한 사람의 결혼으로 관계가 끝난 줄 알았던 섹스파트너 ‘현대’와 ‘민주’. 　　하지만 멈출 수 없는 욕망에 성적으로 타락해가는 ‘현대’와 　　가질 수 없는 것에 대한 욕망을 포기하지 못하는 ‘민주’, 　　그리고 두 사람과 복잡하게 얽힌 인물들의 적나라하고 추악한 욕망까지… 　　‘섹스’에 ‘발광’하는 혼돈의 현대사! 　　추악한 욕망 속에 숨겨진 자극적이고도 씁쓸한 이야기가 시작된다.

한 사람의 결혼으로 관계가 끝난 줄 알았던 섹스파트너 ‘현대’와 ‘민주’. 　　하지만 멈출 수 없는 욕망에 성적으로 타락해가는 ‘현대’와 　　가질 수 없는 것에 대한 욕망을 포기하지 못하는 ‘민주’, 　　그리고 두 사람과 복잡하게 얽힌 인물들의 적나라하고 추악한 욕망까지… 　　‘섹스’에 ‘발광’하는 혼돈의 현대사! 　　추악한 욕망 속에 숨겨진 자극적이고도 씁쓸한 이야기가 시작된다.

After two years of casual sex, a pair of emotionally repressed lovers abruptly part ways. But as they start new lives, memories of the past remain.

所有重访总统的人都通过引人入胜的档案画面、令人震惊的椭圆形办公室录音，以及令人信服的新采访，让水门事件栩栩如生，采访了那些使罪行永久化、追查罪行的人和描绘罪行的人。这篇演讲揭示了一个故事，这个故事始于一次“三流盗窃企图”，并升级为美国历史上第一次也是唯一一次总统辞职。一位杰出的演员讲述了这个故事，包括罗伯特·雷德福德、鲍勃·伍德沃德、卡尔·伯恩斯坦、达斯汀·霍夫曼、乔恩·斯图尔特、雷切尔·马多和其他人。

一对男女相约重游男友与兄弟遇害的命案现场，但这场旅程并非缅怀之旅，更掺杂了追溯死者生前最后生命轨迹的过程。

一对男女相约重游男友与兄弟遇害的命案现场，但这场旅程并非缅怀之旅，更掺杂了追溯死者生前最后生命轨迹的过程。

"My next short was Silver City – it, too, had an English title and consisted of eight shots. Each shot was as long as a 30-metre roll, so it in fact lasted a little more than three minutes. And all of the shots were long shots, extreme long shots. And they were all done from the third, fourth, or fifth floor of the apartments where I lived at the time. (I used to change apartments rather frequently.) And they all showed streets or crossings, first very early in morning, at three or half past three when they were completely empty, and the lights were turning from green to red to green again, when there were no cars or anything crossing the streets, and with that morning light where everything is blue. And I used to shoot them even without cutting the ends off the 30-metre rolls – at the end, the image would be turning yellow or red or quite simply white. I didn’t cut anything away." 　　"The second half consisted of shots in the evening, sometimes of the same places, the same streets, but with heavy evening traffic going out of the city. The film again used Mood Music, other pieces this time – each 20 seconds long and each repeated three times. The film was extremely contemplative. It was really like standing at a window and looking down on the streets, either completely empty or, on the contrary, completely stocked. Only in the very first shot was there anything like a hint of a story. The very first shot was of a railway line – just an empty landscape, very early in the morning, too, and after two minutes of a completely empty shot, someone crosses the rails from one side of the frame, and leave the frame on the other. Immediately after he has crossed the rails, the train appears: that is to say – the camera is very close to the rails and – bang – the train is in the shot, and he passes, and slowly disappears in the distance. You get the impression that maybe it’s the start of some kind of story, but nothing happens until the end. Just the empty streets, and the views out of the windows." 　　" I’m not sure why I called it Silver City. I still think it expresses the mood of the film very well – just the sound of the two words. Maybe it’s the alliteration that makes it. I don’t know."

