60年代的伦敦，金儿与罗莎高举叛逆青春的旗帜，幻想摆脱跟母亲一样的主妇生活。金儿的父亲罗伦浪漫不羁，正是金儿追求独立自主的憧憬；罗莎则爱情玩乐至上，倾慕对方而跟罗伦建立了一发不可收拾的情欲关系。此时，古巴导弹危机爆发，世界似乎走到尽头。面对信念的冲击、理想的破灭、友情的背叛，金儿只希望：若她能停止人类灭亡，便能拯救自我。

60年代的伦敦，金儿与罗莎高举叛逆青春的旗帜，幻想摆脱跟母亲一样的主妇生活。金儿的父亲罗伦浪漫不羁，正是金儿追求独立自主的憧憬；罗莎则爱情玩乐至上，倾慕对方而跟罗伦建立了一发不可收拾的情欲关系。此时，古巴导弹危机爆发，世界似乎走到尽头。面对信念的冲击、理想的破灭、友情的背叛，金儿只希望：若她能停止人类灭亡，便能拯救自我。

影片讲述的是一群小孩子不经意间被卷入一场核危机事件中，而艾丽扮演的女孩应该就是这群朋友中的领导者，尽管她的家人被威胁，但她还是勇敢地跟敌人斗智斗勇。

影片讲述的是一群小孩子不经意间被卷入一场核危机事件中，而艾丽扮演的女孩应该就是这群朋友中的领导者，尽管她的家人被威胁，但她还是勇敢地跟敌人斗智斗勇。

A look at the influential relationship between two world leaders, Winston Churchill and Franklin Roosevelt during a time of a great international conflict.

A free interpretation of the trial of the Chicago Eight where Judge Hoffman, now Judge Himmler, scribbles his notes on Playboys, where the defendants portray figures of the French Revolution and where Godard and Gorin, playing Lenin and Karl Rosa, discuss politics and cinema. 　　源自：https://www.cinemadureel.org/en/films/vladimir-et-rosa-2/

A free interpretation of the trial of the Chicago Eight where Judge Hoffman, now Judge Himmler, scribbles his notes on Playboys, where the defendants portray figures of the French Revolution and where Godard and Gorin, playing Lenin and Karl Rosa, discuss politics and cinema. 　　源自：https://www.cinemadureel.org/en/films/vladimir-et-rosa-2/

Director Ochir Mashbat reveals the sublime beauty and grace lurking just beneath the surface of otherwise normal lives with this emotional tale of a woman violated, and the enduring friendship that helps her move beyond her potentially crippling trauma. Jinjimaa is a deaf woman who lives in rural Mongolia. When Jinjimaa is raped by the local party chairman, she shoots her attacker dead. In the aftermath of the shooting Jinjimaa's lifelong friend, a lame farmer named Sukhee, takes responsibility for firing the fatal shot. Later, after six long years of serving time, Sukhee is reunited with Jinjimaa. As the two lost souls attempt to pick up where they left off so many years ago, neither suspects that the other has been keeping a closely guarded secret.

Director Ochir Mashbat reveals the sublime beauty and grace lurking just beneath the surface of otherwise normal lives with this emotional tale of a woman violated, and the enduring friendship that helps her move beyond her potentially crippling trauma. Jinjimaa is a deaf woman who lives in rural Mongolia. When Jinjimaa is raped by the local party chairman, she shoots her attacker dead. In the aftermath of the shooting Jinjimaa's lifelong friend, a lame farmer named Sukhee, takes responsibility for firing the fatal shot. Later, after six long years of serving time, Sukhee is reunited with Jinjimaa. As the two lost souls attempt to pick up where they left off so many years ago, neither suspects that the other has been keeping a closely guarded secret.

Thierry De Mey filmed Rosas danst Rosas in the former technical school of architect Henry Van de Velde in Leuven. The film version is much shorter than the show itself. In his film Thierry De Mey opts for a heavily ‘inter-cut’ version in which, apart from the cast of four dancers from 1995 and 1996, he also has all the other performers from the long history of the show dance along. He makes maximum use of the geometrical and spatial qualities of the Van de Veldes building. Incidentally, the building was thoroughly renovated straight after the film was made, making it one of the last testimonials to the original architecture. The film was shown on all of the major European television channels and also had a cinema career in the ‘art house circuit’.