本剧以三山市的失踪断指案展开，围绕着杨伟对茉莉的虐恋；强子、王琦以及吴彬之间的三角关系；女大学生的裸贷疑云；面对无处不在的第三只眼，他们能否逃脱法律的制裁？而面对爱情、仇恨、欲望、金钱的他们，又能否逃脱命运的安排？本剧三个故事环环相扣，逐步展开，而真相究竟又是什么呢...？

本剧以三山市的失踪断指案展开，围绕着杨伟对茉莉的虐恋；强子、王琦以及吴彬之间的三角关系；女大学生的裸贷疑云；面对无处不在的第三只眼，他们能否逃脱法律的制裁？而面对爱情、仇恨、欲望、金钱的他们，又能否逃脱命运的安排？本剧三个故事环环相扣，逐步展开，而真相究竟又是什么呢...？

When retired East End villain Charlie Archer is murdered by a feral street gang, his brother Ritchie returns to London from Spain to investigate. With the police investigation drawing blank after blank, Ritchie decides to take the law into his own hands and bring his old school justice back to the streets of East London. Rounding up his old firm, he leads a vigilante crusade against the vicious young criminals, using every grizzly method at his disposal to find and punish his brother s killers. They're outgunned and outnumbered, but this firm has never been outclassed yet.

At the beginning of the movie a pharmacist receives an anonymous letter that threatens him of death. And the murder actually happens. Seems very simple but nothing is what it seems and the journey to the truth will be long and difficult. The book is excellent and the movie is at par with it and very faithful to the romance. Great direction. Incredible cast with Gabriele Ferzetti in his best interpretation together with the one in "C'era una volta il West" and Gianmaria Volonté simply beyond reach as always. Many other great actors. Yes I am an enthusiast 'cause there's not a word or a shot out of place in this movie and the plot is ingenious. Who is going to see this film for the first time will be taken away by the developments (the pace seems to be calm but looking in between the kinks you may realize that many things are going rapidly on). Trying to figure out what is the kernel of the happenings and the "reasons" for the murder is a very interesting exercise but it's highly unlikely for the spectator not to experience a big surprise at the end. In my opinion Elio Petri at his best (I mean at the same level of his other masterwork: La classe operaia va in Paradiso).

Films playing with the integrated use of Artificial Intelligence are beginning to proliferate and in this short film we navigate through a world of images created in this way, but also through conversations with a chatbot that reveals all the tendencies and prejudices of human beings. 　　Artificial intelligence is not something new, but in recent years there has been a dominance of the subject in culture that has been impossible to deny or avoid. Society is permeable, and should be, to new technologies, but it is inevitable that we talk about what is lost with their introduction. AI, like many other technologies before it, replaces human resources, but in this case it also replaces psychological and emotional resources. This is where Replika comes in, a chatbot where we can create romantic or friendly relationships with an artificial intelligence. Our Replika won’t criticize us; on the contrary, it will comfort us in any moment of emotional turmoil. Humanized by some, mistreated by others, Inès Sieulle’s film uses Replika not to talk about the machine’s dominance over human beings, but rather to hold up a mirror to humanity itself. (Rui Mendes)

Films playing with the integrated use of Artificial Intelligence are beginning to proliferate and in this short film we navigate through a world of images created in this way, but also through conversations with a chatbot that reveals all the tendencies and prejudices of human beings. 　　Artificial intelligence is not something new, but in recent years there has been a dominance of the subject in culture that has been impossible to deny or avoid. Society is permeable, and should be, to new technologies, but it is inevitable that we talk about what is lost with their introduction. AI, like many other technologies before it, replaces human resources, but in this case it also replaces psychological and emotional resources. This is where Replika comes in, a chatbot where we can create romantic or friendly relationships with an artificial intelligence. Our Replika won’t criticize us; on the contrary, it will comfort us in any moment of emotional turmoil. Humanized by some, mistreated by others, Inès Sieulle’s film uses Replika not to talk about the machine’s dominance over human beings, but rather to hold up a mirror to humanity itself. (Rui Mendes)

该剧主要讲述的是清朝末年一代中国茶商胡少英的荣辱沉浮。从富贵堕落到贫穷，从复仇到对仇恨释怀，胡少英经历了世间的坎坷，心里的折磨。该剧以安化黑茶为线索，交织一代茶商的爱恨情仇，在广阔的历史文化背景下，刻写人道、商道与茶道。

该剧主要讲述的是清朝末年一代中国茶商胡少英的荣辱沉浮。从富贵堕落到贫穷，从复仇到对仇恨释怀，胡少英经历了世间的坎坷，心里的折磨。该剧以安化黑茶为线索，交织一代茶商的爱恨情仇，在广阔的历史文化背景下，刻写人道、商道与茶道。

扈恬恬在棋局预知了扈家被满门抄斩的结局，为了改变命运，恬恬拉拢同有“重生”经历的落魄皇子苏宴黎，力求引导反派哥哥从善，谁料苏宴黎恐是灭门扈家的祸首，二人极致拉扯中，恬恬慢慢知晓苏宴黎和她的宿命渊源。

影片讲述威震江湖的“冷血刀客”寒月刃，因一饭之恩重返枹罕镇，而此时的枹罕镇正遭受强权恶霸的欺凌压迫，寒月刃决定出手相助，却惊觉人性中的软弱与恐惧远比暴力更加可怕。