云起http://www.mtime.com/my/gmzyq/　　玛尼是一个不成功的女性，到处找工作，忙于自己的生计。这两天，她急急忙忙地从工作地赶回家里，为的不是别的，她的哥哥威尔要结婚了。为了参加哥哥的婚礼，玛尼推掉了手上的工作，回到了家里。　　兴冲冲的玛尼回到家，见到了自己久未谋面的哥哥和父母，以及她未来的嫂子。出乎玛尼意料的是，她未来的嫂子竟然是她的高中同学乔安娜。高中女生的关系总是充满了变数和各种奇奇怪怪的问题--乔安娜在高中和玛尼是不共戴天的敌人。不过来到夫婿家的乔安娜似乎忘记了过去发生的一切，她热情、和蔼得就好像是玛尼的挚友。　　当然，这还不是最糟糕。乔安娜的亲属也来到了亲家，他们也要出席婚礼。出乎所有人意料的，乔安娜的光鲜亮丽的姑妈和只是一个家庭主妇的玛尼的妈妈竟然也是高中同学，她们竟然也是彼此不共戴天的敌人。　　这四个女人究竟要怎么相处才能相安无事，以前的那些伤疤究竟对她们造成了多大的伤害。伴随着婚礼的临近，这四个女人的疯癫的相处和闹尽了笑话的生活也渐渐走到了顶峰。

云起http://www.mtime.com/my/gmzyq/　　玛尼是一个不成功的女性，到处找工作，忙于自己的生计。这两天，她急急忙忙地从工作地赶回家里，为的不是别的，她的哥哥威尔要结婚了。为了参加哥哥的婚礼，玛尼推掉了手上的工作，回到了家里。　　兴冲冲的玛尼回到家，见到了自己久未谋面的哥哥和父母，以及她未来的嫂子。出乎玛尼意料的是，她未来的嫂子竟然是她的高中同学乔安娜。高中女生的关系总是充满了变数和各种奇奇怪怪的问题--乔安娜在高中和玛尼是不共戴天的敌人。不过来到夫婿家的乔安娜似乎忘记了过去发生的一切，她热情、和蔼得就好像是玛尼的挚友。　　当然，这还不是最糟糕。乔安娜的亲属也来到了亲家，他们也要出席婚礼。出乎所有人意料的，乔安娜的光鲜亮丽的姑妈和只是一个家庭主妇的玛尼的妈妈竟然也是高中同学，她们竟然也是彼此不共戴天的敌人。　　这四个女人究竟要怎么相处才能相安无事，以前的那些伤疤究竟对她们造成了多大的伤害。伴随着婚礼的临近，这四个女人的疯癫的相处和闹尽了笑话的生活也渐渐走到了顶峰。

Diego is 17 and is full of life, yet fragile. His best friend Antonio knows and indulges his weaknesses, but he would also like to see him strong and masculine. One night they meet Maria, a breezy natural beauty. To show that he is a "real man", Diego, is ready to do anything, even to force himself to do things he would never have wanted to do. Written by The Open Reel

Diego is 17 and is full of life, yet fragile. His best friend Antonio knows and indulges his weaknesses, but he would also like to see him strong and masculine. One night they meet Maria, a breezy natural beauty. To show that he is a "real man", Diego, is ready to do anything, even to force himself to do things he would never have wanted to do. Written by The Open Reel

While Jackie Raynal is best known as the former programmer of two of New York’s premiere art cinemas—the Carnegie Hall and the Bleecker Street—she began her career in film nearly forty years ago in Paris, where by 1964 she was the youngest film editor in France. Challenged by Zanzibar patroness Boissonnas to stop editing other people’s films and make her own, Raynal traveled to Barcelona, where she completed Deux Fois in a single week. One of the most enigmatic of the Zanzibar films, it is composed of a series of unconnected episodes, some of which are repeated. The film begins with a prologue in which Raynal (carefully made-up and fashionably dressed) is seated, head lowered and hands joined in prayer, before both her dinner and her film. While Deux Fois lays claim to the Surrealist legacy of Buñuel and Cocteau, it gained critical recognition as a pioneering work within the burgeoning feminist cinema.

While Jackie Raynal is best known as the former programmer of two of New York’s premiere art cinemas—the Carnegie Hall and the Bleecker Street—she began her career in film nearly forty years ago in Paris, where by 1964 she was the youngest film editor in France. Challenged by Zanzibar patroness Boissonnas to stop editing other people’s films and make her own, Raynal traveled to Barcelona, where she completed Deux Fois in a single week. One of the most enigmatic of the Zanzibar films, it is composed of a series of unconnected episodes, some of which are repeated. The film begins with a prologue in which Raynal (carefully made-up and fashionably dressed) is seated, head lowered and hands joined in prayer, before both her dinner and her film. While Deux Fois lays claim to the Surrealist legacy of Buñuel and Cocteau, it gained critical recognition as a pioneering work within the burgeoning feminist cinema.

30年代，舞台演员Tyler Walker在他的恋人Myrna抛弃他跟别人结婚之后精神崩溃，整天在他的豪宅里跟一个打扮成Myrna模样的时装模型为伴，终于在一天晚上，Tyler上吊自杀。许多年后，深陷破产危机的Cates一家突然听说他们继承了Tyler的老房子，急于寻找片瓦遮身的Cates夫妇当即带着儿子Scott和女儿Robin前往。经历多年风雨，这所老房子变得残破不堪，而且还被暴躁成性的Silk为首的街头帮派占据。就在Cates一家忙于应付Silk及其党羽的时候，Tyler的鬼魂跑出来制造了更多混乱……

A Latin teacher, tired of fighting, gives all her students a very high grade to win peace in her class. 　　Unfortunately, this qualifies them for a Latin competition taking place in Naples…

The dates of the exhibit have been set. Bernd Hoffmann is in Lisbon, which he had already visited in 1974, when he met the young artist Hanna Brauer. The exhibit will present paintings by both artists. Bernd is waiting for Hanna, but neither she nor her paintings seem to have arrived in Portugal. And yet he knows that the woman is in Lisbon. He looks for her among his old revolutionary friends, then turns to the police for help. He discovers that Hanna is dead. A natural death? Suicide?

A woman’s dreams become haunted by a titan from Portuguese mythology who sought to destroy Vasco da Gama’s ship, preventing him from ever reaching India. Questions of what could have been emerge across ends to colonial occupations in India and Africa.