《鄂伦春族》：影片拍摄于1963年。影片勾勒出我国大兴安岭原始森林里，以狩猎为主的鄂伦春社会由氏族公社、家庭公社到农村公社的轮廓，描绘其由共同劳动、平均分配、没有阶级剥削跨上阶级社会门槛的情景。此外，对鄂伦春族的婚姻、丧葬、服饰、手工艺品以及萨满教等也作了记录。（http://www.cpanet.org.cn/detail_news_99025.html） 　　顾问：秋浦；编剧：赵复兴、吕光天、满都尔图、杨光海；导演：杨光海；解说：王连元。中国科学院民族研究所委托拍摄，北京科学教育电影制片厂承拍，内蒙古鄂伦春自治旗人民委员会、内蒙古历史研究所协助。 　　内蒙古自治区与黑龙江省接壤处，大兴安岭白雪茫茫的原始密林里，生活着以狩猎为生的鄂伦春族。一个用桦树杆和桦树皮搭建的锥形小屋中住着一个鄂伦春族小家庭，通常情况下五六个小屋组成一个地域组织。猎场是公有的，猎人们都到习惯的地区狩猎。出猎前大家推举年长有经验的人为行猎长，负责指挥狩猎行动。滑雪板、桦皮船、马匹是他们的交通工具。每家的马匹，在家族成员中不能乱用，夫妻、父子都有专用的马，而尾巴上拴有红黄布条的神马是不能骑也不能驮东西的。他们信奉的神有几十种，自制各种神像。“萨满”是人与神之间的代言人，负责主持各种仪式。影片记录了他们一年四季的生活情况和独特的风俗习惯以及婚丧仪式等。（http://www.cuaes.org/mmis-detail-BB0000-973.htm）

Park ranger Donald sends his bears off to hibernate, but Humphrey would rather stay in his hammock, run out for a glass of water, etc., than sleep; when he does get to sleep, his snoring gets him thrown out. His search for a new bed leads him right into the ranger's house.

Spike gets a job running the house for a hibernating bear. Only problem is that same bear is VERY noise-sensitive, and Spike's got a rival that wants his job.

山の上の寄宿舎で暮らす12匹のくまの日常を描いた人気絵本シリーズ「くまのがっこう」をアニメ映画化。12匹のくまの末っ子ジャッキーは、きかんぼうでちょっとおしゃまな女の子。優しい兄たちに囲まれて楽しい毎日を送っていた彼女は、草原で女の子のくま・ケイティと出会い、意気投合する。ジャッキーは病弱なケイティを元気にするため、兄たちとともに大冒険を繰り広げる。

山峦绵延，沉浸在肃穆之中。《熊》的开篇，导演让－雅克·阿诺用全景镜头将我们置身于广袤的自然之中。这里仿佛是另一个星球，只见一只小熊正笨拙地掏食蜂蜜。这时，它的母亲闻到了蜂窝的香味，用力地往石碓下刨……小熊名叫约克，长毛掩住了它的眼睛，它正专心享受着，却不知灾难即将降临：石碓突然坍塌，大熊被砸死了。小熊嗷嗷地叫着，推着母亲的身体，期待它重新站起来。过了许久，它终于意识到妈妈再也不可能苏醒，从今往后自己将独立谋生了。饥肠辘辘的小熊开始自己迷失，青蛙、蝴蝶都成了它追逐的对象……

Jack has a new girlfriend, but hasn't quite learnt his lesson...

Jack has a new girlfriend, but hasn't quite learnt his lesson...

An amateur filmmaker who has filmed bears for years, contacts a film school looking for someone to edit his images into a film. A student comes forward. But when she digitises his archive, she discovers that the recordings are not only of bears. A discussion ensues about the power of a gaze and its voyeuristic violence. 　　源自：https://www.swissfilms.ch/en/movie/Ours/14E26A7336404024B6A579441DFECB37

An amateur filmmaker who has filmed bears for years, contacts a film school looking for someone to edit his images into a film. A student comes forward. But when she digitises his archive, she discovers that the recordings are not only of bears. A discussion ensues about the power of a gaze and its voyeuristic violence. 　　源自：https://www.swissfilms.ch/en/movie/Ours/14E26A7336404024B6A579441DFECB37