夏日周末，一家四口来到湖边农场钓鱼休假，碰上俩兄弟，六个人一片湖，彷佛平常慵懒的午后却暗流涌动，人和人的疏离弥漫开来。一切悲伤的故事在生活里不过是如期而至静默处之，然后过去了走远了云淡风轻偶尔还能想起罢了……

"The work is a found footage work: i.e., a montage of short clips from existing films. The films are from all over the world, including Fran c e, mainland China, Hong Kong, India, the US, etc. Each of the clips shows an image of a clock marking the time. The work lasts for 24 hours, and it is synchronized with the time of the location where it is shown. For instance, if you see the work in London and it is now 11:25 AM, then you will see on the screen a clock or watch pointing at exactly that time. 　　It has been shown in London, New York, and Venice. It received an award in Venice. " 　　- Hector RODRIGUEZ 　　 　　http://www.whitecube.com/exhibitions/cm/ 　　http://en.wikipedia.org/wiki/Christian_Marclay

"The work is a found footage work: i.e., a montage of short clips from existing films. The films are from all over the world, including Fran c e, mainland China, Hong Kong, India, the US, etc. Each of the clips shows an image of a clock marking the time. The work lasts for 24 hours, and it is synchronized with the time of the location where it is shown. For instance, if you see the work in London and it is now 11:25 AM, then you will see on the screen a clock or watch pointing at exactly that time. 　　It has been shown in London, New York, and Venice. It received an award in Venice. " 　　- Hector RODRIGUEZ 　　 　　http://www.whitecube.com/exhibitions/cm/ 　　http://en.wikipedia.org/wiki/Christian_Marclay

《末路纪事》可以说是男男版的《末路狂花》，讲述了一个不羁男妓和一个艾滋阳性作家的公路爱情。两人结伴打劫后暴走天涯，豪情恣意的穿越半个美国，用血脉贲张的硬朗躯体谱写生命激情，而且誓不回头。他们拥抱自由和爱情的态度，如实展现了90年代嬉皮一族最粗犷、最不羁和最性感的一面。 　　独立电影导演格雷格·阿拉基(Gregg Araki)凭借这部1992年的剧情长片《末路纪事》一跃成为90年代“新酷儿电影”的代表人物。这部电影充斥着颓废和绝望的愤怒气息，但又充满黑色幽默和袒露情欲，在入围当年的圣丹斯电影节主竞赛单元后引发评论界热议，阿拉基也被称为“最胆大妄为的独立导演”。该片直接启发了阿拉基后来的“青少年三部曲”以及《欲望肌肤》，帮助他确立了激进朋克的地下电影风格。

《末路纪事》可以说是男男版的《末路狂花》，讲述了一个不羁男妓和一个艾滋阳性作家的公路爱情。两人结伴打劫后暴走天涯，豪情恣意的穿越半个美国，用血脉贲张的硬朗躯体谱写生命激情，而且誓不回头。他们拥抱自由和爱情的态度，如实展现了90年代嬉皮一族最粗犷、最不羁和最性感的一面。 　　独立电影导演格雷格·阿拉基(Gregg Araki)凭借这部1992年的剧情长片《末路纪事》一跃成为90年代“新酷儿电影”的代表人物。这部电影充斥着颓废和绝望的愤怒气息，但又充满黑色幽默和袒露情欲，在入围当年的圣丹斯电影节主竞赛单元后引发评论界热议，阿拉基也被称为“最胆大妄为的独立导演”。该片直接启发了阿拉基后来的“青少年三部曲”以及《欲望肌肤》，帮助他确立了激进朋克的地下电影风格。

Set in the summer months preceding the September 1939 outbreak of World War II in Polish part of Lithuania. A young highschool lad, Witek, is hoping to pass the entrance exams to the university. His love interest is Alina, his high-school colleague.

Set in the summer months preceding the September 1939 outbreak of World War II in Polish part of Lithuania. A young highschool lad, Witek, is hoping to pass the entrance exams to the university. His love interest is Alina, his high-school colleague.

In the Civil War, Union soldiers are about to hang a defiant Confederate planter from a bridge, for sabotage. The noose is placed around his neck, but the rope breaks and he plummets from the bridge into a river. Dazed, he swims the rapids downstream, while the soldiers fire at him. He clambers on a river bank, and excitedly starts his journey back to his family plantation.

Synopsis 　　Bellmaker Seok-seung (Heo Jang-kang), whose most famous handiwork is the legendary bell of Goryeong Temple, is living out his old age at a temple with a young woman named Young-sil (Moon Jeong-suk) as his neighbor. One day, Young-sil hears about Seok-seung's past. 　　The grandson of a famous bellmaker, Seok-seung works as a servant. He promises his lover Ok-bun (Moon Jeong-suk) that he will make a bell with the most beautiful sound in the world, and when Ok-bun suddenly dies, he sets about fulfilling his promise to her. He studies bellmaking for over a decade. Wandering the country following his teacher's death, Seok-seung meets a widow (Moon Jeong-suk) and settles down with her. His grandfather had committed suicide after losing to a rival bellmaker; Seok-seung steals the bell made by the rival artisan along with his grandfather's bell and runs off with them. While he is endeavoring to create the world's finest bell, his wife dies in childbirth. Continuing his pursuit of the perfect bell, Seok-seung finally succeeds in forging the most beautiful-sounding bell in the world by melting his grandfather's bell and the rival artisan's bell together, but he loses his daughter. 　　Meanwhile, as she listens to Seok-seung's tale, Young-sil begins to wonder if he is actually her long-lost father. Growing up as an orphan, she remembers hearing that her father was also a bellmaker. At the time, Japan is fighting in the Second World War and commandeering all the iron in Korea for its military campaign. The bell at Goryeong Temple also comes under threat of seizure. Fearing for its fate, Seok-seung tries to remove the bell and hide it, but falls down a cliff in the attempt and draws his last breath in Young-sil's arms. 　　Notes 　　Alternating between present and past through Seok-seung's and Young-sil's flashbacks, The Bell Tower relies on voice-over narration by each character to tell the story of their lives. This device gives the audience the impression of listening to an old tale. The Bell Tower may well be the first major Korean film to employ a structure that combines voice-over narration with flashback sequences. As revealed in film reviews of the time, The Bell Tower affords glimpses of the considerable effort the filmmakers put into, instilling something "uniquely Korean" in its content and imagery. It is an impressive movie that unostentatiously depicts the premodern artisan's stubborn passion for his work and the realizations and regrets brought about by time. The performances of Heo Jang-kang and Moon Jeong-suk, the latter delivering an impassioned turn in three different roles, also make The Bell Tower a standout. It is the first Korean film to be made for submission to foreign film festivals.