The exuberant enchantments of the singing, dancing musical meet the feminist, formalist sensibility of cinematic visionary Chantal Akerman in this uniquely captivating vision of love and survival in the age of late capitalism. Amid the consumerist wonderland of a shopping mall, a cadre of store employees bounce in and out of one another’s arms in a cycle of breakups, makeups, misunderstandings, and reunions, their romantic roundelay punctuated by imaginatively stylized production numbers. Working with frequent star Delphine Seyrig and a remarkable team of writers—who between them penned everything from JULES AND JIM to DESPERATELY SEEKING SUSAN—Akerman deftly balances the shiny pop pleasures of the genre with piercing variations on her signature themes, including a startlingly moving reflection on Jewish resilience and the legacy of the Holocaust.

The exuberant enchantments of the singing, dancing musical meet the feminist, formalist sensibility of cinematic visionary Chantal Akerman in this uniquely captivating vision of love and survival in the age of late capitalism. Amid the consumerist wonderland of a shopping mall, a cadre of store employees bounce in and out of one another’s arms in a cycle of breakups, makeups, misunderstandings, and reunions, their romantic roundelay punctuated by imaginatively stylized production numbers. Working with frequent star Delphine Seyrig and a remarkable team of writers—who between them penned everything from JULES AND JIM to DESPERATELY SEEKING SUSAN—Akerman deftly balances the shiny pop pleasures of the genre with piercing variations on her signature themes, including a startlingly moving reflection on Jewish resilience and the legacy of the Holocaust.

江华因车祸重生到1991年，满身是伤的妻子苏芷柔抱着女儿青青在一旁哭诉。江华头痛欲裂，回想到这一世的自己对妻女各种打骂，于是醒后想要对苏芷柔忏悔，此时江州纺织厂销售经理孙健带人来讨债。

1人到中年的口口卡（作者本人），喜欢说自己喜欢和年轻人在一起，但事实上他才不愿意给年轻人镜头呢，他心里说：再来的时候我拿棍子打你出去，调侃时会说别人的摄像机只是一个玩的东西；更多时候谈及的是自己的回忆，他号召所有人脱下自己的裤子，当然这只是一个嚼头；只有他被激怒了他才会批判别人，不然以和为贵吧还是，他信誓旦旦地说，我年轻的时候也想找老虎打打！！！ 　　an middle aged person(the writer) like to say being with youth. 　　but infact he doesnt want to camera to youth, he thought: I would beat you if you come again. 　　when people's chatting, camera is just a toy for fun, more for record memory, he ask people to take off pains of course just a joke, only he was anger he would criticize others, or being peacefully.he said frankly: I want to beat tiger when I was young. 　　2剧情简介： 有位老师和我说：他喜欢疯狂的纪录片，那么我觉得不错，我来拍你试试。 我把镜头对准了刚刚获奖的几位纪录片导演，我尝试表达相反的意见“你的纪录片不好！”那么他们有什么反应呢？ 纪录片作者总是把镜头对准别人，那么我来试一试把镜头对准他们自己，果然他们不喜欢。 我仿佛看到了我脆弱而又单纯的雄性老年，但愿能以此片随时警醒我自己。 　　導演闡述： 　　A拍摄者只有有被拍摄的经历才能了解摄像机的残酷力量 　　所以对于拍摄者，被拍摄是第一课 　　B幻觉无处不在，藏在各处，艺术就是这种幻觉， 　　当我们明白赞美比批评更容易让孩子进步这个规则时，我们已经变老、我们泛滥地利用这个法则， 　　你藏匿在你的中年朋友中、互相赞美，形成幻觉，不如说你也就此生活在幻觉中颁奖时刻、演讲时刻、掌声、做爱、愤怒、严肃而紧张，批判的不真实、名声、荣誉、财富造成了大量幻觉， 　　我们藏匿在其中，不如说你也就此生活在幻觉中 　　让我带你们去有深度的地方，看看你是否迷失在有幻觉的深度上，还是根本就是肤浅的人。 　　C本片是在拍摄完成后才计划制作的，之前没有任何计划 　　Director’s Statement: 　　1shooters know the cruet strenth of camera, only through being shooted. 　　so to shooters, being shooted is their first lesson. 　　2illusion in every where, art is that kind of illusion. 　　when we understood a principle that praise kids is better than critisize them for improving. we were getting old, we abuse this . 　　you hide in middle age friends, praise to each other and illusion come into being. so why should say we are living in illusion. 　　illusion of time of reward, time of speech, applaud, having sex, anger, tension, untrue criticize, fame, honor, fortune,we are in it, why cant say you are in it too.let me take you to a place, to see whether you lose your illusion or not, or you are just boring person 　　3no scripture before shooting.

