A family saga of two generations. Hatred and love closely intertwined the lives of two families.

For two minutes, all we see are calves, bare feet and asphalt. Every time a foot hits the ground, it makes a slapping sound, accompanied by the runner’s rapid breathing. The rhythm is steady, and yet there is an urgency to the shot. 　　The runner is Félix Bruzzone, a writer who lives near the Campo de Mayo military base on the outskirts of Buenos Aires. His research and experiences serve as the basis for Jonathan Perel’s film Camuflaje. He explains what drives him in voice-over: his mother was disappeared by the military when he was an infant. It was only after purchasing a property close to Campo de Mayo that he learnt that she also died there. 　　What should be done with this wasteland on which the military killed its opponents 45 years ago? Bruzzone speaks with those who live in the area in a series of staged encounters. An estate agent gushes over the rise in property values, a run-in with soldiers turns out better than expected, a survivor of the camp describes how much resistance she faced in trying to erect a memorial, to say nothing of a documentation centre. Bruzzone keeps on running, tirelessly.

For two minutes, all we see are calves, bare feet and asphalt. Every time a foot hits the ground, it makes a slapping sound, accompanied by the runner’s rapid breathing. The rhythm is steady, and yet there is an urgency to the shot. 　　The runner is Félix Bruzzone, a writer who lives near the Campo de Mayo military base on the outskirts of Buenos Aires. His research and experiences serve as the basis for Jonathan Perel’s film Camuflaje. He explains what drives him in voice-over: his mother was disappeared by the military when he was an infant. It was only after purchasing a property close to Campo de Mayo that he learnt that she also died there. 　　What should be done with this wasteland on which the military killed its opponents 45 years ago? Bruzzone speaks with those who live in the area in a series of staged encounters. An estate agent gushes over the rise in property values, a run-in with soldiers turns out better than expected, a survivor of the camp describes how much resistance she faced in trying to erect a memorial, to say nothing of a documentation centre. Bruzzone keeps on running, tirelessly.

Lennon observes on the sidelines of the thriving Columbus indie music scene, yearning for a personal connection that might shepherd her into the inner sanctum. Enter the enigmatic Bobbi Kitten, who takes Lennon under her confident wing—unwittingly entangling herself in a dark obsession. With Sylvie Mix, Bobbi Kitten.

小齐是学生会宣传部的一员，正在剪辑学生会换届选举大会的宣传视频。当他完成剪辑后，一条电视台的新闻改变了一切。

小齐是学生会宣传部的一员，正在剪辑学生会换届选举大会的宣传视频。当他完成剪辑后，一条电视台的新闻改变了一切。

Iranian director Saless’ radical style was unique in the West German cinema of the 70s and 80s. His black-and-white film dissects the disturbed state of an unemployed construction engineer entirely at odds with social norms. 　　源自：https://www.berlinale.de/en/2023/programme/202315080.html

Iranian director Saless’ radical style was unique in the West German cinema of the 70s and 80s. His black-and-white film dissects the disturbed state of an unemployed construction engineer entirely at odds with social norms. 　　源自：https://www.berlinale.de/en/2023/programme/202315080.html

顶级特工南彩云下定决心脱离刀尖行走的特工生活，携六岁的女儿南小糖回归平静，女儿是生性冷酷的南彩云心中唯一的柔软与温暖。然而事与愿违，年幼的女儿竟被卷进了南彩云接下来的特工任务。为了完成任务，南彩云与极度自恋的特工颜英俊假扮夫妻，带着女儿伪装成幸福的“三口之家”，打入上流社会圈。夫妻俩在人前是高贵优雅恩爱的眷侣，私底下颜英俊随时随地孔雀开屏，南彩云随时随地无情拆台，女儿南小糖却喜欢上了这位温柔幽默的新爸爸。一家三口在等级森严、纸醉金迷、笑里藏刀、藏污纳垢的豪门圈子里一路摸爬，踏过沾满“人血”的人间炼狱，阅尽“狗血”的人伦丑事，最终登顶，成为这场豪门盛宴的座上宾，“假夫妻”也磨砺出了真感情。