希腊是一块有着独特反差的土地，拥有在欧洲其他地方已经消失的野生动物，及作为文明发源地之一的古老历史，和似乎特殊的力量，如希腊众神!带我们去一些与世隔绝的地方，比如欧洲的大峡谷——维科斯峡谷，在那里，五子雀用它们捕捉到的昆虫做成了完美的瓶状巢穴！在迈泰奥拉修道院下面，两只雄性埃及秃鹫正在争夺最后一只雌性秃鹫；而在不寻常的谢尔托普塞克下面，一种奇怪的无腿蜥蜴正在狩猎。展示了陆地上的变色龙，水中的墨鱼：希腊群岛上奇异的变色英雄，他们具有惊人的狩猎、交配和繁殖技巧。再加上那些在候鸟停下来喝水休息时发动偷袭的蛇，还有罗德岛的山谷，在那儿蝴蝶覆盖在岩石、树木上，蜥蜴趁机把它们吸走…… 　　第一集 上帝的视角（The View From The Gods） 　　第二集 被蓝色包围（Surrounded By Blue）

希腊是一块有着独特反差的土地，拥有在欧洲其他地方已经消失的野生动物，及作为文明发源地之一的古老历史，和似乎特殊的力量，如希腊众神!带我们去一些与世隔绝的地方，比如欧洲的大峡谷——维科斯峡谷，在那里，五子雀用它们捕捉到的昆虫做成了完美的瓶状巢穴！在迈泰奥拉修道院下面，两只雄性埃及秃鹫正在争夺最后一只雌性秃鹫；而在不寻常的谢尔托普塞克下面，一种奇怪的无腿蜥蜴正在狩猎。展示了陆地上的变色龙，水中的墨鱼：希腊群岛上奇异的变色英雄，他们具有惊人的狩猎、交配和繁殖技巧。再加上那些在候鸟停下来喝水休息时发动偷袭的蛇，还有罗德岛的山谷，在那儿蝴蝶覆盖在岩石、树木上，蜥蜴趁机把它们吸走…… 　　第一集 上帝的视角（The View From The Gods） 　　第二集 被蓝色包围（Surrounded By Blue）

这是一部关于一群孤儿成长的影片，导演跟拍了十二年。确切的说，这些孩子是兄弟，童年给了他们残酷的记忆，被父母遗弃，被同学歧视，被社会漠视，他们在艰苦的岁月中野生野长着。 　　如今他们长大成人了，政府给了他们舒适的生活环境和就业环境，新来的女院长也让他们感受到了前所未有的关怀和温暖，他们在各自的生活轨迹中，找到了自己的位置。然而，他们又卷入新一轮竞争当中。童年共患难的兄弟们长大后是否可以延续手足情，也是影片纪录的主要部分。 　　这部影片是导演杨荔钠与法德ARTE电视台合作作品。

这是一部关于一群孤儿成长的影片，导演跟拍了十二年。确切的说，这些孩子是兄弟，童年给了他们残酷的记忆，被父母遗弃，被同学歧视，被社会漠视，他们在艰苦的岁月中野生野长着。 　　如今他们长大成人了，政府给了他们舒适的生活环境和就业环境，新来的女院长也让他们感受到了前所未有的关怀和温暖，他们在各自的生活轨迹中，找到了自己的位置。然而，他们又卷入新一轮竞争当中。童年共患难的兄弟们长大后是否可以延续手足情，也是影片纪录的主要部分。 　　这部影片是导演杨荔钠与法德ARTE电视台合作作品。

暑假的長洲是鬧市外的一片樂土，三個小孩一隻狗，趁着島上居民出門旅遊或舉家移民，偷偷闖進不同人的家中，玩樂之餘，也透過孩童的目光，暗中破獲了成年人世界的秘密。 　　直至暑假結束，三個站在成長交叉點的孩子，也迎來了截然不同的命運⋯⋯

22岁的里奥为了金钱在街头出卖肉体。那些男人来来去去，而他却只能原地踏步……他不晓得未来的日子将会如何，但心中却渴望找到真爱。于是，他带着砰砰直跳的心上路，出发去寻觅真爱。

22岁的里奥为了金钱在街头出卖肉体。那些男人来来去去，而他却只能原地踏步……他不晓得未来的日子将会如何，但心中却渴望找到真爱。于是，他带着砰砰直跳的心上路，出发去寻觅真爱。

骗了冤大头之后，幽灵只有一周时间还清债务，否则就会面临死亡。她急于找到钱，于是操纵着迷失灵魂的比莉，让她帮她偷钱。虽然比莉看起来很容易上手，但她并非表面那么无辜，幽灵很快意识到自己可能犯了一个致命的错误。

River of Grass has all the elements of a conventional road movie: a car, a gun, criminal plans, and young lovers on the run from an angry father who also happens to be a suspended police officer. But writer and director Kelly Reichardt has instead taken these familiar elements and fashioned an anti-road movie, a deadpan film that is more existentialist comedy than crime drama. The young lovers in question are Cozy, the cop's daughter, and Lee Ray, a shady character from the wrong end of town. Lee Ray comes into possession of a pistol, and soon he and Cozy find themselves unintentionally involved in a shooting. Fearing capture by the law, the two make plans to leave town, committing a series of robberies on the way. However, they don't manage to get very far; indeed, the film's central premise is how the romantic myth of lovers on the lam proves disappointing in the face of a far more pedestrian reality. This well-received, low-budget indie was shot on location in South Florida, placing its story against an appropriately depressed landscape of sun-bleached strip malls, barren highways and overgrown, swampy fields; the title is another name for the Florida Everglades.

River of Grass has all the elements of a conventional road movie: a car, a gun, criminal plans, and young lovers on the run from an angry father who also happens to be a suspended police officer. But writer and director Kelly Reichardt has instead taken these familiar elements and fashioned an anti-road movie, a deadpan film that is more existentialist comedy than crime drama. The young lovers in question are Cozy, the cop's daughter, and Lee Ray, a shady character from the wrong end of town. Lee Ray comes into possession of a pistol, and soon he and Cozy find themselves unintentionally involved in a shooting. Fearing capture by the law, the two make plans to leave town, committing a series of robberies on the way. However, they don't manage to get very far; indeed, the film's central premise is how the romantic myth of lovers on the lam proves disappointing in the face of a far more pedestrian reality. This well-received, low-budget indie was shot on location in South Florida, placing its story against an appropriately depressed landscape of sun-bleached strip malls, barren highways and overgrown, swampy fields; the title is another name for the Florida Everglades.