柬埔寨，被屠杀的摇滚 　　因摇滚乐而获罪，我想 史上最为著名的当然是宇宙塑胶人。1976年此乐团吸引了一个忠实的粉丝，那时候该歌迷还是剧作家，他的文集要到很多年才传到我们手里。不久后，这帮坏小子被投进大牢，事实上他们的音乐完全无关政治 ——原因只是吸毒酗酒聚众滥交以及乐器分贝过高这些所谓的摇滚生活罢了。刑期并不长，几个月到一两年不等，但是这场短暂的牢狱之灾让他们青史留名——剧作家被惹怒了，他发动援救抗议活动，并藉此走上政途。接着便是10年后光彩的丝绒革命让这位宇宙塑胶人的铁粉当上了捷克总统。众多关于这个传奇乐团的文章开头都是，一个唱垮了政权的传奇摇滚乐团。 　　是的，尽管身陷囹圄，但西方人所说的真理毕竟还在摇滚乐手们这边。而他们坐牢的差不多同一年，在离捷克异常遥远的东南亚，因为音乐，有无数个摇滚乐手被砍下脑袋，连名字都没能留下。

顾锦熙和林默为女儿买学区房，但搬家后与邻居宋家发生冲突，发现女儿的学位被宋家占用。顾锦熙在律师帮助下调查，发现宋家故意为难他们，拒不退让。为争回学位，顾锦熙采取激烈手段，通过监护权控制宋天纵，最终迫使宋家夫妻为其行为付出代价，成功为女儿争回学位并获得赔偿。

女主册封皇后当日，女配带来女主父亲人头，告知是女主深爱之人 “宁远哥哥” 为夺兵权下旨所杀。女主伤心自尽后重生在与二皇子大婚当天，掀盖头逃跑拦下五皇子之马。五皇子曾劝过女主小心 “宁远哥哥”，如今同意带她出城。女主以身相许，此时女配等人追来，因叛徒丫鬟撒香粉。女主扇女配，控诉其丑事，女配惊呆。女主靠前世记忆展开复仇并成功。女主命运多舛，重生后勇敢反抗，令人期待她在复杂局势中如何逆袭，为自己和家人讨回公道。

1979年，大学路电影院。医学院的学生郑夏录正在看电影。突然从后面传来轻轻的念台词的声音。郑夏录回头发现了一清秀的女孩。她就是小玲。两人一见钟情。…

《忘了我记得》围绕着已婚女性程乐乐（谢盈萱饰）展开，她一边做脱口秀演员，一边兼职便利店员工。在平淡无奇的生活中，乐乐对未来充满希望和梦想，但却接连遭遇挑战。除了与丈夫张凯（霍建华饰）之间的婚姻危机，乐乐还面临着与父亲（秦汉饰）之间的矛盾，这促使她踏上一段勇敢的旅程，重新定义自己与亲人、爱人和朋友的关系。

该剧围绕对无法自理的民众进行长期照料展开，谢盈萱饰演脱口秀演员。

迟听夏因地府欠债穿书，成恶毒女配裴言的闺蜜，入住裴家别墅。她凭幽默怼人性格获裴家好感，还帮裴言看清渣男秦亚咨。期间，迟听夏与裴家掌权人裴司宴重逢， 裴司宴早因当年被迟听夏所救而爱慕她，默默守护。迟听夏逐渐回忆往事，也在与裴司宴相处中动情。同时， 她应对前男友段骞纠缠、裴瑜娇刁难、齐雅笙挑衅等， 最终与裴司宴终成眷属，裴家众人也各得圆满。

An artist navigates his mother’s life and memories as they are being eroded by the advance of Alzheimer’s. 　　This collaboration between filmmaker Ross Killeen and Irish street artist Asbestos documents the latter’s creation of an installation inspired by his mother, Helena, who was diagnosed with Alzheimer’s. The artwork is an attempt to preserve Helena’s memories of her life – capturing her experiences and feelings – and her love for those who have played a part in it. At the same time, Killeen captures Asbestos’ own love for his mother as he attempts to preserve her recollections. The film is also a record of how life-changing a condition Alzheimer’s is – a moving and poignant portrait that conveys the lived experience of a neurodegenerative condition. But it is also a joyous celebration of a life lived and a testament to the vivid, if fragile, nature of our memory.

An artist navigates his mother’s life and memories as they are being eroded by the advance of Alzheimer’s. 　　This collaboration between filmmaker Ross Killeen and Irish street artist Asbestos documents the latter’s creation of an installation inspired by his mother, Helena, who was diagnosed with Alzheimer’s. The artwork is an attempt to preserve Helena’s memories of her life – capturing her experiences and feelings – and her love for those who have played a part in it. At the same time, Killeen captures Asbestos’ own love for his mother as he attempts to preserve her recollections. The film is also a record of how life-changing a condition Alzheimer’s is – a moving and poignant portrait that conveys the lived experience of a neurodegenerative condition. But it is also a joyous celebration of a life lived and a testament to the vivid, if fragile, nature of our memory.