過去のあるダラシのない女と結婚した男が、若い家出娘と出会う。男は娘のためにアパートを借り、二重生活を始める。妻と別れて娘と結婚するため、男は誘拐を装って娘の実家の旅館に身代金を要求する。事はすべてうまく運んだが、意外な結末が…。

It follows a crew of fierce female convicts who break free and go on the run.

It follows a crew of fierce female convicts who break free and go on the run.

A car wreck on a beach road. While the passengers gather round the broken engine the driver, a young man meets his doppelganger on the beach. He beats and strangles him to death. A hospital. The young man walks down a flight of stairs passing a group of beautiful nurses and is hit by a crutch, thrown by his doppelganger who’d been waiting for him at the top of the staircase. Again he beats him to death with the crutch disposing of the corpse in the nearby toilet room. Leaving the toilet the young man is again confronted with his living doppelganger and collapses. A car. The young man now drives through Tokyo’s outskirts accompanied by a beautiful woman who tries to hug and kiss him. Desperately he tries to escape from her leaping through the windshield of the driving car now flying high above the highways landing on a table on the rooftop of a building trying to hide from the woman, who somehow managed to follow him through the air… 　　Sounds crazy? It’s the synopsis of the first 10 minutes of Adachi’s independently produced experiment in classical surrealism, a dreamlike Möbius-strip of a film, which was the formal opening film at the famous underground theatre Zasori-za located in the basement of Shinjuku Bunka, the headquaters of ATG and the Tokyo underground movements of the 60’s. The original print was sepia-tinted, hence the distorted colour of the stills.

在临近巴芬岛的格林兰西部冰原某处，有两条汇聚的冰川河流还从未有人探索过。三位基地探险家将目标定在了这里，并称它为“银河双子”（冰河系）。他们拖着一雪橇的装备和物资，穿越600英里的冰川，希望成为探索这些只在谷歌地图上看过一眼的极地河流第一人。本片获2017年英国肯道尔国际山地电影节 最佳探险精神奖

A car wreck on a beach road. While the passengers gather round the broken engine the driver, a young man meets his doppelganger on the beach. He beats and strangles him to death. A hospital. The young man walks down a flight of stairs passing a group of beautiful nurses and is hit by a crutch, thrown by his doppelganger who’d been waiting for him at the top of the staircase. Again he beats him to death with the crutch disposing of the corpse in the nearby toilet room. Leaving the toilet the young man is again confronted with his living doppelganger and collapses. A car. The young man now drives through Tokyo’s outskirts accompanied by a beautiful woman who tries to hug and kiss him. Desperately he tries to escape from her leaping through the windshield of the driving car now flying high above the highways landing on a table on the rooftop of a building trying to hide from the woman, who somehow managed to follow him through the air… 　　Sounds crazy? It’s the synopsis of the first 10 minutes of Adachi’s independently produced experiment in classical surrealism, a dreamlike Möbius-strip of a film, which was the formal opening film at the famous underground theatre Zasori-za located in the basement of Shinjuku Bunka, the headquaters of ATG and the Tokyo underground movements of the 60’s. The original print was sepia-tinted, hence the distorted colour of the stills.

Science fiction writer is gifted with ability to materialise his thougts. As a result, a group of aliens is coming to Earth.

Science fiction writer is gifted with ability to materialise his thougts. As a result, a group of aliens is coming to Earth.

荒木太郎監督＆脚本＆主演による、1996年制作のエロティック・コメディ。R18+指定作品。荒木太郎監督のデビュー作にして、『キャラバン野郎』シリーズ第1弾。生活力のなさから、彼女の花枝（林由美香）に愛想を尽かされた真二（荒木太郎）は、ボロいライトバン・通称キャラバンに乗って、放浪生活を始めた。そんなある日、道すがら助けた風俗嬢の桃子（工藤翔子）と共に旅をすることになる真二。桃子の実家には、療養生活を送る同性愛者の姉（五代暁子）がいて・・・。

剧场是被建构的虚假的旁人的世界。我们沉迷于观看明知是假的表演，为了通过模仿代入理想的自我，通过窥淫达满足潜意识中嗜血的慾望和猎奇的刺激。通过虚拟的旁观我们寻求一种个体之间的联繫。因为现实中我们的每一个个体都是无比孤独的孤立的存在，永远无法相连，却又永远在试图沟通和联繫并在联繫中企图确立自我的存在。 　　四个平行的故事暗中联结，互为喻体。（@BISFF）