In Golden Jubilee, the final part of the trilogy, Sanzgiri reconsiders ideas of freedom, loss and recovery in the wake of colonial and neo-colonial theft. The film asks us to consider “what is liberation when so much has been lost?” Reflecting on the contradictions in the pursuit of ‘preservation’, the filmmaker creates a 3d virtual rendering of his father’s home in Goa using the same technologies of surveillance that mining companies use to extract iron ore in the region. 　　The title “Golden Jubilee” refers to both a forgiveness of debt and the 50th anniversary of liberation. This final chapter of the trilogy moves with a sense of palpable urgency. It underlines both the losses in our personal quests for repair in the shadow of imperial legacies and compels us to look further than the ancestral in our shared pursuit of collective liberation. —Jemma Desai 　　Suneil Sanzgiri is an artist, researcher, and filmmaker working to understand how systems of oppression are informed and reinforced by trauma, history, and memory. His work spans experimental video, animations, essays, and installations, and contend with questions of identity, heritage, culture and diaspora in relationship to structural violence. He graduated from the Massachusetts Institute of Technology (MIT) with a Masters of Science in Art, Culture and Technology in 2017 and was a 2016 resident of the SOMA program in Mexico City. His work has been screened at festivals and galleries nationally and internationally. Sanzgiri was also selected as a co-programmer of the Flaherty Seminar NYC 2020.

男人一天早上醒来看见两个男孩抱在一起睡，对面的楼房里一对男女在交欢。女人起来看到了男人窥视的举动，泡澡的时候神情木然。男人最后说受到了蚂蚁的攻击。这是一部有象征意义的短片，我想男人身边的玻璃碎片象征着夫妻生活的破裂，最后被一群蚂蚁攻击了可能预示了性的冲动。

Set in a newly independent India, Jubilee is a fictional period drama that unveils the stories and dreams that gave birth to Bollywood, as we know it.

Set in a newly independent India, Jubilee is a fictional period drama that unveils the stories and dreams that gave birth to Bollywood, as we know it.

An all-archival deep dive into the ‘millennium bug’, the widespread cultural hysteria in the lead-up to the year 2000 that redefined our relationship to technology. 　　The prospect of the millennium bug – aka the Y2K bug – was no joke in the late 1990s. When it was discovered that computers were not programmed to effectively interpret the two digits 00, many believed that our entering a new millennium would precipitate a catastrophic global technological collapse. As computer programmers worked tirelessly to solve the potential glitch, doomsday preppers began stockpiling arms and supplies, while state politicians and pop culture icons stepped onto TV to address the nation and debate the pandemonium. Through news reels, press briefings and home videos, co-directors Marley McDonald and Brian Becker craft a thrilling time capsule of a society grappling with the rise of computers, at a pivotal moment in contemporary history. 　　源自：https://www.sheffdocfest.com/film/time-bomb-y2k

随着期盼已久的千禧年的临近，却很少有人能预见这将是一个充满悲剧的世纪。 互联网使得人们将新闻和信息牢牢地掌握在手中，一系列看似永不会结束的大规模惊天灾难将在世界范围内回荡。从2001年双子大楼的毁灭，2004年亚洲海啸，到2009年迈克尔·杰克逊去世。从自然和人为灾难，到令人震惊的恐怖主义行为和名人死亡，这个专题节目将结合档案资料和新鲜访谈，用全新的观点来重新审视这些大事件。

陈润生是考古专业的大学生，作为十万大山本地居民，被刘金水等人诱骗来作导游，等到了目的地才知道他们是要去西凉王墓倒斗。陈润生早年间曾带着弟弟妹妹来过这里，害得弟弟妹妹葬身于此，因此陈润生劝告他们远离西凉王墓，但是反派不为所动，反而用男主生命相要挟，陈润生为了活命只能妥协。陈润生一路劝阻无果，反派自食恶果，男主逃出升天。

全台湾最大茶叶出口商的独生女薏心（连俞涵 饰），邂逅因美援任务重返台湾的失意战俘KK（温升豪 饰），她决定不顾父亲吉桑（郭子乾 饰）反对，介入债台高筑的家族事业，即使身份与使命相差甚远，背负忧伤过往的KK仍深深吸引著薏心，诡变的时代危机环伺，少女薏心如何在茶叶商战中，带领摇摇欲坠的日光茶公司走向世界？ 　　电视剧《茶金》由金钟导演林君阳执导，故事灵感源自真实人物与历史。 　　将于2021年冬季，与大家见面！

全台湾最大茶叶出口商的独生女薏心（连俞涵 饰），邂逅因美援任务重返台湾的失意战俘KK（温升豪 饰），她决定不顾父亲吉桑（郭子乾 饰）反对，介入债台高…

从贫民窟到音乐榜首，他的经历是一个充满戏剧性的传奇故事。早在上世纪八十年代，他便随家人来到德国落脚，过着最底层的生活。这里有许多机遇，同时也潜藏着许多危机和困难。很快，他从平民变成了一位臭名昭著的罪犯，为了逃避追捕，他从德国逃到了荷兰。几番波折，他最终还是进了监狱，在那里，他将人生经历写成了歌。