前世闻星落为父兄筹谋，家族显赫时被姐姐夺走一切， 死前知父兄厌恶自己。重生回爹娘和离年，她随母改嫁入王府，放弃父兄，不料前世对姐姐不屑的王府继兄们将她宠成至宝。

前世闻星落为父兄筹谋，家族显赫时被姐姐夺走一切， 死前知父兄厌恶自己。重生回爹娘和离年，她随母改嫁入王府，放弃父兄，不料前世对姐姐不屑的王府继兄们将她宠成至宝。

A collection of film clips from horror movies and interviews with the actors and directors who made them.

暂无剧情简介

Linen的生活因遭遇侵犯而支离破碎。当她归来时，已不再是任人欺凌的受害者。她化名Phrae，毅然决然地踏上复仇之路，要让伤害过她的人付出代价，夺回属于自己的一切，为自己讨回公道。

时锦前世被林家与林婉儿联手陷害，含恨惨死。一朝重生，她彻底摒弃往日软弱，画风突变，凭借过人智慧手撕渣男渣女，一步步揭露林婉儿的虚伪面具。重生后的时锦不仅遇上了深情男主叶琛，对方成为她逆袭路上的坚实后盾；还与三位亲生哥哥重逢。

1899年的巴西，废除奴隶制后不久，逝者的亡灵仍在世人间游走。对于苏亚雷斯一家的女人们来说，放弃特权并适应中产阶级生活，令她们濒临疯狂。对于曾经被奴役的伊娜·纳西门托来说，在充满敌意的新世界中与所爱之人重聚，迫使她必须面对真实的自己。在巴西陷入困境的过去和破裂的现在之间，这些女性一边应对命运的巨变，一边试图创造着自己的未来。入围柏林国际电影节主竞赛单元。

1899年的巴西，废除奴隶制后不久，逝者的亡灵仍在世人间游走。对于苏亚雷斯一家的女人们来说，放弃特权并适应中产阶级生活，令她们濒临疯狂。对于曾经被奴役的伊娜·纳西门托来说，在充满敌意的新世界中与所爱之人重聚，迫使她必须面对真实的自己。在巴西陷入困境的过去和破裂的现在之间，这些女性一边应对命运的巨变，一边试图创造着自己的未来。入围柏林国际电影节主竞赛单元。

A film essay about a singular couple, Paco and Manolo, two Catalan photographers from the outskirts of Barcelona, who have been together for thirty years. Both have managed to work as a single photographer and have captured their imagery in the Kink magazine, a very personal photography fanzine with an essentially Mediterranean homoerotic aesthetic. Paco and Manolo’s style can be summarized in simplicity, the use of natural light, abandoned places and simple rooms, managing to record the Sex Appeal of the working class, an unprejudiced mix of aesthetics that goes from Caravaggio to Pasolini. The method of these artists consists in being discreet witnesses of the morbidity and intimacy of those men who contact them (through Social Networks) with the desire to be portrayed naked of all prejudice. The clothes fall, the bodies are freed and the souls end up being captured by the lens of this intensely cultured, cinematic and urban couple.

All Tomorrow’s Parties is a DIY concert film featuring performances from an eclectic mix of some of the most influential artists including: Battles, Sonic Youth, Belle And Sebastian, Grinderman, Iggy and the Stooges, Portishead, Mogwai, Slint, Grizzly Bear, the Yeah Yeah Yeahs, The Gossip, Daniel Johnston and The Boredoms. 　　The film is a semi-found bricolage made from Super8, camcorder and mobile phone footage contributed by over two hundred filmmakers, fans and musicians over the festival’s recent history, with key contributions from Jonathan Caouette (Tarnation) and Vincent Moon (The Take Away Shows, Arcade Fire). 　　All Tomorrow’s Parties is a fiercely independent festival that many music lovers regard as one of the most important music events in the world. In an intimate and communal atmosphere, free of corporate sponsorship, it serves up a heady combination of alternative music, crazy golf and chalet-living, with musicians and fans living side by side. At each festival a band or artist is chosen to gather up their favourite artists who perform over a weekend in an out-of-season holiday camp by the sea. Sonic Youth’s Thurston Moore described the festival as the ‘ultimate mix tape’.