卡蒂娅是一位年轻的电焊女工。幼年被遗弃的她，踏上了一段寻找失散家人的旅程，并试图像焊接金属那样，把破碎的家庭重新焊接起来。身处寻亲旅途，身处男性主导的焊工行业，卡蒂娅用劳作与探寻的双重视角，重新直面儿时创伤。

卡蒂娅是一位年轻的电焊女工。幼年被遗弃的她，踏上了一段寻找失散家人的旅程，并试图像焊接金属那样，把破碎的家庭重新焊接起来。身处寻亲旅途，身处男性主导的焊工行业，卡蒂娅用劳作与探寻的双重视角，重新直面儿时创伤。

It follows a crew of fierce female convicts who break free and go on the run.

It follows a crew of fierce female convicts who break free and go on the run.

在临近巴芬岛的格林兰西部冰原某处，有两条汇聚的冰川河流还从未有人探索过。三位基地探险家将目标定在了这里，并称它为“银河双子”（冰河系）。他们拖着一雪橇的装备和物资，穿越600英里的冰川，希望成为探索这些只在谷歌地图上看过一眼的极地河流第一人。本片获2017年英国肯道尔国际山地电影节 最佳探险精神奖

A car wreck on a beach road. While the passengers gather round the broken engine the driver, a young man meets his doppelganger on the beach. He beats and strangles him to death. A hospital. The young man walks down a flight of stairs passing a group of beautiful nurses and is hit by a crutch, thrown by his doppelganger who’d been waiting for him at the top of the staircase. Again he beats him to death with the crutch disposing of the corpse in the nearby toilet room. Leaving the toilet the young man is again confronted with his living doppelganger and collapses. A car. The young man now drives through Tokyo’s outskirts accompanied by a beautiful woman who tries to hug and kiss him. Desperately he tries to escape from her leaping through the windshield of the driving car now flying high above the highways landing on a table on the rooftop of a building trying to hide from the woman, who somehow managed to follow him through the air… 　　Sounds crazy? It’s the synopsis of the first 10 minutes of Adachi’s independently produced experiment in classical surrealism, a dreamlike Möbius-strip of a film, which was the formal opening film at the famous underground theatre Zasori-za located in the basement of Shinjuku Bunka, the headquaters of ATG and the Tokyo underground movements of the 60’s. The original print was sepia-tinted, hence the distorted colour of the stills.

A car wreck on a beach road. While the passengers gather round the broken engine the driver, a young man meets his doppelganger on the beach. He beats and strangles him to death. A hospital. The young man walks down a flight of stairs passing a group of beautiful nurses and is hit by a crutch, thrown by his doppelganger who’d been waiting for him at the top of the staircase. Again he beats him to death with the crutch disposing of the corpse in the nearby toilet room. Leaving the toilet the young man is again confronted with his living doppelganger and collapses. A car. The young man now drives through Tokyo’s outskirts accompanied by a beautiful woman who tries to hug and kiss him. Desperately he tries to escape from her leaping through the windshield of the driving car now flying high above the highways landing on a table on the rooftop of a building trying to hide from the woman, who somehow managed to follow him through the air… 　　Sounds crazy? It’s the synopsis of the first 10 minutes of Adachi’s independently produced experiment in classical surrealism, a dreamlike Möbius-strip of a film, which was the formal opening film at the famous underground theatre Zasori-za located in the basement of Shinjuku Bunka, the headquaters of ATG and the Tokyo underground movements of the 60’s. The original print was sepia-tinted, hence the distorted colour of the stills.

Attempt to look at the Polish workers early seventies, their daily problems and concerns. After the protest in December 1970 years took place discredited Edward Gierek team and his companions, promising 'new Poland'. The workers, however, remain critical, suspicious, still eager to revolt. The original version of the film was never publicly shown. After the cuts and przemontowaniu - against the wishes of authors - created version called '' team ''( ''Gospodarze''), which was the issue of television.

Attempt to look at the Polish workers early seventies, their daily problems and concerns. After the protest in December 1970 years took place discredited Edward Gierek team and his companions, promising 'new Poland'. The workers, however, remain critical, suspicious, still eager to revolt. The original version of the film was never publicly shown. After the cuts and przemontowaniu - against the wishes of authors - created version called '' team ''( ''Gospodarze''), which was the issue of television.

A short film which documents the lives of four women who work together in a factory.