这是一部关于一群孤儿成长的影片，导演跟拍了十二年。确切的说，这些孩子是兄弟，童年给了他们残酷的记忆，被父母遗弃，被同学歧视，被社会漠视，他们在艰苦的岁月中野生野长着。 　　如今他们长大成人了，政府给了他们舒适的生活环境和就业环境，新来的女院长也让他们感受到了前所未有的关怀和温暖，他们在各自的生活轨迹中，找到了自己的位置。然而，他们又卷入新一轮竞争当中。童年共患难的兄弟们长大后是否可以延续手足情，也是影片纪录的主要部分。 　　这部影片是导演杨荔钠与法德ARTE电视台合作作品。

这是一部关于一群孤儿成长的影片，导演跟拍了十二年。确切的说，这些孩子是兄弟，童年给了他们残酷的记忆，被父母遗弃，被同学歧视，被社会漠视，他们在艰苦的岁月中野生野长着。 　　如今他们长大成人了，政府给了他们舒适的生活环境和就业环境，新来的女院长也让他们感受到了前所未有的关怀和温暖，他们在各自的生活轨迹中，找到了自己的位置。然而，他们又卷入新一轮竞争当中。童年共患难的兄弟们长大后是否可以延续手足情，也是影片纪录的主要部分。 　　这部影片是导演杨荔钠与法德ARTE电视台合作作品。

暑假的長洲是鬧市外的一片樂土，三個小孩一隻狗，趁着島上居民出門旅遊或舉家移民，偷偷闖進不同人的家中，玩樂之餘，也透過孩童的目光，暗中破獲了成年人世界的秘密。 　　直至暑假結束，三個站在成長交叉點的孩子，也迎來了截然不同的命運⋯⋯

田大志是一家设计公司的普通员工，土木工程专业毕业的他却做着公司最底层的活：送水、修水电、修空调……还经常受到同事的排挤。有一天，他因意外受到刚上任的美女老板的赏识，被调到设计部，频频被美女老板关照。正当他以为会和美女老板开始一段情缘的时候，却发现美女老板欺骗了他……

田大志是一家设计公司的普通员工，土木工程专业毕业的他却做着公司最底层的活：送水、修水电、修空调……还经常受到同事的排挤。有一天，他因意外受到刚上任的美女老板的赏识，被调到设计部，频频被美女老板关照。正当他以为会和美女老板开始一段情缘的时候，却发现美女老板欺骗了他……

River of Grass has all the elements of a conventional road movie: a car, a gun, criminal plans, and young lovers on the run from an angry father who also happens to be a suspended police officer. But writer and director Kelly Reichardt has instead taken these familiar elements and fashioned an anti-road movie, a deadpan film that is more existentialist comedy than crime drama. The young lovers in question are Cozy, the cop's daughter, and Lee Ray, a shady character from the wrong end of town. Lee Ray comes into possession of a pistol, and soon he and Cozy find themselves unintentionally involved in a shooting. Fearing capture by the law, the two make plans to leave town, committing a series of robberies on the way. However, they don't manage to get very far; indeed, the film's central premise is how the romantic myth of lovers on the lam proves disappointing in the face of a far more pedestrian reality. This well-received, low-budget indie was shot on location in South Florida, placing its story against an appropriately depressed landscape of sun-bleached strip malls, barren highways and overgrown, swampy fields; the title is another name for the Florida Everglades.

River of Grass has all the elements of a conventional road movie: a car, a gun, criminal plans, and young lovers on the run from an angry father who also happens to be a suspended police officer. But writer and director Kelly Reichardt has instead taken these familiar elements and fashioned an anti-road movie, a deadpan film that is more existentialist comedy than crime drama. The young lovers in question are Cozy, the cop's daughter, and Lee Ray, a shady character from the wrong end of town. Lee Ray comes into possession of a pistol, and soon he and Cozy find themselves unintentionally involved in a shooting. Fearing capture by the law, the two make plans to leave town, committing a series of robberies on the way. However, they don't manage to get very far; indeed, the film's central premise is how the romantic myth of lovers on the lam proves disappointing in the face of a far more pedestrian reality. This well-received, low-budget indie was shot on location in South Florida, placing its story against an appropriately depressed landscape of sun-bleached strip malls, barren highways and overgrown, swampy fields; the title is another name for the Florida Everglades.

16岁裴野在生日当天，因生母与继父车祸双亡，被迫与继父的女儿桑晚（22岁）共同生活。桑晚成为其法定监护人，两人在拮据环境中相依为命。

以《百元之恋》获得日本学院奖最佳编剧等诸多奖项的足立绅，将自己的半自传体小说《窝囊废日记》搬上了银幕。本片是关西小杰尼斯团体“Boys be”成员池川侑希弥初登银幕之作，以昭和末期某个地方小镇的7个6年级男生为主角，描绘了他们的一段充满欢笑、泪水、纠葛、挑战的少年时代。有别于那些带着光晕、略显苍白的同类作品，足立绅以一种近乎坦率的姿态与青春“直球对决”，直接、生猛，充满力量。足立绅还在片中使用了传奇导演相米慎二的招牌长镜头，向这位曾经的恩师致敬，也捕捉到了少年们最生动鲜活的完美状态。