每个人都曾经历过懊恼糟糕的早晨。懒床睡过了点，起床弄伤了脚趾，下楼磕了头，早餐烤焦了面包，阿瑟· 登特(马丁·弗里曼饰)的这个早上可谓衰运当头，而且还远不止这些。政府已经决定拆掉他的房子，好友福特·普里弗克特(摩斯·德夫饰)承认自己是个外星人，正在地球上寻找新版《银河系漫游指南》。最耸人听闻的是，外星人正在建造银河系高速公路，而地球是阻挡工程进展的障碍物，外星人即将摧毁地球。在福特的帮助下，阿瑟·登特在地球被毁灭前的最后一刻搭上了一艘路过地球的外星人的太空船，远离这个即将毁灭的伤心地，开始了一段充满惊奇的星河探险。在太空之旅中，阿瑟发现毛巾是宇宙里最有用的东西，并体会到了生命的精确含义，更发现所有他需要知道的一切居然都写在一本名叫《银河系漫游指南》的电子图书里……

每个人都曾经历过懊恼糟糕的早晨。懒床睡过了点，起床弄伤了脚趾，下楼磕了头，早餐烤焦了面包，阿瑟· 登特(马丁·弗里曼饰)的这个早上可谓衰运当头，而且还远不止这些。政府已经决定拆掉他的房子，好友福特·普里弗克特(摩斯·德夫饰)承认自己是个外星人，正在地球上寻找新版《银河系漫游指南》。最耸人听闻的是，外星人正在建造银河系高速公路，而地球是阻挡工程进展的障碍物，外星人即将摧毁地球。在福特的帮助下，阿瑟·登特在地球被毁灭前的最后一刻搭上了一艘路过地球的外星人的太空船，远离这个即将毁灭的伤心地，开始了一段充满惊奇的星河探险。在太空之旅中，阿瑟发现毛巾是宇宙里最有用的东西，并体会到了生命的精确含义，更发现所有他需要知道的一切居然都写在一本名叫《银河系漫游指南》的电子图书里……

It follows a crew of fierce female convicts who break free and go on the run.

A car wreck on a beach road. While the passengers gather round the broken engine the driver, a young man meets his doppelganger on the beach. He beats and strangles him to death. A hospital. The young man walks down a flight of stairs passing a group of beautiful nurses and is hit by a crutch, thrown by his doppelganger who’d been waiting for him at the top of the staircase. Again he beats him to death with the crutch disposing of the corpse in the nearby toilet room. Leaving the toilet the young man is again confronted with his living doppelganger and collapses. A car. The young man now drives through Tokyo’s outskirts accompanied by a beautiful woman who tries to hug and kiss him. Desperately he tries to escape from her leaping through the windshield of the driving car now flying high above the highways landing on a table on the rooftop of a building trying to hide from the woman, who somehow managed to follow him through the air… 　　Sounds crazy? It’s the synopsis of the first 10 minutes of Adachi’s independently produced experiment in classical surrealism, a dreamlike Möbius-strip of a film, which was the formal opening film at the famous underground theatre Zasori-za located in the basement of Shinjuku Bunka, the headquaters of ATG and the Tokyo underground movements of the 60’s. The original print was sepia-tinted, hence the distorted colour of the stills.

A car wreck on a beach road. While the passengers gather round the broken engine the driver, a young man meets his doppelganger on the beach. He beats and strangles him to death. A hospital. The young man walks down a flight of stairs passing a group of beautiful nurses and is hit by a crutch, thrown by his doppelganger who’d been waiting for him at the top of the staircase. Again he beats him to death with the crutch disposing of the corpse in the nearby toilet room. Leaving the toilet the young man is again confronted with his living doppelganger and collapses. A car. The young man now drives through Tokyo’s outskirts accompanied by a beautiful woman who tries to hug and kiss him. Desperately he tries to escape from her leaping through the windshield of the driving car now flying high above the highways landing on a table on the rooftop of a building trying to hide from the woman, who somehow managed to follow him through the air… 　　Sounds crazy? It’s the synopsis of the first 10 minutes of Adachi’s independently produced experiment in classical surrealism, a dreamlike Möbius-strip of a film, which was the formal opening film at the famous underground theatre Zasori-za located in the basement of Shinjuku Bunka, the headquaters of ATG and the Tokyo underground movements of the 60’s. The original print was sepia-tinted, hence the distorted colour of the stills.

《漫游记》是浙江卫视联合浙江视通文化出品的一档散文体美食旅行记录节目。年龄不同、经历不同的两个男人共同踏上旅程，和每期加入的三俩好友一起感受沿途的美食和背后的远方。漫而有序，游而有心，以旅行者的心态寻找12城关于美食与文化的故事。

《漫游记》是浙江卫视联合浙江视通文化出品的一档散文体美食旅行记录节目。年龄不同、经历不同的两个男人共同踏上旅程，和每期加入的三俩好友一起感受沿途的美食和背后的远方。漫而有序，游而有心，以旅行者的心态寻找12城关于美食与文化的故事。

Science fiction writer is gifted with ability to materialise his thougts. As a result, a group of aliens is coming to Earth.

五六十年代曾流行过把风光片包装成故事片的手法，本片就是一个例子。通过一个小孩躲藏在爷爷的气球里遨游欧洲，尽情享受俯瞰艾菲尔铁塔、勃朗峰等名胜，以及猎鹿等壮观的场景。里面还有一个插科打诨的机械师，提供喜剧调料。

五六十年代曾流行过把风光片包装成故事片的手法，本片就是一个例子。通过一个小孩躲藏在爷爷的气球里遨游欧洲，尽情享受俯瞰艾菲尔铁塔、勃朗峰等名胜，以及猎鹿等壮观的场景。里面还有一个插科打诨的机械师，提供喜剧调料。