On year 2094, Commander James is on mission above Mars' Surface to scanning it to make a complete map of the planet. One of his two robots, D.O.R. (Discovery Optical Relay), makes a lonely journey to explore a distant mountains when it detects a strange movement of stones from the top. After D.O.R. turns off mysteriously, Commander James and the other rover R.E.X. (Relations Experiment Explorer) goes to the place where D.O.R.'s signal gave its last location. After to finding D.O.R. totally destroyed, Commander James actives his video feed to discover what D.O.R. saw just before to be destroyed, but in this moment and unknown for him, R.E.X. detects movement on a close cavern and it enters to investigate.

On year 2094, Commander James is on mission above Mars' Surface to scanning it to make a complete map of the planet. One of his two robots, D.O.R. (Discovery Optical Relay), makes a lonely journey to explore a distant mountains when it detects a strange movement of stones from the top. After D.O.R. turns off mysteriously, Commander James and the other rover R.E.X. (Relations Experiment Explorer) goes to the place where D.O.R.'s signal gave its last location. After to finding D.O.R. totally destroyed, Commander James actives his video feed to discover what D.O.R. saw just before to be destroyed, but in this moment and unknown for him, R.E.X. detects movement on a close cavern and it enters to investigate.

One of Lipsett's many found-footage films (films made up of footage 'sampled' from other films) this short uses a fairly abstract montage of shots to comment on the isolation and alienation of the modern man (1964 modern) in a mechanised society. the individual footage itself is quite amazing and the overall effect of the montage leaves one with a definate sense of unease. apparently george lucas saw this in film school and was inspired to make THX-1138. a premium example of the new hollywood film makers of the 70's technique of adapting highly experimental avant-garde films into their own relatively conventional narrative structures (see also Blow-up into Blow-out)

One of Lipsett's many found-footage films (films made up of footage 'sampled' from other films) this short uses a fairly abstract montage of shots to comment on the isolation and alienation of the modern man (1964 modern) in a mechanised society. the individual footage itself is quite amazing and the overall effect of the montage leaves one with a definate sense of unease. apparently george lucas saw this in film school and was inspired to make THX-1138. a premium example of the new hollywood film makers of the 70's technique of adapting highly experimental avant-garde films into their own relatively conventional narrative structures (see also Blow-up into Blow-out)

2025年刘念珠因与妈妈争执穿越到80年代，成为刘明珠。她拒包办婚姻、护母妹怼渣男父亲，借无息贷款靠大蒜赚第一桶金，携手未来首富陆霆搞事业。穿越中她窥见妈妈（原名刘瑶）的过往苦难，理解其暴躁根源。母女双向穿越和解，刘喜携80年代智慧重返现代创业。

12岁的本，他喜爱美食，但体重问题困扰着他。也因为肥胖，本被其他孩子的欺负，他无法向已离异的父母寻求帮助。本决定开始节食，也许这就能解决一切，还能赢得爱慕对象克拉拉的好感。但本终会明白，内心的成长比外表的变化更重要。

与动画大师史云梅耶来自同一国度的捷克女导演克里斯蒂娜·杜夫科娃，以这部精彩纷呈的定格动画入围安纳西国际动画电影节“反打镜头（Contrechamp）”竞赛单元。本片改编自法国作家米卡埃尔·奥利维耶的小说，主人公12岁的本在离异家庭中长大，母亲经营一家宠物医院。热爱音乐的本还对烹饪颇有天赋，但由于过度肥胖，他不仅被校医警告，甚至还遭遇了校园霸凌。为了赢得同学克拉拉的喜爱，本决定减肥。缤纷的美食、灵动的小动物、精彩的乐队彩排……影片以丰富的细节将本的悸动、担忧、恐惧具象化，精准刻画了一个青春期少年的内心世界，完美呈现了他重新找回生活热情的心路历程，令观众感同身受。

与动画大师史云梅耶来自同一国度的捷克女导演克里斯蒂娜·杜夫科娃，以这部精彩纷呈的定格动画入围安纳西国际动画电影节“反打镜头（Contrechamp）”竞赛单元。本片改编自法国作家米卡埃尔·奥利维耶的小说，主人公12岁的本在离异家庭中长大，母亲经营一家宠物医院。热爱音乐的本还对烹饪颇有天赋，但由于过度肥胖，他不仅被校医警告，甚至还遭遇了校园霸凌。为了赢得同学克拉拉的喜爱，本决定减肥。缤纷的美食、灵动的小动物、精彩的乐队彩排……影片以丰富的细节将本的悸动、担忧、恐惧具象化，精准刻画了一个青春期少年的内心世界，完美呈现了他重新找回生活热情的心路历程，令观众感同身受。