰的伤势严重。脖颈上的疤痕正在渗出鲜血，指甲此刻也脓肿发炎，额头的伤口更是刻不容缓。摇晃的特写镜头下，约翰穿针引线开始缝合自己的伤口。 　　千钧一发之际，电话响起。可他的时间不多，一切都太迟了么？

Shot in the summer of 1980, this film from longtime directorial partners Straub and Huillet investigates the changing relationship between people, the land, and society in France and Egypt. The formal and structural basis for the film consists of two texts: a letter sent by Friedrich Engels to his disciple Karl Kautsky, and Egyptian intellectual Mahmoud Hussein's Class Struggles in Egypt. At the center of each text is a discussion of the people's relationship to the land. What Straub and Huillet have done is to film the specific places mentioned in each text -- for the Engels section we see shots of Mottreff, Lyons, and Harville; for the Hussein section we see the area around Neguib; and these shots are synced with a voice-over reading of the texts. What emerges is a document that functions as a history of Marxist thought, a landscape film, and as commentary on current French and Egyptian society.

Accompagnant des vues de la campagne française et de quelques villes, un discours sur la misère en France à la fin du XVIIIe siècle. 　　Sur des images de l'Égypte, un propos relatant la résistance du peuple contre l'occupation étrangère. « Avec Trop tôt, trop tard, une expérience est tentée avec nous, sur nous : à des moments, on commence par voir (une herbe que le vent courbe) avant d'entendre (le vent responsable de cette courbure). À d'autres moments, on entend d'abord (le vent) puis on voit (l'herbe). Image et son sont synchrones et pourtant, à chaque instant, chacun de nous peut faire l'expérience de l'ordre dans lequel il range ses sensations. C'est donc un film sensationnel. »

《爱得太迟》是香港歌手古巨基的一首粤语歌曲，另有古巨基及周慧敏合唱版本。此外，爱得太迟也是一出由古巨基、周慧敏及其他艺人参演的一套音乐电影

叶知秋跟宋霆在一起的第八年。宋霆心上的白月光柳茵茵将她推下了水。然而宋霆却让叶知秋向他心上的白月光柳茵茵道歉。叶知秋终于取回了宋霆提交的结婚报告。决定离开。而宋霆却以为她只是闹睥气。还将白用光柳茵茵接回家一起住。

叶知秋跟宋霆在一起的第八年。宋霆心上的白月光柳茵茵将她推下了水。然而宋霆却让叶知秋向他心上的白月光柳茵茵道歉。叶知秋终于取回了宋霆提交的结婚报告。决定离开。而宋霆却以为她只是闹睥气。还将白用光柳茵茵接回家一起住。

When the eldest grandson of Mr. Kang (Choi Seong-ho), a prominent local figure in the village of Suri in Hwanghae-do, becomes afflicted with a mysterious, life-threatening illness, the entire household is plunged in anxiety. The imminent death of the direct heir to the family name is a serious matter indeed, since the Kangs have a history of seeing their sons die young a fact that has resulted in a household teaming with widows. The family matriarch (Hwang Jung-seun) calls in the most famous shamans and has them perform healing rituals, but the illness shows no sign of improving. The family steward recommends that they bring in Ok-hwa (Yoo Ji-in), who is renowned for her extraordinary spiritual powers. While she is performing the ritual, a large snake drops down from the eaves of the house and causes a commotion. Amazingly, the incident brings about a dramatic improvement in the condition of Mr. Kang's grandson. The household buzzes with glad excitement, with everyone clinging to Ok-hwa and asking her to cure the disease outright. But Ok-hwa searches all around as if possessed by a spirit and discovers a sinister-looking gourd bottle buried deep in the ground in the pine forest. This bottle hides a bloody secret. 　　Some twenty years ago, there was, in the Kang family, a young widow by the name of Lee (Kim Yun-kyeong). Bound by strict moral codes, Lee was living a lonely life of enforced celibacy. She had taken to stabbing her thigh with a small silver knife every night in order to suppress her frustrated desires, but the wound became infected and she came on the verge of death. According to family tradition, the Kangs removed Lee to an isolated hut (called pi-makin Korean), and left her there to await her own death. The family matriarch, wishing to grant her daughter-in-law one final wish, arranged for her to spend a night with the hut keeper, Sam-dol (Nam Koong-won). Through Sam-dol's devoted care, Lee miraculously recovered and the two developed deep feelings for each other. The matriarch welcomed her daughter-in-law's recovery at first, but became enraged when she found out about Lee's adulterous relationship with Sam-dol. As punishment, the Kang family secretly murdered both Sam-dol and Lee. 　　Ok-hwa, who is in fact Sam-dol's daughter, was merely pretending to be a shaman in order to exact revenge for her father. Possessed by a real spirit, she attempts to kill Mr. Kang inside the hut but lets him go unscathed. She enters the hut, sets it on fire, and dies in the flames.

该剧改编自谈天音的小说《昆山玉之前传》。合浦采珠奴端午（赵露思 饰）历经万难逃出吃人的珠场，邂逅了西域商人燕子京（刘宇宁 饰）和谦谦君子张晋然（唐晓天 饰）。她加入燕氏商队，一路摸爬滚打，璀璨的珠宝世界仿佛近在咫尺。然而西北之行，她却发现了自己的身世之密，更卷入了燕子京的 复仇谜局，至亲皆死，至爱背离。端午改名苏幕遮勇闯扬州，宁可万劫不复也要追寻真相。然她终心如明镜，不被仇恨裹挟，一手缔造明镜台，联合张晋然昭雪旧案。原打算独自背负污名和仇恨的燕子京最终亦缓解心结，与她共对疾风骤雨。尘埃落定，苏幕遮在赛宝会上勇攀珠宝艺术高峰，众多原本屈从于命运的女子也因她而焕然新生。

该剧改编自谈天音的小说《昆山玉之前传》。合浦采珠奴端午（赵露思 饰）历经万难逃出吃人的珠场，邂逅了西域商人燕子京（刘宇宁 饰）和谦谦君子张晋然（唐晓天 饰）。她加入燕氏商队，一路摸爬滚打，璀璨的珠宝世界仿佛近在咫尺。然而西北之行，她却发现了自己的身世之密，更卷入了燕子京的 复仇谜局，至亲皆死，至爱背离。端午改名苏幕遮勇闯扬州，宁可万劫不复也要追寻真相。然她终心如明镜，不被仇恨裹挟，一手缔造明镜台，联合张晋然昭雪旧案。原打算独自背负污名和仇恨的燕子京最终亦缓解心结，与她共对疾风骤雨。尘埃落定，苏幕遮在赛宝会上勇攀珠宝艺术高峰，众多原本屈从于命运的女子也因她而焕然新生。