乌云蔽天的混凝土楼群，独自站在大楼天台上的小女孩。她指挥着一双模拟白鸽飞翔的双手，这双“白鸽”不断生长重叠，仿佛一排排的迁徙的大雁。“白鸽”继续飞翔，小女孩跟随它穿越树林，来到纷繁错杂的游乐场，来到战火纷飞的城市。可惜入侵的大鸟啄伤了“白鸽”，鲜血直流，一旁幸灾乐祸的狐狸跳起了舞。小女孩忙来帮忙，她拿起弹弓驱赶着大鸟，却都是徒劳。这座幽灵游荡的城市里，两个没有头颅的巨身坐像玩起了拍手的游戏，你来我往，不分高下。当小女孩再次来到还没竣工的大楼天台时，“白鸽”不见了，阳光退去了，没有改变的只有头顶上阴霾的天空和自己。 　　本部由电脑动画制作的超现实主义动画短片，由女导演卜桦为参加西安国际动画电影节而作，极具她个人动画作品的一贯风格。卜桦1995年毕业于中央工艺美术学院，2001年接触到Flash这种艺术形式，后来便开始创作Flash动画，成为近年来中国动画界的代表人物之一。

对待爱情认真而小心的李晓兮与小贝邂逅，两人开始了一段浪漫的恋爱。小贝的忠诚和坚定给予李晓兮力量，让李晓兮逐渐克服心中对爱情的不安全感。小贝也在李晓兮的陪伴和包容下，治愈了心中的旧伤痛，逐渐释怀，学会珍惜。呵护情感的过程中让李晓兮与小贝看到了爱情的更多面，共同经历了很多困难，最终得到了成长，收获了真挚的爱情。

对待爱情认真而小心的李晓兮与小贝邂逅，两人开始了一段浪漫的恋爱。小贝的忠诚和坚定给予李晓兮力量，让李晓兮逐渐克服心中对爱情的不安全感。小贝也在李晓兮的陪伴和包容下，治愈了心中的旧伤痛，逐渐释怀，学会珍惜。呵护情感的过程中让李晓兮与小贝看到了爱情的更多面，共同经历了很多困难，最终得到了成长，收获了真挚的爱情。

这是一部关于一群孤儿成长的影片，导演跟拍了十二年。确切的说，这些孩子是兄弟，童年给了他们残酷的记忆，被父母遗弃，被同学歧视，被社会漠视，他们在艰苦的岁月中野生野长着。 　　如今他们长大成人了，政府给了他们舒适的生活环境和就业环境，新来的女院长也让他们感受到了前所未有的关怀和温暖，他们在各自的生活轨迹中，找到了自己的位置。然而，他们又卷入新一轮竞争当中。童年共患难的兄弟们长大后是否可以延续手足情，也是影片纪录的主要部分。 　　这部影片是导演杨荔钠与法德ARTE电视台合作作品。

这是一部关于一群孤儿成长的影片，导演跟拍了十二年。确切的说，这些孩子是兄弟，童年给了他们残酷的记忆，被父母遗弃，被同学歧视，被社会漠视，他们在艰苦的岁月中野生野长着。 　　如今他们长大成人了，政府给了他们舒适的生活环境和就业环境，新来的女院长也让他们感受到了前所未有的关怀和温暖，他们在各自的生活轨迹中，找到了自己的位置。然而，他们又卷入新一轮竞争当中。童年共患难的兄弟们长大后是否可以延续手足情，也是影片纪录的主要部分。 　　这部影片是导演杨荔钠与法德ARTE电视台合作作品。

暑假的長洲是鬧市外的一片樂土，三個小孩一隻狗，趁着島上居民出門旅遊或舉家移民，偷偷闖進不同人的家中，玩樂之餘，也透過孩童的目光，暗中破獲了成年人世界的秘密。 　　直至暑假結束，三個站在成長交叉點的孩子，也迎來了截然不同的命運⋯⋯

丧尸爆发前 6 小时，我接到检测员姐姐的预警，得知新型病毒会让人癫狂嗜血（丧尸化），结合近期狂犬病人伤人新闻，确认危机将至。我用之前做试药志愿者赚的 6000 元，盘下学校小超市改造成高防御生存基地，随后联系好友小伊告知真相，邀请他结盟，以 “生存第一” 为法则，共同应对即将到来的丧尸危机。

Brother and sister are driving through Kansas during their road trip. Suddenly, they hear calls for help coming. They stop to investigate and …

River of Grass has all the elements of a conventional road movie: a car, a gun, criminal plans, and young lovers on the run from an angry father who also happens to be a suspended police officer. But writer and director Kelly Reichardt has instead taken these familiar elements and fashioned an anti-road movie, a deadpan film that is more existentialist comedy than crime drama. The young lovers in question are Cozy, the cop's daughter, and Lee Ray, a shady character from the wrong end of town. Lee Ray comes into possession of a pistol, and soon he and Cozy find themselves unintentionally involved in a shooting. Fearing capture by the law, the two make plans to leave town, committing a series of robberies on the way. However, they don't manage to get very far; indeed, the film's central premise is how the romantic myth of lovers on the lam proves disappointing in the face of a far more pedestrian reality. This well-received, low-budget indie was shot on location in South Florida, placing its story against an appropriately depressed landscape of sun-bleached strip malls, barren highways and overgrown, swampy fields; the title is another name for the Florida Everglades.

River of Grass has all the elements of a conventional road movie: a car, a gun, criminal plans, and young lovers on the run from an angry father who also happens to be a suspended police officer. But writer and director Kelly Reichardt has instead taken these familiar elements and fashioned an anti-road movie, a deadpan film that is more existentialist comedy than crime drama. The young lovers in question are Cozy, the cop's daughter, and Lee Ray, a shady character from the wrong end of town. Lee Ray comes into possession of a pistol, and soon he and Cozy find themselves unintentionally involved in a shooting. Fearing capture by the law, the two make plans to leave town, committing a series of robberies on the way. However, they don't manage to get very far; indeed, the film's central premise is how the romantic myth of lovers on the lam proves disappointing in the face of a far more pedestrian reality. This well-received, low-budget indie was shot on location in South Florida, placing its story against an appropriately depressed landscape of sun-bleached strip malls, barren highways and overgrown, swampy fields; the title is another name for the Florida Everglades.