《探宝觅踪·寻找湾区民间文化力量》之第一季“民间博物馆”，邀请文化、艺术、建筑、体育等多领域名人，如：广东省美术家协会主席、广东画院院长林蓝，华南理工大学建筑设计研究院有限公司院长、总建筑师倪阳，北京冬奥会吉祥物冰墩墩设计负责人曹雪，广东粤剧院院长曾小敏，香港著名主持人陈贝儿，时尚博主黎贝卡，奥运冠军谢思埸，香港嘻哈音乐组合农夫等作为湾区文化探寻官，一同探寻珍藏于岭南大地的民间文化宝藏与包罗万象的岭南文化内涵。

Eleven members of a traditional theatre troupe perform daily and live out their lives in a small playhouse in the Sichuan region of China. Their three-hour show combines various forms, from classical Chinese opera to acrobatics, and is adored by the locals. Their star actress Dandan has performed in the troupe with her mother since she was little, sharing a living space with a group of performers who share no absence of fights. Though she worries about her future, she continues to earnestly perform the heroine for her elderly audience.

张新是一名籍籍无名的普通插画师，某日一个神秘的ID“民间鬼术”找到了他，开始给他提供大量精彩绝伦的志怪故事。张新以这些故事为蓝本开始创作漫画故事，并且渐渐成为了国内著名的漫画家。他却始终不知道这个神秘ID的背后到底是谁，又为什么会找上他。但这些神秘的故事却渐渐流传开来……

张新是一名籍籍无名的普通插画师，某日一个神秘的ID“民间鬼术”找到了他，开始给他提供大量精彩绝伦的志怪故事。张新以这些故事为蓝本开始创作漫画故事，并且渐渐成为了国内著名的漫画家。他却始终不知道这个神秘ID的背后到底是谁，又为什么会找上他。但这些神秘的故事却渐渐流传开来……

The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael. 　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism. 　　As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. 　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael. 　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism. 　　As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. 　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

讲述了一群剧团演员在排演一部名叫《Caliban's Day》（卡利班的胜利）的舞台剧，该剧通过一名叫卡利班的传记作家的视角，讲述英国诗人格雷格·奥登和作曲家本杰明·布里顿之间的故事，两位艺术家在年轻时曾是合作无间的好友，因一次不愉快的美国之旅分道扬镳，多年后布里顿拜访奥登，向对方透露自己将托马斯·曼的小说《死于威尼斯》改编成歌剧的计划，来向这位昔日的合作伙伴寻求建议，而这一切的背后是两人同为男同性恋的背景，有趣的是《死于威尼斯》这部作品刚好讲的是一位上年纪的作家对一位14岁美少年的爱慕，戏中戏的结构层层深入，引人入胜。

讲述了一群剧团演员在排演一部名叫《Caliban's Day》（卡利班的胜利）的舞台剧，该剧通过一名叫卡利班的传记作家的视角，讲述英国诗人格雷格·奥登和作曲家本杰明·布里顿之间的故事，两位艺术家在年轻时曾是合作无间的好友，因一次不愉快的美国之旅分道扬镳，多年后布里顿拜访奥登，向对方透露自己将托马斯·曼的小说《死于威尼斯》改编成歌剧的计划，来向这位昔日的合作伙伴寻求建议，而这一切的背后是两人同为男同性恋的背景，有趣的是《死于威尼斯》这部作品刚好讲的是一位上年纪的作家对一位14岁美少年的爱慕，戏中戏的结构层层深入，引人入胜。

卦象预言福星降世 ，弃婴舟舟被督军府收养后，不仅治愈昭儿的哑疾 ，更让傅家摆脱霉运 ，金银自来 ，瘫痪的老夫人竟奇迹般康复 ！然而 ，身世之谜逐渐浮出水面 ，舟舟竟牵扯出上一代的爱恨情仇，她真的是福星吗。。。。。。

1998年，19岁的卷发单恋少女朴世莉（申银秀 饰）有了聪明转学生的助攻，下定决心非追到校草不可。