《红旗下》是一部反映个人成长的现实主义短片。单亲家庭长大、自由要强的艺考生依依冲破层层选拔，得到了大型文艺汇演领舞的角色。不料很快她发现，自己的成绩是因为母亲悄悄向老师送礼所得。面对世俗的眼光和自己良心的拷问，依依第一次明白成长的代价。A driven and conscientious girl at China's premier dance school gets the lead position in a prestigious performance but struggles to accept it after she learns that her mother has bribed the teacher to buy her the part.

戏剧院的悲惨三级喜剧演员阿奇被瘟疫蚕食，然而他却幸存下来，变得目中无人和唯利是图，他许久，开国际玩笑，说冷笑话，大声谈论性事，对政治豪放厥词。阿奇还引诱自己的父亲提前退休后拿他的退休金恶意投资，最终还是全军覆没，这样像狗屎一样的人生，他在用自己的方式演绎一个社会中的普通人，然而把他放大来看，其实他只是社会中的一名艺人而已。

二战爆发，富樫胜男（丹波哲郎 饰）接到征兵令，不得不告别新婚刚满六个月的妻子先惠（左幸子 饰）和尚未出世的孩子赶往战场，一去不返。1946年，先惠接到丈夫的死亡通知，却对其死亡原因产生质疑。经过多方询问，她终于得知胜男因逃避兵役而被处死，她和女儿也无法享受阵亡将士家属的待遇。深感蹊跷的先惠几十年来不畏艰辛，坚持要给丈夫讨个说法。在厚生省新任领导的指点下，她找到了胜男当年所在部队的战友，从他们的口中得知了在残酷战争背景下所发生的一切…… 　　本片根据直木赏获奖作品，结城昌治的同名小说改编。

二战爆发，富樫胜男（丹波哲郎 饰）接到征兵令，不得不告别新婚刚满六个月的妻子先惠（左幸子 饰）和尚未出世的孩子赶往战场，一去不返。1946年，先惠接到丈夫的死亡通知，却对其死亡原因产生质疑。经过多方询问，她终于得知胜男因逃避兵役而被处死，她和女儿也无法享受阵亡将士家属的待遇。深感蹊跷的先惠几十年来不畏艰辛，坚持要给丈夫讨个说法。在厚生省新任领导的指点下，她找到了胜男当年所在部队的战友，从他们的口中得知了在残酷战争背景下所发生的一切…… 　　本片根据直木赏获奖作品，结城昌治的同名小说改编。

刚刚荣归的女飞行员保拉（盖尔.奥格雷迪 Gail O'Grady 饰）得到了晋升，作为将军副官，首次参加了在尾钩举行的年会。这个盛会汇聚了四千名海军和海军陆战队的军官，以及三十位将军，她所在的航空队也有一半人参加。她充满期待地期盼着与那些军中大佬见面，参加自由的交流和讲座。然而，在会场的三层走廊上，她却遭遇了数十甚至上百人的推搡和骚扰。事后，她勇敢地揭露了这些在军中发生的丑闻，但却立刻遭到了调离岗位和人们的指责。曾经与她同甘共苦的战友们纷纷否认这些事件的发生，而那些经历过类似遭遇的女同事们，虽然在心中支持她的举动，但却选择了沉默，只为了保住自己的生存机会。 　　男人们不希望她揭露真相，而女人们却期待着她的勇气。尽管她一次次凭回忆指认当事人，但这些证词却一次次被不在场的证明所推翻。许多人并不将这些行为视为犯罪，似乎三层走廊上的这种游戏在他们眼中司空见惯。然而，尽管经历了诸多艰难，保拉最终赢得了胜利，重新驾驶飞机飞上了蓝天，实现了她在疆场上驰骋的梦想。

二战爆发，富樫胜男（丹波哲郎 饰）接到征兵令，不得不告别新婚刚满六个月的妻子先惠（左幸子 饰）和尚未出世的孩子赶往战场，一去不返。1946年，先惠接…

Adrift in a lush, nocturnal urban landscape, Nick is a post-modern urban hero asserting his anarchistic agenda on the endless maze of virgin exterior walls that comprise downtown Seattle and Portland. For writer/director Bolton's lonely "tagger" protagonist, the vast wall surfaces of deserted alleys and trainyards are at once a daunting symbol of capitalist oppression and a texturally rich, seamless tableau ripe for exploitation to amplify his artistic dialectic of anger and rebellion. His own virtually anonymous existence seemingly only secondary to the painted surfaces and "rupture the system" manifesto which more poignantly evidence his presence, Nick's prodigious solo graffiti output is interrupted by friendship with another young tagger. Their communication begins as less verbal than a kind of shared graphic tour de force; their enormous collaborative graffiti murals appear to emerge as the unmistakable offspring of their kindred spirit. But eventually their assumptions about one another are disproved as political, emotional and ethical issues arise which cause their relationship to dissolve into the background of urban detritus, and the artists themselves emerge only further atomized and alienated by the experience. Compelling themes, sensitive performances, and luscious visuals define this film which is a revealing immersion into the experiential reality of those daring to make their art in a socially condemned arena. For a film ostensibly focusing on manipulated surfaces, Bolton's cinematic artistry probes deep into the consciousness of the "tagger" and "graffiti artist" sub-culture.

旅役者

After a late-night cup of coffee, vaudevillians Jo Hayden and Harry Palmer sit at a piano and work a song. Moments later, Jo realises she's found exactly what she wasn't looking for: a partner. And with Judy Garland as Jo and Gene Kelly as Harry, the partnership isn't just ideal. It's a film fan's dream come true. Kelly debuts and Garland dazzles in this Busby Berkeley-directed tale of a song-and-dance pair who take on tank towns, tough times and World War I while struggling for show-biz success. A hit parade of era tunes paces the film, including the wowser "Ballin' the Jack" and the sweetly harmonized title tune. Bursting with vitality and old-fashioned charm, "For Me And My Gal" is for the ages.

该片以朝_鲜时代的板索里为背景，讲述了当时贱民地位的歌者漂泊于朝鲜八道的同时历经悲伤与痛苦的故事。