苏梨被继母和妹妹下药送到追求者的床上，她逃脱被厉北所救，不久后怀孕，却得知自己母亲的死是厉北所致。六年后带着儿子归来，她伪装成清洁工进入厉北公司，伺机为母亲报仇，但是在搜集证据的过程中有了新的发现。

苏梨被继母和妹妹下药送到追求者的床上，她逃脱被厉北所救，不久后怀孕，却得知自己母亲的死是厉北所致。六年后带着儿子归来，她伪装成清洁工进入厉北公司，伺机为母亲报仇，但是在搜集证据的过程中有了新的发现。

千禧年初，集团千金何露凝为护闺蜜芮芳，亲赴其在偏远山村的婚礼。不想芮芳竟惨遭村霸恶意闹喜，而懦弱的丈夫只是旁观。何露凝霸气亮明身份，严惩村霸吴天霸及其保护伞，终止与吴氏食品厂的合作，助芮芳脱离不幸婚姻。同时，何露凝设立的专项奖金鼓励村民抵制闹喜陋习，文明之风最终吹入大山深处。

全职主妇徐晚宁发现丈夫林默有外遇后，决心离婚。离婚谈判时，儿子林砚舟“假意投诚”帮她争取到合理财产，成为她逆袭的底气。离婚后，徐晚宁面对经济压力与社会融入难题，在儿子和闺蜜鼓励下，借社群团购平台创业。林默事业受挫想复合被拒，又因嫉妒设计用假货调换徐晚宁仓库真货，企图毁掉她的事业。徐晚宁在创业中结识并与沈越互生情愫，二人联合林砚舟收集证据，将林默举报至市场监督管理局，林默最终入狱。最终，徐晚宁事业蒸蒸日上，拿下“潮叙”区域独家代理，与沈越步入婚姻，林砚舟健康成长，一家人幸福美满，江瑶也远走他乡。

林远本是苏氏集团董事长苏墨浓身边默默蛰伏的贴身司机，日常谨小慎微地守护在这位商界女王左右，从未想过平凡人生会迎来惊天转折。在一次陪伴苏墨浓赴外地洽谈核心合作时，谈判现场突发恶性袭击，危机时刻林远凭借利落身手奋不顾身救下苏墨浓，混乱平息后，两人在车内被悸动与复杂情绪裹挟，突破了身份的界限，发生了亲密关系。这场意外的羁绊让林远的命运彻底改写，苏墨浓力排众议将他从底层司机直接提拨为董事长秘书，一跃进入公司权力核心。

故事发生在浙江农村经济发达地区的云溪乡。刘翠巧是乡里的十佳科技户，与幼年时的同学。复员军人吴国光一起种植芦笋示范田，以开发经济作物，增加收入，但市场销售不佳。翠巧得悉芦笋在国外市场很受欢迎，遂与吴国光商议向银行贷款，开办一个芦笋加工厂，以联产承包，开展外销经营，此举得到乡政府的支持。 风水先生曹三冒是刘翠巧的公公，常以赴猪配种为掩护，为邻近村民看风水，藉此挣点小钱，极力反对媳妇贷款办加工厂的冒险举措，翠巧的丈夫曹治平更怀疑翠巧与吴国光有不正常的关系。邻居寡妇王婶，曹三冒对之颇为钟情。翠巧对三婶在危急时包经常给予排扰解难。王婶的儿子二赖子不务正业，唆使曾三冒盲目收购芦笋与媳妇竞争，使曹三冒陷入困境。　　在办加工厂的问题上，翠巧与公公和丈夫激起了一连串的矛盾……，最终，翠巧得到吴国光的帮助和合作，办起了芦笋加工厂，讲信誉，求质量，艰苦创业，取得了丰硕的收获。翠巧丈夫和公公向往已久的新楼也盖起来了，公公敬佩媳妇当家的能力，丈夫更疼爱自己的妻子。翠巧的联产承包经营得到了发展，成立了云溪乡蔬菜农贸股份有限公司，材民股东一致推举翠巧为董事长。翠巧当了这个家也作主为曹三冒和王婶这对老年恋情举行了金色的婚礼。全村喜气洋洋，展望小康的锦锈未来。

An ambitious Degelin distinguished himself on several occasions; particularly at Cannes Festival in 1960 where his first feature film received public acclaim. In Si le vent te fait peur siblings Claude and Pierre have an ambiguous relationship, verging on the incestuous - against a background of the then bare, almost lunar, landscape of the Belgian North coast. 　　With a literary, stylistic approach and stiff dialogue, this psychological drama by director Emile Degelin addresses the normally taboo subject of incest in a round-about way. Claude and Pierre (Elisabeth Dulac and Guy Lesire) are brother and sister yet it is apparent early on that they are physically attracted to each other. In order to suborn their feelings they enter into relationships with others but nothing they do seems to work - they are always drawn back to their same fatal attraction.

An ambitious Degelin distinguished himself on several occasions; particularly at Cannes Festival in 1960 where his first feature film received public acclaim. In Si le vent te fait peur siblings Claude and Pierre have an ambiguous relationship, verging on the incestuous - against a background of the then bare, almost lunar, landscape of the Belgian North coast. 　　With a literary, stylistic approach and stiff dialogue, this psychological drama by director Emile Degelin addresses the normally taboo subject of incest in a round-about way. Claude and Pierre (Elisabeth Dulac and Guy Lesire) are brother and sister yet it is apparent early on that they are physically attracted to each other. In order to suborn their feelings they enter into relationships with others but nothing they do seems to work - they are always drawn back to their same fatal attraction.