末日来临，丧尸横行，每天都在上演着人吃人的惨状。而我却在家里吃着火锅，喝着可乐，任凭外面腥风血雨。我自一幅岁月静好，原因是我重生到末日爆发前5天。上一世，我被突如其来的丧尸打得措手不及，不幸成为他们的第一批食物。这一世，我要在家中囤好物资，一定要在这末日下活下去。

丧尸爆发前，凌墨将最后一箱压缩饼干推进地下室，锁死防盗门时。客厅里，婆婆正与老公嘶吼，凌墨举着望远镜，将这幕尽收眼底。十年婚姻里，婆婆的刻薄、丈夫的冷漠像钝刀割肉，如今终于到了清算时刻。窗外风声渐紧，远处传来零星尖叫，丧尸病毒已在城市边缘蔓延。

末世来了，在此的前一天，我还在为了单位的辞职报告伤透了脑筋，没想到第二天当末世来临的时候，我居然成为了唯一的幸存者，为了在这个末世当中努力的生存下去，我首先想到的办法居然是找到他，结果也和我想的一样。

"漫漫重生回末世降临当天，仅有六小时准备时间。她争分夺秒囤物资、接女儿、安排家人行动。末世来临，丧尸横行，人心叵测，他们在艰难求生中，遭遇了各种危机，如物资短缺、他人抢夺等。为了前往安全区，他们历经艰险，车辆故障、被人抢劫，好在最终成功抵达。在安全区，宋岚努力改变上一世安全区沦陷的结局，不断为应对丧尸潮做准备。最终，在众人的奋战下，人类赢得了胜利，迎来新生活 。

上辈子末日来临时，因为圣母心；我和母亲死在了闺蜜和她男友的手里！万万没想到，我居然重生了，这一世我要看着他们自生自灭！凌晨，我突然从睡梦中惊醒，身体被撕裂的疼痛依然在，但是睁开眼看到了熟悉的房间，我又活过来了....

上辈子末日来临时，因为圣母心；我和母亲死在了闺蜜和她男友的手里！万万没想到，我居然重生了，这一世我要看着他们自生自灭！凌晨，我突然从睡梦中惊醒，身体被撕裂的疼痛依然在，但是睁开眼看到了熟悉的房间，我又活过来了....

上辈子末日来临时，因为圣母心；我和母亲死在了闺蜜和她男友的手里！万万没想到，我居然重生了，这一世我要看着他们自生自灭！凌晨，我突然从睡梦中惊醒，身体被撕裂的疼痛依然在，但是睁开眼看到了熟悉的房间，我又活过来了....

Leila偶然发现了隐藏在她最喜爱的虚拟现实游戏Azana中的「红色药丸」—— 一个绝密的天堂。母亲去世后，Leila陷入了深深的孤独感。所幸她为自己创造了一个数字身份「影疾」，可以在游戏世界中暂时忘掉烦恼。每当登入虚拟现实游戏Azana之后，她才感觉自己真正活着。在这个令 人惊叹的虚拟之地，Leila遇到了神秘的游戏角色Mania，她拥有Leila所没有的一切：快乐主义、任性、永不知足。当Leila发现秘密天堂「红色药丸」之后，「红色药丸」的领袖Adrian声称她不可以不请自来，然后将她的数字角色「影疾」赶出了游戏。第二天，Mania——或者说Mania的现实生活身份Tess——竟然出现在Leila工作的地方，从此进入Leila的现实生活，Leila的世界永远被改变了。Leila很快意识到，所谓的虚拟天堂不是神秘庇护所，也不是Adrian所声称的美好之地。但她更想知道Tess/Mania究竟是怎么回事……

阿根廷新浪潮电影运动的早期作，64年嘎钠影展金棕榈提名。 　　A charming racecar driver is visited by his 20-year-old son who is nothing like his father. Solemn and introverted, the boy is shown the ways of sensual pleasure by his father's mistress, but he falls in love with another young woman. Intending to marry the girl, the young man takes the relationship very seriously. His father, however, believes the boy should have a more carefree lifestyle and decides to intervene by seducing his own son's fiance. This action proves to be a tremendous mistake. This film was one of the many collaborative efforts of producer Hector Olivera and director Fernando Ayala, though they often switched roles between screenwriter, director and producer of each project (No Exit, Funny, Dirty Little War). 　　http://en.wikipedia.org/wiki/Fernando_Ayala 　　Fernando Ayala (2 July 1920, Gualeguay, Entre Rios - 11 September 1997 in Buenos Aires) was an Argentine film producer, film director, screenwriter and film producer of the classic era. He is widely considered one of the most important Argentine film directors and producers in the history of the Cinema of Argentina. 　　Demicheli initially began as a trainee assistant director in 1942 in El Viaje and within two years he had become an assistant director. By 1949 he had developed into a main film director beginning his role as a film producer in the films he directed and some others in 1958. Between 1950 and 1987 he was involved in the direcotrship and production of well over 40 films, directing and producing films such as Ayer fue primavera (1955) and Argentinísima and Argentinísima II in 1972 and 1973 respectively.

阿贝尔是个性格谨小慎微的单身男子，他妈妈则性格与之相反，热情奔放又浪漫至极。阿贝尔的妈妈爱上了一个刚出狱的魅力老男人米歇。米歇动用谜之关系帮阿贝尔妈妈开了梦想中的花店。阿贝尔感到这背后定有隐情。阿贝尔暗恋着自己的同事兼好朋友克莱门。喜欢冒险的克莱门跟阿贝尔一起暗中调查西 尔维，果然发现各种可疑线索……克莱门追求刺激渐渐沉迷其中，阿贝尔为了心上人不得不铤而走险，平淡人生从此翻天覆地。