超上头的乡村重生爽剧！主人公一觉醒来，竟重生到渔村 “二溜子” 身上 —— 原主偷鸡摸狗、声名狼藉，在村里人人嫌弃。带着成年人的心智与决心，他立誓改写人生，洗刷污名！瞄准家门口的大海，他开启赶海逆袭路：识潮汐、辨海货，潮起潮落间收获满筐珍宝，从人人鄙夷的混子，变成靠双手致富的赶海能手。剧情节奏紧凑，赶海名场面真实过瘾，既有逆袭打脸的酣畅，又有乡村生活的质朴温情。看昔日 “二溜子” 如何凭赶海绝技逆转口碑、发家致富，一步步在渔村站稳脚跟，解锁幸福生活，越看越上头！

叶辰沉迷网上赌博，败光家产，势要再赌一次翻身，妻子秦美云不堪重负，与叶辰离婚，叶辰怒斥秦美云，一心想翻身，就在这时，二人受到女儿童童重病不治身亡的消息，叶辰这才幡然醒悟，失望至极，从高楼一跃而下，醒来之时猛然发现自己穿越回了跳楼之前，觉醒了未来眼技能，能看到未来某一时段发生的事情，叶辰想到前世自己的渣男行为，后悔不已，于是决定通过自己的未来眼赚钱，为女儿治病，重追秦美云！

Faces 1973并非是James Benning的2011年作品Faces。Faces 1973是一部25分钟短片，这是资料来源：https://www.filmaffinity.com/en/film590774.html。同时，以下为导演对Faces 1973的自述： 　　One of the films I remade was a film that used two faces in it from a short little three-minute film that I made for the Henry Mancini television program back in 1973. The two main characters in that film were a prostitute and a junkie, and because of that, it was never shown on television. So I thought I would rework that film, copied those two faces and took the last two seconds of the film of the two faces and stretched them each to 12 ½ minutes. I made a 25 minute film out of two faces. - JB

男主顾野集团总裁，因为男反谭杰长的和自己死去弟弟很像，把谭杰当亲兄弟，结果男反谭杰是个白眼狼。上一世男主被男反背叛害死，男主彻底醒悟，重生归来决定改变命运，发现男反冒充自己总裁的身份联姻，男主发誓要让男反付出代价，在婚礼现场抢婚。

流水线工人陆峰重生归来，拒婚渣女陈倩，智斗韩家大少，炒股逆袭成富豪，誓救真爱柳如烟！

年轻时主人公与村里的美女结为连理，经过大半生的奋斗，终于攒下千万身家。然而五十岁那年，被诊断出肝衰竭，医生说唯有直系家属移植肝脏才能保命。此时竟发现三个儿子竟都不是亲生的。兄弟姐们们为了筹提亲钱却离世，如今，妻儿为争家产，拳打脚踢。没想到，意外重生到送彩礼这天，这一次，主人公便决定创业，靠卖鱼卖虾闯出一片天！

超上头的年代重生爽剧！奋斗几十载终于功成名就，他和朋友喝酒庆祝，没成想醉后直接 “喝没了”。再次睁眼，竟重生回到1983 年！他冲到院子里崩溃大骂，而妻子林薇正推着堆满硬纸板的破旧三轮车，呆呆看着他——早已习惯了他喝酒后说疯话的模样。收拾院子小推车时，他无意间触发了 “一分钱惊喜盒子系统”，带着前世创业经验与开挂系统，逆袭之路正式开启。剧情既有重生回年代的怀旧感，又有夫妻相守的温情，更有系统加持的暴富爽感。看他如何从收破烂起步，凭借先知与系统 buff，在80年代乘风破浪、赚得盆满钵满，每一集都充满惊喜与逆袭张力，越看越上瘾！

意外激活随身农场空间，他从此告别平凡人生。巴掌大的土地能种出稀有灵植、速生果蔬，灌溉泉水可强身健体、改良土壤。无需农药化肥，作物天生饱满甘甜，从阳台小试牛刀到供应高端市场，他靠绿色有机食材打响名气。无论是稀缺药材换得重金，还是新鲜果蔬治愈亲友。

Shot over a ten-year period, Diary is not only the political, professional and personal diary of a man, but a testemony that is also a statement on the turbulent reality of a war-torn country, Israel. The six chapters that make up the film take us from Tel Aviv to Paris, then to London and Brazil, where David Perlov was born, and where he decides to return after a twenty-year absence. The film is also a family diary in which Perlov records the coming of age of his two daughters, Yael and Naomi. There are meetings with Claude Lanzman, Isaac Stern, Joris Ivens, Andre Schwartz-Bart, Irving Howe,and Klaus Kinsky. An extraordinary mixture of home movies, political documentary and cinema-verité, Diary is a unique work. The ten years of shooting and five more of editing have resulted in a film which has the spontaneity and apparent arbitrariness of a snapshotbut which is a carefully composed and graded as a finished masterpiece.