辛草草带着定位系统穿越到大颂成为伯府庶女，被父亲嫡母嫁给了一个傻子，于是她借金手指搞情报养夫君， 没想到夫君竟然是装傻的大佬，两人隐瞒身份互相保护对方，最终战胜反派，事业爱情双丰收。

辛草草带着定位系统穿越到大颂成为伯府庶女，被父亲嫡母嫁给了一个傻子，于是她借金手指搞情报养夫君， 没想到夫君竟然是装傻的大佬，两人隐瞒身份互相保护对方，最终战胜反派，事业爱情双丰收。

【穿越兽世+雌尊雄卑+雄竞+女强宠夫】 爱犬去世，乔笙悲伤不已，不小心跌下楼穿越到了兽世。 原以为老天弥补她，给她双倍毛茸茸。 哪曾想她穿成了恶雌，原主对兽夫们非打即骂！ 既然是她的兽夫了，她来宠！ 红毛小狐狸，恋爱脑达人，毛色靓丽，蓬松柔软，rua！

【穿越兽世+雌尊雄卑+雄竞+女强宠夫】 爱犬去世，乔笙悲伤不已，不小心跌下楼穿越到了兽世。 原以为老天弥补她，给她双倍毛茸茸。 哪曾想她穿成了恶雌，原主对兽夫们非打即骂！ 既然是她的兽夫了，她来宠！ 红毛小狐狸，恋爱脑达人，毛色靓丽，蓬松柔软，rua！

it was interesting to see the acrobatic Japanese actors of the Tenjosajiki company in Shuji Terayama’s Directions to servants. The title and some of the text were taken from Swift’s satire, but the main inspiration seemed to come from Genet’s Les bonnes. Multiplying the maids into a large cast of servants, male and female, who take it in turns to imitate the master, Tereyama has physicalized and partly mechanized the action. Domination is imposed partly through machines—we see a man submitting to an imperious voice on a tape recorder, lowering his trousers and climbing inside a sadistic machine that beats his bare buttocks. 　　The ingenuity, the sadism and the offbeat humour are all characteristic of the production. The main cruelty to the audience was in the over-amplification of J.A. Seazer’s music. I sat with my hands over my ears for a lot of the time. The visual assault was almost equally strong, and some of the theatrical imagery was quite unlike anything that had been seen in this country. In one meticulously choreographed sequence the servant playing at being master throws a bone to a succession of servants who play at being dogs. In another, a servant trying to steal food from a cupboard is terrified to find that it is like a puzzle: each panel conceals a face that sings at him accusingly, and he can silence it only by sliding a panel that reveals another singing face.

it was interesting to see the acrobatic Japanese actors of the Tenjosajiki company in Shuji Terayama’s Directions to servants. The title and some of the text were taken from Swift’s satire, but the main inspiration seemed to come from Genet’s Les bonnes. Multiplying the maids into a large cast of servants, male and female, who take it in turns to imitate the master, Tereyama has physicalized and partly mechanized the action. Domination is imposed partly through machines—we see a man submitting to an imperious voice on a tape recorder, lowering his trousers and climbing inside a sadistic machine that beats his bare buttocks. 　　The ingenuity, the sadism and the offbeat humour are all characteristic of the production. The main cruelty to the audience was in the over-amplification of J.A. Seazer’s music. I sat with my hands over my ears for a lot of the time. The visual assault was almost equally strong, and some of the theatrical imagery was quite unlike anything that had been seen in this country. In one meticulously choreographed sequence the servant playing at being master throws a bone to a succession of servants who play at being dogs. In another, a servant trying to steal food from a cupboard is terrified to find that it is like a puzzle: each panel conceals a face that sings at him accusingly, and he can silence it only by sliding a panel that reveals another singing face.

父亲包著石膏躺在客厅沙发，不愿卸下患者的身份，胜文在驾训班教练车内盯著一旁的教练，他不想面对家裡以及不断在逃避的父亲，但似乎也无法面对身旁这位教练，渐渐的，胜文融入了他父亲的倒影。

上一世，他因为一次竞标失败被踢出家族，离开之际用尽所有资源将堂弟送上总裁的位置，便于之后东山再起，可谁想，他对堂弟掏心窝子，堂弟却对他掏刀子。重来一世，他也要让堂弟也试试这滋味。但没想到，堂弟竟然是拥有剧情系统的挂逼……

罗天身为边北村罗家大少爷，身负万年难遇的荒古圣体，还藏有九卷无敌天书，修行早已达红尘真仙境界。父亲为让他完成红尘历练、化凡为仙，故意隐瞒其天赋，谎称他毫无修炼资质。恰逢未婚妻蓝秀儿上门退婚，罗天顺势下山，以普通山民的姿态处事。他对自身无敌实力毫无概念，却在遭遇各路强敌挑衅、身边人被牵连时，无意间展露碾压级实力。79 集剧情中，罗天一路破解无敌大招背后的秘密，对抗虚空靡鼐等终极反派，最终融合所有招式主宰宇宙，也让蓝秀儿重新认识自己，携手谱写玄幻传奇。

霍梁被奸夫淫妇所害意外重生到了三年前，从此通过这三年的信息差以及家传祖玉开启天眼走上逆袭道路。