白宝熙（赵茹珍 饰）是在玩具公司上班的女白领，业务能力极强的她是公司里的销售精英，事业心爆棚的她也愿意将大部分的时间都投入到工作中，自然冷落了家里的老公和女儿，时间久了，白宝熙和老公之间的交流少了很多，夫妻之间的感情渐渐淡漠。 　　一天，白宝熙正在进行一个非常重要的会议，哪知道在产品呈现的环节，她竟然错拿了邻居南希（克拉拉 饰）的情趣用品。克拉拉经营着一家情趣用品点，愤怒的白宝熙杀到她的店里准备兴师问罪，哪知道却意外的被琳琅满目的店内商品打开了新世界的大门，极富商业头脑的白宝熙在享受着快乐的同事开始盘算着进军情趣用品界的打算。

金敏贞和已经交往三年的男友分手了。她在旅途中疗伤。 然而，她在路上遇到了一些奇怪的人！Hoon jae的性爱思想迷奸她。金敏贞顺利回避他。搭车遇到一个司机！ 金敏贞险些被强暴被救。然后，她遇到了Myeong sik，他是不同于其他人。闵贞不停地看着他，Myeong sik也喜欢她。 村里的寡妇Yeon Joo不喜欢他们，她是Myeong sik的性伴侣。她试图分开他们。他们会怎么样?

库尔特（汤姆·希林 Tom Schilling 饰）的姨母曾经被关进过集中营，最终在纳粹医生卡尔（塞巴斯蒂安·科赫 Sebastian Koch 饰）的折磨下不幸死去。虽然库尔特幸运的在柏林墙建成之前逃往了西德，但他的整个童年时代都生活在纳粹的阴影之下，这给他的人格带来了极大的创伤。 　　之后，库尔特进入了杜塞道夫美术学院就读，无法走出过去阴影的他将内心的绝望和伤痛都挥洒在了画布之上。一次偶然中，库尔特邂逅了名为艾利（葆拉·贝尔 Paula Beer 饰）的女孩，美丽活泼的艾利渐渐的治愈了库尔特内心的伤痕，当两人鼓起勇气想要将关系再推进一步时，却遭到了艾利父亲的强烈反对。

库尔特（汤姆·希林 Tom Schilling 饰）的姨母曾经被关进过集中营，最终在纳粹医生卡尔（塞巴斯蒂安·科赫 Sebastian Koch 饰）的折磨下不幸死去。虽然库尔特幸运的在柏林墙建成之前逃往了西德，但他的整个童年时代都生活在纳粹的阴影之下，这给他的人格带来了极大的创伤。 　　之后，库尔特进入了杜塞道夫美术学院就读，无法走出过去阴影的他将内心的绝望和伤痛都挥洒在了画布之上。一次偶然中，库尔特邂逅了名为艾利（葆拉·贝尔 Paula Beer 饰）的女孩，美丽活泼的艾利渐渐的治愈了库尔特内心的伤痕，当两人鼓起勇气想要将关系再推进一步时，却遭到了艾利父亲的强烈反对。

Dream Work does not so much present dream content than filmic methods of representation corresponding to Freudian dreamwork: mechanisms of displacement and condensation are seen in relation to figurative elements found in Tscherkassky’s source material. Tscherkassky processes these in a manner that resembles Freud’s description of the compression (Pressung) of dream thoughts that takes place in the work of dreams, whereby “components are turned, crumble, and get pushed together, like drift ice.” 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1241/14624

Dream Work does not so much present dream content than filmic methods of representation corresponding to Freudian dreamwork: mechanisms of displacement and condensation are seen in relation to figurative elements found in Tscherkassky’s source material. Tscherkassky processes these in a manner that resembles Freud’s description of the compression (Pressung) of dream thoughts that takes place in the work of dreams, whereby “components are turned, crumble, and get pushed together, like drift ice.” 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1241/14624

For every movie made, dozens of pictures remain missing forever. MISSING PICTURES gives directors a chance to tell the story that would otherwise never be told. Each episode invites one filmmaker to narrate some key points of the movie, why the movie was so important for them at the time and why it was never made. 　　Episode 1: Abel Ferrara, Birds of Prey (USA) 　　In this episode, we meet long-time independent American filmmaker Abel Ferrara. ‘Birds of Prey‘ would have been the political thriller of his dreams…until it all fell apart. The neo-noir, provocative director behind movies like Ms. 45 (1981) and Bad Lieutenant (1992), takes us with him on a journey through the heart of his unfinished story based in the 70’s New York City. 　　Episode 2: Tsai Ming-Liang, The Seven-Story building (Taïwan) 　　Tsai Ming-Liang, the Taiwanese maestro of slow cinema, doesn’t have a real “missing picture”, but what he does have are childhood memories, so vivid that it is impossible for him to film. The filmmaker seizes the medium of virtual reality to go back to the Malaysia of his childhood, when his grandparents took him to see two movies every night. Rather than telling us about an unmade film, Tsai Ming-Liang transforms the exercise into a making-of of his entire film career. 　　Episode 3: Catherine Hardwicke, The Monkey Wrench Gang (USA) 　　After Twilight Chapter 1’s huge box-office hit, American filmmaker Catherine Hardwicke tried to make an adaptation of The Monkey Wrench Gang by Edward Abbey, a cult book of the 70s American counterculture and a precursor of eco-activism. The director revisits this project which excited her so much and which became, because of the reluctance of the Hollywood studios, one of these umpteenth “ghosts of the garage”. 　　Episode 4: Lee Myung-Se, Father is gone (South Korea) 　　Father is gone could have been Lee Myung-se’s debut film, but slipped into a long hiatus instead. After thirty years busy directing unprecedented features in Korea like First Love or Nowhere to Hide, Lee finally brings the lost project back to life through virtual reality. Set against the backdrop of a family of three moving to the outskirts of Seoul in the 1960s – where the director himself grew up – Father Is Gone questions the place of the father in the traditional Korean culture. 　　Episode 5 : Naomi Kawase, Oh Debu (Japan) 　　The most celebrated female filmmaker from Japan revisits a project that she envisioned after her 2015 film Sweet Bean. Oh Debu tells the story of Aya, a 27-year-old, overweight and over romantic woman. Through this story, Naomi Kawase wanted to give herself a challenge trying to make a comedy, far from her naturalist, poetic previous work.

讲述的是在某个都市的“当地英雄”非常受欢迎，并成为了全国的明星。以此为契机，全国各地都诞生了“当地英雄”，人气最高的“英雄”的现场格斗表演也成为了国民级的人气项目。作为水果产地的“阳菜野市”比别的地方晚受到影响。爱着这个城市的女高中生城之根御崎受到了产生危机感的身为县知 事的叔母煽动，决心组建阳菜野市的格斗现场表演剧团.

讲述的是在某个都市的“当地英雄”非常受欢迎，并成为了全国的明星。以此为契机，全国各地都诞生了“当地英雄”，人气最高的“英雄”的现场格斗表演也成为了国民级的人气项目。作为水果产地的“阳菜野市”比别的地方晚受到影响。爱着这个城市的女高中生城之根御崎受到了产生危机感的身为县知 事的叔母煽动，决心组建阳菜野市的格斗现场表演剧团.