前世我被村长侄女林二丫逼换房车，躲进矿洞避难所却遭村民背叛惨死。重生回拆迁抽奖当天，我发现林二丫也重生了，她故意抢废弃矿洞，想夺我前世的避难所。这一世我绝不妥协，牢牢守住顶配房车，靠先知狂赚上亿资金，将房车改装成重装末日堡垒，还解锁空间田园系统，疯狂囤满物资。林二丫联合村民碰瓷围堵，却被我的无敌房车轻松碾压，坐等她在矿洞被贪婪村民反噬。

电影《点到为止》讲述了 “象形拳”传人金毛（尹正饰）因屡次逃赛被公众冠以假大师之名，却反而走红，也因此被资本选中，返乡打造功夫小镇的故事。期间金毛和“忍术馆”馆长崇洋（黄才伦饰）、 “金武门”掌门传武（张一鸣饰）三人爆笑出招，套路彼此。并通过一系列看似荒诞却颇有逻辑的操作使得功夫小镇大受好评。然而随着评选的日益临近，事情的真相却另有隐情……

19岁的加尔文是一名在机场工作的地勤人员。因为对高空的恐惧，他从来没有上过飞机。加尔文的妹妹在加尔文八岁生日那天死于车祸，驾驶车辆的妈妈也因此受到了刺激，患上抑郁症。此后的加尔文终日活在忧虑中。因为害怕在随时可能出现的意外中死去，他养成了写病症日记的习惯，一点点不舒服都使他十分焦虑。在一次看病时，医生提议让加尔文去支持小组解决心理问题。百般不情愿的加尔文在无奈之下来到了支持小组。在小组中，加尔文遇到了16岁的斯凯。交流中，加尔文得知斯凯已是癌症晚期，时日无多。斯凯也对这个小组中的新人好奇不已。一次偶然的机会，加尔文发现斯凯有一份遗愿清单。出于同情，他答应陪着斯凯一起完成。逛商场、偷内衣、进警局、参加变装派对、测谎、跳水……当一项项愿望完成，加尔文才意识到，自己对斯凯已经不仅仅是同情，斯凯渐渐走进加尔文的内心世界，帮助加尔文面对自己的内心，摆脱对生命的恐惧。斯凯的生命终于还是走向尽头，加尔文用自己的方式送别朋友并且克服心理障碍登上飞机，面对自己未知的生活。

19岁的加尔文是一名在机场工作的地勤人员。因为对高空的恐惧，他从来没有上过飞机。加尔文的妹妹在加尔文八岁生日那天死于车祸，驾驶车辆的妈妈也因此受到了刺激，患上抑郁症。此后的加尔文终日活在忧虑中。因为害怕在随时可能出现的意外中死去，他养成了写病症日记的习惯，一点点不舒服都使他十分焦虑。在一次看病时，医生提议让加尔文去支持小组解决心理问题。百般不情愿的加尔文在无奈之下来到了支持小组。在小组中，加尔文遇到了16岁的斯凯。交流中，加尔文得知斯凯已是癌症晚期，时日无多。斯凯也对这个小组中的新人好奇不已。一次偶然的机会，加尔文发现斯凯有一份遗愿清单。出于同情，他答应陪着斯凯一起完成。逛商场、偷内衣、进警局、参加变装派对、测谎、跳水……当一项项愿望完成，加尔文才意识到，自己对斯凯已经不仅仅是同情，斯凯渐渐走进加尔文的内心世界，帮助加尔文面对自己的内心，摆脱对生命的恐惧。斯凯的生命终于还是走向尽头，加尔文用自己的方式送别朋友并且克服心理障碍登上飞机，面对自己未知的生活。

电影《点到为止》讲述了 “象形拳”传人金毛（尹正饰）因屡次逃赛被公众冠以假大师之名，却反而走红，也因此被资本选中，返乡打造功夫小镇的故事。期间金毛和“忍术馆”馆长崇洋（黄才伦饰）、 “金武门”掌门传武（张一鸣饰）三人爆笑出招，套路彼此。并通过一系列看似荒诞却颇有逻辑的操作使得功夫小镇大受好评。然而随着评选的日益临近，事情的真相却另有隐情……

安江一中的两位考生杨涛和蒋建在高考中作弊，同场考生刘光明却被无辜地当作替罪羊，取消了考试资格。在律师张路的鼓励下，他勇敢地走进法院。杨涛的父亲身为律师，为了保护他的儿子，千方百计阻挠调查，但真相终于大白，刘光明恢复了名誉。为了不使杨涛失去上学的机会，在判决前，刘光明撤诉。

安江一中的两位考生杨涛和蒋建在高考中作弊，同场考生刘光明却被无辜地当作替罪羊，取消了考试资格。在律师张路的鼓励下，他勇敢地走进法院。杨涛的父亲身为律师，为了保护他的儿子，千方百计阻挠调查，但真相终于大白，刘光明恢复了名誉。为了不使杨涛失去上学的机会，在判决前，刘光明撤诉。

