When Isabella Tree and her husband arrived at the rural estate they had inherited and saw the vast swathes of farmland that came with it, they immediately saw how sick the land was—entire habitats destroyed, bird and plant species gone extinct, fields saturated with chemicals. The experiment they decided to undertake was extreme: To heal nature, they had to let it heal itself. They stopped tilling the land, released wild horses, pigs, and other animals, and waited. The results surpassed all expectations, as evidenced by this stunning film, reminiscent of a David Attenborough wildlife documentary and based on Tree’s bestselling book. The story’s protagonist, Nature, unfolds before us in all its richness and beauty, inspiring hope in the possibility of healing the environment and in the world’s ability to make itself anew.

When Isabella Tree and her husband arrived at the rural estate they had inherited and saw the vast swathes of farmland that came with it, they immediately saw how sick the land was—entire habitats destroyed, bird and plant species gone extinct, fields saturated with chemicals. The experiment they decided to undertake was extreme: To heal nature, they had to let it heal itself. They stopped tilling the land, released wild horses, pigs, and other animals, and waited. The results surpassed all expectations, as evidenced by this stunning film, reminiscent of a David Attenborough wildlife documentary and based on Tree’s bestselling book. The story’s protagonist, Nature, unfolds before us in all its richness and beauty, inspiring hope in the possibility of healing the environment and in the world’s ability to make itself anew.

When Isabella Tree and her husband arrived at the rural estate they had inherited and saw the vast swathes of farmland that came with it, they immediately saw how sick the land was—entire habitats destroyed, bird and plant species gone extinct, fields saturated with chemicals. The experiment they decided to undertake was extreme: To heal nature, they had to let it heal itself. They stopped tilling the land, released wild horses, pigs, and other animals, and waited. The results surpassed all expectations, as evidenced by this stunning film, reminiscent of a David Attenborough wildlife documentary and based on Tree’s bestselling book. The story’s protagonist, Nature, unfolds before us in all its richness and beauty, inspiring hope in the possibility of healing the environment and in the world’s ability to make itself anew.

Paskowitz医生放弃了原本优越有前途的职业，带着善解人意的老婆和9个孩子，一家11口住进了露营车，一边流浪一边冲浪。也许他们的生活实在让人不能理解，但是，这样能够坦率的放弃优越的生活环境去追求梦想是令很多人都羡慕得吧。

在德国巴伐利亚州的一个国家公园内坐落着雄伟的瓦茨曼峰。作为阿尔卑斯山的一部分，瓦茨曼峰的地势崎岖，野性十足。 　　阿尔卑斯山横贯全州，多山峰、多森林、多湖泊是该州地形地貌的突出特征。这里的阿尔卑斯山脉中不乏引人入胜的2,000米以上的山峰，而阿尔 卑斯山前地区直到多瑙河，则遍布湖泊。东巴伐利亚的中高山脉，从帕绍和雷根斯堡延伸到捷克共和国的边境，主要还是一片原始景色。施瓦本-弗兰肯的层岩地带，在东巴伐利亚的中高山脉和多瑙河之间，是典型的褶皱地形和高地。 　　巴州地处欧洲中心位置，是欧洲东－西和南－北贸易的交汇处。从巴州出发，可以便捷地到达其它各主要经济中心。

在死神面前，是否每个生命，都该有第二次机会？　　欧阳盆栽是杀手界唯一不杀人的“杀手”，也是传奇人物“骗神”唯一认证的嫡传弟子。他深信每个生命都该有第二次机会，号召各领域顶尖好手组成“重生小组”，藉由神乎其技的骗术制造被杀目标‘假死’，一次次蒙混过关！　　酒店小姐小莉倒楣异常，三年内两度被残暴的黑道老大冷面佛下达“七日一杀”令。尽管过程艰辛，欧阳盆栽还是“重生”了小莉两次。历经惊险壮烈的重生任务，欧阳逐渐发觉，小莉蛮不在乎的轻佻率性背后，藏着许多深沉的悲伤与无奈。　　无视那千年不易的杀手法则，欧阳爱上了案件目标小莉！　　沉溺于甜美幸福的爱情，欧阳萌生退隐之意。而最痛恨被欺骗的冷面佛却在此时发现欧阳让小莉重生的诡计，对两人发出前代未闻之黑道残杀令。骗术杀人，翻手活命的欧阳，这次，换他身陷处处杀机的空前险境。　　再高明的骗术，能骗过死神吗？欧阳笃信“每个生命都应该有第二次机会”，但师父也严正告诫过他“每件事都有它的代价”，欧阳究竟要付出多大代价和命运搏较？又或者，一切都是他与重生小组精心筹划的世纪大骗局？

さいたま市に盆栽の聖地と呼ばれる場所がある。盆栽園が６つ集まる一帯、通称「大宮盆栽村」。初心者向けの千円ほどのものから、値段のつけられない樹齢数百年の逸品まで、ひとつとして同じ盆栽はない。人々は思い思いにはさみを入れ、枝ぶりを整えていく。桜の鉢を愛おしそうに抱く小学生。亡き義父から譲り受けた盆栽を育てる女性。若くして盆栽園主となった男性。みんな盆栽と向き合いながら、何を見つめているのだろう。