The story starts at the point in Benito Mussolini's life when, at the age of nineteen, he gave up being a schoolmaster, left his home town of Forli and, as a guest worker on a building-site in Lausanne, Switzerland, underwent his own personal experience of the darker sides of the capitalist system. The speed with which the rhetorically gifted demagogue manages to assemble whole crowds of friends and followers around him - including above all his "protectress", the enigmatic Russian woman Angelika - is reflected in the speed at which he succeeds in attracting enemies from church and state. His love for the beautiful Eleonora, the daughter of a middle-class family, studying medicine at the University of Geneva - a city where Mussolini himself has been carrying stone around as an unskilled worker - even convinces him to take up studying. When a fatal accident occurs on the building-site - a worker plunges to his death from a badly-secured section of scaffolding - the young student Mussolini calls for a general strike. Arrest and expulsion are the consequences of this first piece of agitation, and it is only the intervention of his influential friend Angelika which saves him from being thrown into jail. But Mussolini is not a man to give up easily. Soon he's successful again, in Trieste, working as editor of the socialist newspaper "L'Avventure del Lavoratore", and a conflict soon arises between himself and the local clergy. This, however, provides the local imperial Austrian authorities with the excuse they need to expel this troublemaker and agitator from the country. Back in his native town of Forlì, Mussolini marries Rachele, his childhood sweetheart. But he's still a long way from settling down into a "bourgeois" lifestyle - he spends far more time with his comrades, and especially the pretty female comrades, than with Rachele and the family. It's not long before Mussolini becomes local chief of the Italian Socialist Party, in which he reveals his secure instinct for power and his talent for intrigue as he plays off various sections of the left against each other. Very soon he's levered his arch-rival Bissolati out of office: in Milan Mussolini becomes editor-in-chief of the country's largest socialist newspaper, "Avanti!". Mussolini exploited the escalation in violence among the country's workers for his own ends. The "reds" - the left-wing Socialists - and the "yellows" - the Republicans - were involved in a bitter war with each other. At the peak of this crisis, however, World War I broke out. While the Italian Nationalists are urging the country to take part in the war, the left wing builds its support on the pacifist strength of the "Socialist International": the workers of Europe must unite against the imperialist warmongers! Now that those in power represent a common enemy, Mussolini - via an adroit move - succeeds in uniting the warring left-wing factions. Although hopes that a united European left will be able to stop the war are soon dashed, Mussolini is now more powerful than ever before. It is at this period of his life that he begins to have growing doubts about neutrality and pacifism being worthy aims for a true revolutionary. Gradually he turns all his allies, even the staunchest ones, into enemies, including his beloved Angelika, by showing a lot of sympathy towards the landowning classes. The last great chapter in the history of Mussolini the socialist is now played out against the backdrop of World War I, and the transformation begins which will eventually lead him to found an entirely different type of socialism altogether - Fascismo. While the pacifists in his party are pressing for neutrality, Mussolini finally allows himself to be "bought" by the Conservative government. The former anti-war campaigner turned opportunist now supports the war. Now he's on his own - and at the turning-point of his political career...

