当命运重启，王鹏用勇气改写青春的遗憾：在校园重逢的月光下，他不仅要向校花杨珊子解开误会，更与挚友点燃乐队、片场、实验室的星辰。时空裂缝中的每一次选择，都是对爱与梦想的孤注一掷——“即使被抛回原点，也要让所有人看见光的方向”。 　　《重回那夜，校花你听我狡辩》是一部融合了青春校园、时空穿越、爱情纠葛与成长励志的短剧。讲述了主人公王鹏意外穿越回大学时代，获得重新来过的机会，他决心改变过去，挽回失去的爱情，并帮助朋友们实现梦想的故事。

全程iPhone裸机拍摄。关于童年、 关于声音、 关于故乡。伴着《东方红》的敲钟声，一段关于大悟的纪录影像带我们回到了属于长沙的隐秘角落，那里承载着不同代际的市民所共有的记忆，呼吸着、共振着，仿佛听到了，一段段来自故乡的声音。

Francesco 和Elena，Roberto和Flavia，Tommaso和Virginia这一帮好友认识并相处在一起已经3年多了，他们都居住在罗马，过着幸福和谐的生活。 　　Francesco和Elena是一对儿25岁的即将步入婚姻殿堂的准未婚夫妇；Roberto和Flavia才刚刚20出头，他们的爱充满了年轻的冲动和活力；Tomasso和Virginia是两个单身贵族，两个人没法在一起，因为他们都。。。

她是全职作家，整日独自生活在二次元的世界里自得其乐，某天，却突然在闺蜜的威逼利诱下开始充当他的“御用厨娘”。他是她见过的最奇怪的人，孤僻冷漠、行为捉摸不透，可有时候却又会莫名让她萌生温暖的念头。再后来，她发现，原来他就是她在二次元这么多年最钟爱的声音的主人。 　　他是世上独一无二的音乐鬼才。她见证他一夜成名，以惊涛骇浪之势创造了乐坛从未曾出现过的奇迹。他是娱乐圈的谢修弋，也是网配圈的Djay。这是他的双面人生，而无论哪一面，都是她的挚爱。 　　Hi Darling, Can you hear me?

她是全职作家，整日独自生活在二次元的世界里自得其乐，某天，却突然在闺蜜的威逼利诱下开始充当他的“御用厨娘”。他是她见过的最奇怪的人，孤僻冷漠、行为捉摸不透，可有时候却又会莫名让她萌生温暖的念头。再后来，她发现，原来他就是她在二次元这么多年最钟爱的声音的主人。 　　他是世上独一无二的音乐鬼才。她见证他一夜成名，以惊涛骇浪之势创造了乐坛从未曾出现过的奇迹。他是娱乐圈的谢修弋，也是网配圈的Djay。这是他的双面人生，而无论哪一面，都是她的挚爱。 　　Hi Darling, Can you hear me?

一个迷恋电音的外卖员，一次返璞归真、关于创作与灵感的偶然之旅。

At a fashionable dinner party in Hong Kong a naval officer is coaxed into revealing details of a dream in which eight persons take off from Bangkok in a Dakota bound for Tokyo and crash in the Japanese mountains. Amongst those listening is Air Marshal Hardie who is due to fly to Tokyo the next day. Hardie initially dismisses the dream because he is scheduled to fly out in a Liberator, but as Hardie arrives at the airport he discovers that the Liberator has developed mechanical problems and has been replaced by a Dakota. When, just before the flight is due to depart, two soldiers board the plane making a complement of eight, Hardie fears that the Dream may be coming true and he is destined to die.

No one wants to listen to a polite, but persistent elderly man, Mr. Johnson, who has a strange theory about the recent "stocking murders" of three young women. His theory? That the third murder was committed by a copycat killer. First the old man, arming himself with a phony name, goes to the police, getting an audience with the very lieutenant who led the investigation, and the lieutenant dismisses his theory, but not before briefly conceding the point that the prime suspect, already in custody, confessed to only two of the three murders (having nothing to lose, it would seem, by confessing to the third). Next, Mr. Johnson, using another alias, seeks and finds a newspaper reporter, who is boozing it up with a floozy - by chance, the very reporter who covered the story, and Mr. Johnson and his ideas are not only dismissed once again, but the condescending bartender practically throws the old man out the door. Finally, at wit's end, Mr. Johnson, no longer hiding behind a false name, consults with a priest and seems to be on the verge of confessing something horrible himself. After all, he seems to know way too much about the life of the last murder victim. Still, the well-meaning priest finds the old man is guilty of nothing more than an unseemly obsession with a tabloid story. The police must know what they're doing, don't they? Feeling utterly ignored, Mr. Johnson goes home to his wife, and even she chides him for "thinking about things too much."

这个导演十分可恶，先极尽勾引诱惑之能事，逐步升级，把你搞得遐想连翩，简直都要控制不住了，然后兜头一盆冷水，一下浇灭了你的热情如火，让你不禁质疑起自己的性心理——我真的如此丑陋？真的不能把别人当作有人格的人来尊重，而只把他们当成欲望的工具？我的欲望本身难道不是丑陋的吗？ 　　他其实在抨击现代传媒方式，是媒体把人们变成了这样——我要满足我要爽，而这并不是生活的真相，真正的美好常常与爽无关。 　　虽然手法有些恶劣，但其实，他是想要传达一些信息，帮助你改善自己的生活。

这个导演十分可恶，先极尽勾引诱惑之能事，逐步升级，把你搞得遐想连翩，简直都要控制不住了，然后兜头一盆冷水，一下浇灭了你的热情如火，让你不禁质疑起自己的性心理——我真的如此丑陋？真的不能把别人当作有人格的人来尊重，而只把他们当成欲望的工具？我的欲望本身难道不是丑陋的吗？ 　　他其实在抨击现代传媒方式，是媒体把人们变成了这样——我要满足我要爽，而这并不是生活的真相，真正的美好常常与爽无关。 　　虽然手法有些恶劣，但其实，他是想要传达一些信息，帮助你改善自己的生活。