In July, 19-year-old pianist Benjamin Grosvenor made his debut at the Proms to great acclaim, wowing both audiences and critics with his performance of Liszt's Piano Concerto No 2 in A Major. The youngest ever soloist to perform in the First Night of the Proms, he returns to the Royal Albert Hall on August 6 to take on Britten's Piano Concerto. 　　In 2005, Imagine discovered this musical prodigy in the making. Alan Yentob talked to the 12-year-old Grosvenor about his success the previous year, in the piano section of The Young Musician of The Year Competition. This is another chance to see that documentary. 　　Imagine: Being a Concert Pianist gets under the lid of this extreme form of musicianship. Celebrated pianists, including Yevgeny Kissin, Vladimir Ashkenazy and Chinese wunderkind Lang Lang, talk intimately about their lives, their work and their motivation. The film gives a frank and personal perspective on a profession for which the only real qualification is genius, richly illustrated with specially recorded rehearsal and performance.

The Art of the Piano is a feature-length, 106-minute documentary that presents in refreshingly straightforward fashion a portrait of 20th-century piano playing. The format is simple: short segments on virtually all of the great pianists who have ever been captured on film, augmented by extracts from interviews, sometimes with the pianists themselves, or with later conductors and musicians of international stature, including specially filmed contributions from Daniel Barenboim, Sir Colin Davis, Evgeny Kissin, Gennadi Rozhdestvensky, and Tamás Vásáry. The narration by John Tusa offers an overview of piano music through the century, though the heart of the film is the great quantity of rare archive historic footage, with extracts from performances by Gould, Horowitz, Paderwski, Rachmaninoff, Richter, Rubinstein, and many others. The interviews are short, but offer considerable insight, while the film of so many revered pianists brought together is a literal eye-opener, especially for those who have previously only known these masters from LP and CD. This is, like the companion program The Art of Singing, as close to definitive as a single film can get, even going so far as to include footage from the "silent" era with sound from corresponding recordings. --Gary S. Dalkin, Amazon.co.uk

洛桑有极强的模仿力和口技功夫，他从小就显露出艺术表演的才华。自93年在中央电视台名牌栏目《曲苑杂坛》中表演系列节目《洛桑学艺》而一炮打红。

骄傲的老虎一定要和猫比武，两次比赛都输了。于是老虎拜猫为师。它学到一点本领就自以为是，并用学过的本领欺负其他小动物。老虎再次和猫师傅较量。猫逃上树，老虎还拼命追扑，结果掉在水中。从此，老虎成了忘恩负义的孤家寡人。

骄傲的老虎一定要和猫比武，两次比赛都输了。于是老虎拜猫为师。它学到一点本领就自以为是，并用学过的本领欺负其他小动物。老虎再次和猫师傅较量。猫逃上树，老虎还拼命追扑，结果掉在水中。从此，老虎成了忘恩负义的孤家寡人。

On a bright summer's day in the early 20th century, a young man sits on a cliff by the sea to practice his cello. Unfortunately, the young man's ferocious playing style rouses up a storm which causes the waves to sweep a young woman (who was gathering shrimp by the shore) out to sea. The heroic cellist dives in to save the woman and finds himself battling some sea creatures for posession of both the woman and his cello.

Marta hauls a piano home from a shop that sells used musical instruments. She almost succeeds. Albert tries for the thirtieth year already to tell Paula that he loves her. He almost succeeds. Paula wants to respond to Albert in the same vein. She almost succeeds. Police commissioner Kits has dreamed of parachuting all his life. He almost succeeds. Mirjam wants be become a circus artist. She almost succeeds. A honeybee tries to get out past a closed window. It almost succeeds. 　　A film without main characters where the lives of characters that have lost their head intertwine in a dramatic and less dramatic way in an ordinary concrete panel apartment building.

1964年奥斯卡最佳短片提名。