Fritz Lang returned to Germany on the eve of the 1960s to direct this enchanted penultimate work, a redraft of the diptych form pioneered in such silent Lang classics as Die Spinnen; Dr. Mabuse, der Spieler.; and Die Nibelungen. Although no encapsulating title was lent at the time of release to what is, effectively, a single 3-hour-plus film split in two, the work that has come to be referred to in modern times as “the Indian epic” (consisting of Der Tiger von Eschnapur and Das indische Grabmal) proved to be one of the legendary director’s most adventurous achievements. It was also one of the most popular successes Lang was to experience in his native land. 　　A German architect (Paul Hubschmid) is commissioned by an Indian maharaja (Walter Reyer) to construct a temple on his palatial grounds. After saving the life of a bewitching dancer (Debra Paget) on whom the maharaja has spousal designs, the hero is pulled ever deeper into a hazardous maze of traps, perhaps the purest realisation of Lang’s obsession with a labyrinthine ‘house of death’ – that is, Man challenging Fate. 　　Like Lang’s following final work Die 1000 Augen des Dr. Mabuse, the Indian epic charts new territory for the director, as it strikes out into the über-melodramatic tenor of his early silents while inciting the colours of the emulsion into adopting a lurid, sometimes gaseous palette. Arriving in the wake of The River (Renoir), India matri bhumi (Rossellini), and Black Narcissus (Powell & Pressburger), Lang’s Indian epic stands among the remarkable mid-century contributions of Western filmmakers who have contemplated India. The Masters of Cinema Series is proud to present Lang’s films on DVD in the UK for the first time.

Fritz Lang returned to Germany on the eve of the 1960s to direct this enchanted penultimate work, a redraft of the diptych form pioneered in such silent Lang classics as Die Spinnen; Dr. Mabuse, der Spieler.; and Die Nibelungen. Although no encapsulating title was lent at the time of release to what is, effectively, a single 3-hour-plus film split in two, the work that has come to be referred to in modern times as “the Indian epic” (consisting of Der Tiger von Eschnapur and Das indische Grabmal) proved to be one of the legendary director’s most adventurous achievements. It was also one of the most popular successes Lang was to experience in his native land. 　　A German architect (Paul Hubschmid) is commissioned by an Indian maharaja (Walter Reyer) to construct a temple on his palatial grounds. After saving the life of a bewitching dancer (Debra Paget) on whom the maharaja has spousal designs, the hero is pulled ever deeper into a hazardous maze of traps, perhaps the purest realisation of Lang’s obsession with a labyrinthine ‘house of death’ – that is, Man challenging Fate. 　　Like Lang’s following final work Die 1000 Augen des Dr. Mabuse, the Indian epic charts new territory for the director, as it strikes out into the über-melodramatic tenor of his early silents while inciting the colours of the emulsion into adopting a lurid, sometimes gaseous palette. Arriving in the wake of The River (Renoir), India matri bhumi (Rossellini), and Black Narcissus (Powell & Pressburger), Lang’s Indian epic stands among the remarkable mid-century contributions of Western filmmakers who have contemplated India. The Masters of Cinema Series is proud to present Lang’s films on DVD in the UK for the first time.

Aakash is a guy who wants to become popular. He hits a state minister and joins him. He slowly becomes a friend of the home minister and falls in love with home minister's daughter. On the engagement between them, in the presence of state's chief minister, Aakash gives a huge shock to both the home and chief ministers. Rest of the story reveals the shock, and relations, flashback of Aakash with the ministers.

Howard is infected with leprosy, Mac Allen was captured by the Maharadsha, and now the Maharadsha offers Irene a deal: one night for letting healing Howard. She accepts, but when she tries to commit suicide, he lets her go. Mac Allen is being eaten by the tigers, and finally the Maharani dies.

23岁的女孩什姆在孟加拉国达卡的一家服装厂当纺织女工。作为女工，什姆和女同事们经常会遭受种种来自工作的不平等待遇，这让她萌生了改变这一切的想法。她发动工厂里有着同样不幸遭遇的女工们一道，创立了工会。在向工厂征求合法权益的同时，她不得不面对来自管理层的威胁和丈夫的极力反对。孤立无援的什姆选择逆风而行。女人们唯有自强才能找到出路。

Allan (Hugh Grant) is an engineer working in 1930s Calcutta. He is invited to stay with the family of his boss, Narendra Sen (Soumitra Chatterjee) which includes his wife, Indira (Shabana Azmi) and daughter Gayatri (Supriya Pathak). Gayatri and Allan become romantically involved leading to tragedy.

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21世纪初的孟加拉，一位备受尊敬的军官离世后，IPS Arjun Maitra与势力强大的黑帮分子以及腐败的政治家展开对峙，他肩负着为一个被犯罪和混乱所笼罩的地区恢复法律与秩序的使命。

在21世纪初孟加拉，一位受人尊敬的军官去世后，IPS Arjun Maitra与强大的黑帮分子和腐败的政治家对峙，他的使命是为一个被犯罪和混乱所笼罩的地区带来法律和秩序。