"My next short was Silver City – it, too, had an English title and consisted of eight shots. Each shot was as long as a 30-metre roll, so it in fact lasted a little more than three minutes. And all of the shots were long shots, extreme long shots. And they were all done from the third, fourth, or fifth floor of the apartments where I lived at the time. (I used to change apartments rather frequently.) And they all showed streets or crossings, first very early in morning, at three or half past three when they were completely empty, and the lights were turning from green to red to green again, when there were no cars or anything crossing the streets, and with that morning light where everything is blue. And I used to shoot them even without cutting the ends off the 30-metre rolls – at the end, the image would be turning yellow or red or quite simply white. I didn’t cut anything away." 　　"The second half consisted of shots in the evening, sometimes of the same places, the same streets, but with heavy evening traffic going out of the city. The film again used Mood Music, other pieces this time – each 20 seconds long and each repeated three times. The film was extremely contemplative. It was really like standing at a window and looking down on the streets, either completely empty or, on the contrary, completely stocked. Only in the very first shot was there anything like a hint of a story. The very first shot was of a railway line – just an empty landscape, very early in the morning, too, and after two minutes of a completely empty shot, someone crosses the rails from one side of the frame, and leave the frame on the other. Immediately after he has crossed the rails, the train appears: that is to say – the camera is very close to the rails and – bang – the train is in the shot, and he passes, and slowly disappears in the distance. You get the impression that maybe it’s the start of some kind of story, but nothing happens until the end. Just the empty streets, and the views out of the windows." 　　" I’m not sure why I called it Silver City. I still think it expresses the mood of the film very well – just the sound of the two words. Maybe it’s the alliteration that makes it. I don’t know."

第一集《洋山深水港》 　　2002年，中国的又一个宏伟的建设项目拉开帷幕，中国的工程师们和工人们正在大洋深处建设世界上最宏大的项目--洋山港。洋山港将成为有史以来最大的深水港，长达二十公里的码头，有五十个泊位，它位于大洋深处三十公里，一座世界上第二长的跨海大桥把洋山港和中国的大陆连接起来。 　　第二集《中国杭州湾跨海大桥》 　　它们看上去或许像是历史的尘埃，但实际上却是通向一个现代奇迹的台阶，而施工队仅有五年半的工期来完成它，他们要迎接危险的急流，以及时速超过170公里的狂风，并且与“银龙”搏斗，该项目的困难之处在于这座大桥跨越的不是一条河流，而是一片海洋。 　　第三集《水立方》 　　数千年来中国一直通过地标性的建筑物彰显着自身的强大，在迅速崛起的今天，钢筋与水泥的组合再一次向世界展示了中国的复兴。在今天的中国，令人称奇的建筑莫过于此。在北京，工人们正在建造一座伟大的建筑，当北京奥运圣火点燃时，全世界的目光将集中在国家游泳中心。 　　第四集《上海虹桥交通枢纽》 　　上海是了解中国最早的门户，100年前这座城市的经济就蓬勃发展起来，如今周围地区人口已达到1800万，而他们都使用着以上海为中心的交通运输网络。 　　第五集《建设上海新都市》 　　上海，一个沉睡的巨人，被世界遗忘了半个世纪之久，唤醒它的是中国改革开放的总设计师邓小平。1992年，他宣布上海必须重新成为东方明珠，中国的商业中心。为了建设新上海，建筑师和工程师必须应对软土不稳定的地面和致命的台风，这将是一座挑战自然，挑战物理规律的城市。 　　第六集《北京轨道交通系统》 　　北京，一个新兴经济大国的首都。昔日的自行车王国如今一片车水马龙的景象，这座城市拥有超过350万辆汽车，全城大堵车几乎每天发生；仅去年一年，北京的人口就增加了150万，城市发展的速度远远超出了基础设施的承受能力。北京的解决方案堪称大手笔，那就是建设全球最大的地铁系统。地铁线路将从现在的8条增加到19条，新建地铁线路长达400公里，尖端的安全措施将在200个新站点保障乘客的安全，而最先进的信号系统将彻底革新列车的运行方式。崛起的东方巨龙，比任何时候都需要新的地铁系统，但北京的工程师们能否应对这一挑战？全世界都在关注。 　　第七集《上海世博园》 　　2010年是属于上海的，世博会将在中国这个最大最繁华的城市举行。人们即将迎来一次盛会，届时将会有7000万人见证这场集创新、娱乐性和新式建筑于一身的盛会。上海正大步迈向世界舞台，整个城市都在被重新打造，焕然一新，全球最大的盛会即将拉开帷幕。 　　第八集《青藏铁路》 　　中国的青藏铁路，全长1142公里，沿途共有10条隧道，675座桥梁，穿越了世界上自然环境最为严酷的青藏高原，这里海拔很高，异常寒冷，稀薄的空气很有能致人于死地，这些冻土很不稳定，全世界都认为不可能在世界最高的高原修铁路，但事实证明这种判断是错误的。