The film starts with a very long section of footage that shows a journey by railroad in a beautiful mountainous region, it's quite beautiful but not immediately apparent what the relevance is. It may be that attention is being drawn to the actual track itself (the final sequence is exclusively looking down at the tracks), perhaps slave labour that went into building it, and blasting tunnels through mountains. It may be just an exotic opener. Subsequently we go to the north pole where we see folks taunting polar bears and hunting walruses. Quite wholly different than modern wildlife documentary, as the expedition with the documentarian is here intent on disturbing what they find. Then we're into Italian versions of zeppelins and howitzers and footage of war which may or may not be staged. The Italians were the first to drop bombs via dirigibles, during their expansionist invasion of Libya, one of the first truly "modern" wars. 　　There is also a lot of African and Indian footage. The African stuff has a classroom of tiny black children all clothed in white being indoctrinated by a nun, which is quite disturbing after the previous local colour you see. There's a beautiful scene of an African mother with splendid hairdo carrying her sleeping baby in a sling by her side. The wild playfulness of African children is counterposed with impeccably mustachioed debonair Europeans having a splendid time slaughtering rhinoceri. The most iconic shot I suppose is a staggered line of blacks transporting goods across a river, two chest-deep individuals making sure the Italian flag doesn't get wet. 　　There's irresistible power all through the film (maybe the train at the start, is a metaphor for this), travel, movement, kinetic energy, jingoists spreading like a plague over the world. Pretty haunting in the end, like a mad dream.

The film starts with a very long section of footage that shows a journey by railroad in a beautiful mountainous region, it's quite beautiful but not immediately apparent what the relevance is. It may be that attention is being drawn to the actual track itself (the final sequence is exclusively looking down at the tracks), perhaps slave labour that went into building it, and blasting tunnels through mountains. It may be just an exotic opener. Subsequently we go to the north pole where we see folks taunting polar bears and hunting walruses. Quite wholly different than modern wildlife documentary, as the expedition with the documentarian is here intent on disturbing what they find. Then we're into Italian versions of zeppelins and howitzers and footage of war which may or may not be staged. The Italians were the first to drop bombs via dirigibles, during their expansionist invasion of Libya, one of the first truly "modern" wars. 　　There is also a lot of African and Indian footage. The African stuff has a classroom of tiny black children all clothed in white being indoctrinated by a nun, which is quite disturbing after the previous local colour you see. There's a beautiful scene of an African mother with splendid hairdo carrying her sleeping baby in a sling by her side. The wild playfulness of African children is counterposed with impeccably mustachioed debonair Europeans having a splendid time slaughtering rhinoceri. The most iconic shot I suppose is a staggered line of blacks transporting goods across a river, two chest-deep individuals making sure the Italian flag doesn't get wet. 　　There's irresistible power all through the film (maybe the train at the start, is a metaphor for this), travel, movement, kinetic energy, jingoists spreading like a plague over the world. Pretty haunting in the end, like a mad dream.

华子：华子和他女朋友分手了，原因是女友告诉他她发现自己喜欢同性，厌恨同性恋的华子愤怒地离开，并开始了一系列疯狂的举动和分裂的思想，后来他在一个音乐现场误认为女友和他分手的原因是她喜欢上了另一个高中电子音乐人罗三，其实她和他分手是因为喜欢上了个叫雷锋的大麻老板，于是他…… 　　罗三：高中生罗三过着一种与外界似乎不相干的生活：迷恋日本战后文学和摇滚乐，有窥视癖和交流障碍。他由于在一次窥视中看到了漂亮的华子前女友时被她发现，身份暴露的她立刻逃离开，他却不知道被窥视的她有被窥癖，于是她喜欢上了能给予她更大快感的罗三，后来在他的电子演出现场，罗三被她认出，并且向罗三吐露真心，罗三却没有那意思，于是跑开，并由此发生了一些事…… 　　 　　雷锋：雷锋是一个大麻老板，他最近交了个性格怪异的女朋友（华子的前女友），此女由于曾经被雷锋窥过而喜欢上雷锋，后来此女又喜欢上一个性格更怪异的窥视狂罗三而抛弃了雷锋，平时就苟延残喘的雷锋于是感到十分绝望，他于是选择了自杀，谁知…… 　　胖子：胖子是一个极其老实也经常被一帮流氓欺负的人，他暗恋他家隔壁的一个女孩，有一次那女孩被那帮流氓调戏，于是胖子决定一定要为她报仇，于是他傻呼呼地学了劣质双截棍武功，于是他找了流氓的，那几个流氓反倒被胖子制服，胖子战胜流氓后跑到练功的地方欢呼…… 　　本片为桂林独立电影社的处女座长片，由5个导演每个人拍摄一部短片，四部风格各异的短片组成一部长片，每部之间都有联系，由于资金有限、设备简陋、但也创意百出，因此拍摄出了此部CULT神作！！！！！！ 　　预告片：http://www.tudou.com/programs/view/3d17frGWXiw/ 　　正片观看地址：http://www.tudou.com/programs/view/oCD1oD8oN5M/# 　　桂林独立电影社小组：http://www.douban.com/group/63923/