回归八十年代的中国美术，探求艺术长河中的星星之火，剖析中国曾经走过的成长时期。罗中立的《父亲》，陈丹青的《西藏组画》，是中国曾经成长的精神力量

她穿越到特殊年代，成了任人欺凌的软柿子，被家人苛待、打骂，连口饱饭都吃不上。原主懦弱早逝，来自现代的她决心讨回公道。发现自己偷吃鸡蛋遭辱骂后，她不再忍让，持棍反击欺压者。面对众人围观，她揭露自身遭遇，将劣势转为优势，誓要让那些欺辱过“她”的人付出代价。

80代新新人类，对性和爱的态度如何？我们第一次的性体验怎么经历的？享受什么样的做爱方式？我们有过多少个伴侣？我们相信什么？尝试了许多后，内心真正的感受？什么是每个人追求的快乐？ 　　《80 年代荷尔蒙》是一部受到争议的影片，探索80代人"天赋人权、享我性爱"的生活观念，风格大胆率真，新生代导演Kevin Zhang在上海实地采录中国80年代出生的男女坦诚分享自己在性和爱方面的经历、态度、冲动和梦想，从外企白领、时装店主、专卖店店员、影视剧灯光师、键盘手、音乐制作人、钢管舞领舞小姐、到研究生、运动员、医生、酒吧鸭头 　　电视、 A片不会演这个。 　　身边人几岁第一次？经历多少个？什么"车床族" 　　独立导演实录外企白领、学生、 到钢管舞女、酒吧牛郎。 　　大胆率真，我的声音。 　　《80年代荷尔蒙》（原名《冰度80代性爱启示录》）是一部自开拍就受到巨大争议的影片，取材与年前在中国遭禁的百老汇名剧《阴道独白》有所相似，内容非常大胆，新生代导演张侃文在上海实地采录中国80年代出生的男女，从外企白领、钢管舞女、研究生、鸭头（舞男）、时装店主、影视业人员等涉及多个行业；大胆交流他们对性和爱的亲身经历、态度、感受和幻想。片中出现了常规影视中难得一见的大量事实，如性伴侣个数、初次体验的年龄、享受的做爱方式等，和一些很有“启发”的情节如“车床族”、“第一次采取主动的乖女孩当时想些什么”等。那些厌倦了传统主流媒体的虚假的人，纷纷感受到一种全新和舒畅的体验，直呼过瘾。影片多次出现的“天赋人权，享受性爱”文字，反映出类似西方文化对身体和性非常自然和接受的观念。 　　附录：导演背景资料 　　张侃文 男 1981 年生于上海 　　上海人，上海戏剧学院导演系 　　2002 年协助创办" 空间电影社" 　　2002 年夏开始了独立纪录电影创作 　　2004 年10 月创办"KJ 视觉空间" 　　主要作品：纪录电影：《大篷》《海船》、《界》 作者 　　《秦关路十号》《风经》《阴阳界》《白族地下节日考》 制片人 　　有本书采录过他：《独立纪录 ( 对话中国新锐导演) 》 　　他的作品《海船》参加过 第二届中国纪录片交流周 　　其他作品参加过的展示包括但不限于《我们眼中的上海—— DV纪录片展映》 　　有些采访，如新浪 DV的： "中国新生代 80后影像作者纪实录：张侃文" 　　张侃文谈话节选： 　　" 谈到创作上来，80 年代很容易在创作时比较注重反映一些特别自我的( 东西) 。当然第五代张艺谋他们也会去反映一些自我的，但他们始终会把自己同这个时代结合起来，你去看80 年代的人，他们不去反映时代的。虽然从影象上来说他们也在反映时代，因为他们就是时代的产物，但很多内容会脱离很多时代去谈。包括你看爱情，他们只会去很单纯的，封闭在校园里，去反映发生在自己周围的爱情故事。"

我在80年代撩首富：穿越女的逆袭人生：宋萧然凭借智慧和勇气，成功摆脱了后妈和渣男的陷害，展现了坚韧不拔的性格。 家庭纷争与孩子的未来：家庭内部的纷争导致孩子受伤，揭示了家庭关系中隐藏的恶毒真相，引发观众对孩子未来的担忧。 谢家疑云：谢家内部矛盾重重，荷花与宋萧然之间的矛盾激化，孩子的意外失踪更是加剧了家族内外的纷争。

穿越女宋萧然在陌生世界中的生活展开。她不仅面临着来自后妈和渣男的陷害，还努力在复杂的家庭关系中寻找自己的位置。最终，她与未来首富谢明臣喜结连理，但婚姻生活也并非一帆风顺。