所有重访总统的人都通过引人入胜的档案画面、令人震惊的椭圆形办公室录音，以及令人信服的新采访，让水门事件栩栩如生，采访了那些使罪行永久化、追查罪行的人和描绘罪行的人。这篇演讲揭示了一个故事，这个故事始于一次“三流盗窃企图”，并升级为美国历史上第一次也是唯一一次总统辞职。一位杰出的演员讲述了这个故事，包括罗伯特·雷德福德、鲍勃·伍德沃德、卡尔·伯恩斯坦、达斯汀·霍夫曼、乔恩·斯图尔特、雷切尔·马多和其他人。

一对男女相约重游男友与兄弟遇害的命案现场，但这场旅程并非缅怀之旅，更掺杂了追溯死者生前最后生命轨迹的过程。

一对男女相约重游男友与兄弟遇害的命案现场，但这场旅程并非缅怀之旅，更掺杂了追溯死者生前最后生命轨迹的过程。

"My next short was Silver City – it, too, had an English title and consisted of eight shots. Each shot was as long as a 30-metre roll, so it in fact lasted a little more than three minutes. And all of the shots were long shots, extreme long shots. And they were all done from the third, fourth, or fifth floor of the apartments where I lived at the time. (I used to change apartments rather frequently.) And they all showed streets or crossings, first very early in morning, at three or half past three when they were completely empty, and the lights were turning from green to red to green again, when there were no cars or anything crossing the streets, and with that morning light where everything is blue. And I used to shoot them even without cutting the ends off the 30-metre rolls – at the end, the image would be turning yellow or red or quite simply white. I didn’t cut anything away." 　　"The second half consisted of shots in the evening, sometimes of the same places, the same streets, but with heavy evening traffic going out of the city. The film again used Mood Music, other pieces this time – each 20 seconds long and each repeated three times. The film was extremely contemplative. It was really like standing at a window and looking down on the streets, either completely empty or, on the contrary, completely stocked. Only in the very first shot was there anything like a hint of a story. The very first shot was of a railway line – just an empty landscape, very early in the morning, too, and after two minutes of a completely empty shot, someone crosses the rails from one side of the frame, and leave the frame on the other. Immediately after he has crossed the rails, the train appears: that is to say – the camera is very close to the rails and – bang – the train is in the shot, and he passes, and slowly disappears in the distance. You get the impression that maybe it’s the start of some kind of story, but nothing happens until the end. Just the empty streets, and the views out of the windows." 　　" I’m not sure why I called it Silver City. I still think it expresses the mood of the film very well – just the sound of the two words. Maybe it’s the alliteration that makes it. I don’t know."

"My next short was Silver City – it, too, had an English title and consisted of eight shots. Each shot was as long as a 30-metre roll, so it in fact lasted a little more than three minutes. And all of the shots were long shots, extreme long shots. And they were all done from the third, fourth, or fifth floor of the apartments where I lived at the time. (I used to change apartments rather frequently.) And they all showed streets or crossings, first very early in morning, at three or half past three when they were completely empty, and the lights were turning from green to red to green again, when there were no cars or anything crossing the streets, and with that morning light where everything is blue. And I used to shoot them even without cutting the ends off the 30-metre rolls – at the end, the image would be turning yellow or red or quite simply white. I didn’t cut anything away." 　　"The second half consisted of shots in the evening, sometimes of the same places, the same streets, but with heavy evening traffic going out of the city. The film again used Mood Music, other pieces this time – each 20 seconds long and each repeated three times. The film was extremely contemplative. It was really like standing at a window and looking down on the streets, either completely empty or, on the contrary, completely stocked. Only in the very first shot was there anything like a hint of a story. The very first shot was of a railway line – just an empty landscape, very early in the morning, too, and after two minutes of a completely empty shot, someone crosses the rails from one side of the frame, and leave the frame on the other. Immediately after he has crossed the rails, the train appears: that is to say – the camera is very close to the rails and – bang – the train is in the shot, and he passes, and slowly disappears in the distance. You get the impression that maybe it’s the start of some kind of story, but nothing happens until the end. Just the empty streets, and the views out of the windows." 　　" I’m not sure why I called it Silver City. I still think it expresses the mood of the film very well – just the sound of the two words. Maybe it’s the alliteration that makes it. I don’t know."

Duncan Allen（亚历山大•马特恩 饰）要皮条客Derek（强尼•哈瑞思 饰）找一个未成年的女孩来满足他恋童癖的欲望。Derek让妓女Kelly（罗瑞恩•斯坦利 饰）在路边找到了离家出走的14岁女孩Joanne（乔治娅•格洛梅 饰）。就算十分不愿意，但面对Derek的威逼与金钱的诱惑，Kelly还是把Joanne带到了Duncan的家中。Duncan很快想要带Joanne带上房间，这时候两名女生都不安起来。直到听到Joanne的求救，Kelly冲上了房间。挣扎中，Duncan被Joanne刺伤了，重伤死去。两名女生落荒而逃，她们逃到了布莱顿。回想前天晚上的事，她们都十分后怕。另一方面看到父亲被杀的Stewart，找到了Derek要求他一天时间内找出两名女生。Kelly与Joanne还是被Derek找到了，Stewart在一片空地上等待，...

四集的电视系列, 它将被设置在1986年墨西哥世界杯，Chris de Burgh 是音乐排行榜的第一和3.4亿人失业的英国。 　　注视小孩Shaun的成长和环境 　　This is England '86 is a follow up to Shane Meadows' Bafta award-winning movie, This is England. Shaun, is now getting ready to leave school where he faces an uncertain future. Woody and Lol are also getting ready to tie the knot.

四集的电视系列, 它将被设置在1986年墨西哥世界杯，Chris de Burgh 是音乐排行榜的第一和3.4亿人失业的英国。 　　注视小孩Shaun的成长和环境 　　This is England '86 is a follow up to Shane Meadows' Bafta award-winning movie, This is England. Shaun, is now getting ready to leave school where he faces an uncertain future. Woody and Lol are also getting ready to tie the knot.

这辈子睡你过几张床？20岁的艾索从马德里到伦敦寻找记忆中缺席的父亲，短短几天他已睡过二十张床或所谓的床，他在次文化汇聚的伦敦旧东区找到他的第二十一张床；艾索常在不同的床上醒来，疑惑身边躺的是谁？昨天发生过什么？在同一个屋檐下，来自比利时的薇拉正处于情伤，虽然觉得幸运之神已离她远去，仍不放弃寻觅爱神的眷顾。

Set during Christmas 1988, Lol is haunted by the devastating events that took place two and a half years before. She and Woody both find themselves struggling to cope with their lives without each other after he leaves the gang. Lol is carrying the burden of her guilt, whilst Woody is trying to build a domestic life with a new girlfriend and a potential promotion at work. Shaun has started drama college and, although still in a relationship with Smell, he has grown close to a girl performing in his Christmas play.