第一集《洋山深水港》 　　2002年，中国的又一个宏伟的建设项目拉开帷幕，中国的工程师们和工人们正在大洋深处建设世界上最宏大的项目--洋山港。洋山港将成为有史以来最大的深水港，长达二十公里的码头，有五十个泊位，它位于大洋深处三十公里，一座世界上第二长的跨海大桥把洋山港和中国的大陆连接起来。 　　第二集《中国杭州湾跨海大桥》 　　它们看上去或许像是历史的尘埃，但实际上却是通向一个现代奇迹的台阶，而施工队仅有五年半的工期来完成它，他们要迎接危险的急流，以及时速超过170公里的狂风，并且与“银龙”搏斗，该项目的困难之处在于这座大桥跨越的不是一条河流，而是一片海洋。 　　第三集《水立方》 　　数千年来中国一直通过地标性的建筑物彰显着自身的强大，在迅速崛起的今天，钢筋与水泥的组合再一次向世界展示了中国的复兴。在今天的中国，令人称奇的建筑莫过于此。在北京，工人们正在建造一座伟大的建筑，当北京奥运圣火点燃时，全世界的目光将集中在国家游泳中心。 　　第四集《上海虹桥交通枢纽》 　　上海是了解中国最早的门户，100年前这座城市的经济就蓬勃发展起来，如今周围地区人口已达到1800万，而他们都使用着以上海为中心的交通运输网络。 　　第五集《建设上海新都市》 　　上海，一个沉睡的巨人，被世界遗忘了半个世纪之久，唤醒它的是中国改革开放的总设计师邓小平。1992年，他宣布上海必须重新成为东方明珠，中国的商业中心。为了建设新上海，建筑师和工程师必须应对软土不稳定的地面和致命的台风，这将是一座挑战自然，挑战物理规律的城市。 　　第六集《北京轨道交通系统》 　　北京，一个新兴经济大国的首都。昔日的自行车王国如今一片车水马龙的景象，这座城市拥有超过350万辆汽车，全城大堵车几乎每天发生；仅去年一年，北京的人口就增加了150万，城市发展的速度远远超出了基础设施的承受能力。北京的解决方案堪称大手笔，那就是建设全球最大的地铁系统。地铁线路将从现在的8条增加到19条，新建地铁线路长达400公里，尖端的安全措施将在200个新站点保障乘客的安全，而最先进的信号系统将彻底革新列车的运行方式。崛起的东方巨龙，比任何时候都需要新的地铁系统，但北京的工程师们能否应对这一挑战？全世界都在关注。 　　第七集《上海世博园》 　　2010年是属于上海的，世博会将在中国这个最大最繁华的城市举行。人们即将迎来一次盛会，届时将会有7000万人见证这场集创新、娱乐性和新式建筑于一身的盛会。上海正大步迈向世界舞台，整个城市都在被重新打造，焕然一新，全球最大的盛会即将拉开帷幕。 　　第八集《青藏铁路》 　　中国的青藏铁路，全长1142公里，沿途共有10条隧道，675座桥梁，穿越了世界上自然环境最为严酷的青藏高原，这里海拔很高，异常寒冷，稀薄的空气很有能致人于死地，这些冻土很不稳定，全世界都认为不可能在世界最高的高原修铁路，但事实证明这种判断是错误的。