It follows a crew of fierce female convicts who break free and go on the run.

It follows a crew of fierce female convicts who break free and go on the run.

A car wreck on a beach road. While the passengers gather round the broken engine the driver, a young man meets his doppelganger on the beach. He beats and strangles him to death. A hospital. The young man walks down a flight of stairs passing a group of beautiful nurses and is hit by a crutch, thrown by his doppelganger who’d been waiting for him at the top of the staircase. Again he beats him to death with the crutch disposing of the corpse in the nearby toilet room. Leaving the toilet the young man is again confronted with his living doppelganger and collapses. A car. The young man now drives through Tokyo’s outskirts accompanied by a beautiful woman who tries to hug and kiss him. Desperately he tries to escape from her leaping through the windshield of the driving car now flying high above the highways landing on a table on the rooftop of a building trying to hide from the woman, who somehow managed to follow him through the air… 　　Sounds crazy? It’s the synopsis of the first 10 minutes of Adachi’s independently produced experiment in classical surrealism, a dreamlike Möbius-strip of a film, which was the formal opening film at the famous underground theatre Zasori-za located in the basement of Shinjuku Bunka, the headquaters of ATG and the Tokyo underground movements of the 60’s. The original print was sepia-tinted, hence the distorted colour of the stills.

A car wreck on a beach road. While the passengers gather round the broken engine the driver, a young man meets his doppelganger on the beach. He beats and strangles him to death. A hospital. The young man walks down a flight of stairs passing a group of beautiful nurses and is hit by a crutch, thrown by his doppelganger who’d been waiting for him at the top of the staircase. Again he beats him to death with the crutch disposing of the corpse in the nearby toilet room. Leaving the toilet the young man is again confronted with his living doppelganger and collapses. A car. The young man now drives through Tokyo’s outskirts accompanied by a beautiful woman who tries to hug and kiss him. Desperately he tries to escape from her leaping through the windshield of the driving car now flying high above the highways landing on a table on the rooftop of a building trying to hide from the woman, who somehow managed to follow him through the air… 　　Sounds crazy? It’s the synopsis of the first 10 minutes of Adachi’s independently produced experiment in classical surrealism, a dreamlike Möbius-strip of a film, which was the formal opening film at the famous underground theatre Zasori-za located in the basement of Shinjuku Bunka, the headquaters of ATG and the Tokyo underground movements of the 60’s. The original print was sepia-tinted, hence the distorted colour of the stills.

故事发生在上个世纪的九十年代初。大学毕业后的康凯为了给身为知名主播的妻子尚洁一个安稳的生活，主动放弃了专业，开起了一个小餐馆。但妻子因为遇人不…

大学毕业生康凯（吴秀波 饰）与女友知名主播尚洁（陈数 饰）的爱情历经波折，婚后孩子的出生令两人分道扬镳，因为孩子的父亲竟是他人。康妹（田朴珺 饰）好高骛远，不顾恋人肖弟挽留，一心想出国深造。打工妹晓牧（浦蒲 饰）几年前骗得康凯同情，资助她弟弟上大学，如今良心发现，决心登门道歉。当她看到因轻伤落魄的康凯，心生怜悯，到其经营的小餐馆打工，以支持这个陷入窘境的大哥。日久生情，她很快爱上了康凯。为了与其比肩，只有高中文化的晓牧自学成才，成为一名杂志社的编辑。但不久后，康凯因故入狱，他主动断绝了与晓牧的联系。出狱后的康凯去了美国，待日后发达的他回国后，发现晓牧仍然等着他......

鲁本是一个孤独的跑长途运输的卡车司机，他运送的货物是木材。乌拉圭的亚松森到布宜诺斯艾利斯的高速公路，是他工作了多年地方。 　　可是今天的车程却有些不同。在亚松森的休息站，鲁本碰到了杰塔。她希望能搭上鲁本的货车一起去布宜诺斯艾利斯。鲁本答应了她的要求。可是当鲁本上路的时候，他惊奇地发现杰塔还带着一个只有8个月的大的小孩。这对于1500公里的长途旅行来说可不是什么好事。 　　“货车慢慢地开上了高速公路，鲁本和杰塔之间的不信任和相互的怀疑也在渐渐消散。他们互相闲聊，谁也没有问对方生活的细节，但是这两个人似乎在旅途中找到了默契。虽然他们都有些寡言，但这并不是一趟沉默的旅程。

鲁本是一个孤独的跑长途运输的卡车司机，他运送的货物是木材。乌拉圭的亚松森到布宜诺斯艾利斯的高速公路，是他工作了多年地方。 　　可是今天的车程却有些不同。在亚松森的休息站，鲁本碰到了杰塔。她希望能搭上鲁本的货车一起去布宜诺斯艾利斯。鲁本答应了她的要求。可是当鲁本上路的时候，他惊奇地发现杰塔还带着一个只有8个月的大的小孩。这对于1500公里的长途旅行来说可不是什么好事。 　　“货车慢慢地开上了高速公路，鲁本和杰塔之间的不信任和相互的怀疑也在渐渐消散。他们互相闲聊，谁也没有问对方生活的细节，但是这两个人似乎在旅途中找到了默契。虽然他们都有些寡言，但这并不是一趟沉默的旅程。

写宋国人韩凭，离别新娘贞夫上京求官，6年不归，贞夫绣鱼书，托人捎给韩凭，韩见鱼书相思入梦。上朝钟响，韩怀鱼书匆匆进宫，不慎鱼书落地，为好色无道的宋王所见，诬为奸细打入土牢。宋王将贞夫接来宫中，见她貌美，封为新娘娘，贞夫不从，宋王让贞夫与韩凭在清凌台相见，又毁韩容，贞夫借弓箭射血书于台下，韩接读血书后触箭自杀，贞夫亦跳台自尽，临死前求与夫合葬一处。宋王大怒，命分葬两处，遥遥相对，日后两坟前各长一树，渐成合抱。宋王命砍树，树倒，飞出一对鸳鸯，宋王发箭射下一片羽毛，取之观赏，毛忽生火，烧死宋王。不久两树重长，后人谓之相思树。 　　1949年12月18日，雪声剧团首演于上海兰心大戏院。导演程述尧，袁雪芬饰贞夫，魏凤娟饰韩凭，陈金莲饰宋王，高剑琳饰梁伯，金艳芳饰韩母。剧中“门前阵阵西北风”唱段，由袁雪芬与刘如曾合作，创造了新腔[男调]。1950年春，该剧由文华影业公司拍摄成越剧彩色戏曲片在全国放映。电影导演韩义、黄绍芬，录音指导颜鹤鸣。1951年1月，该剧编入由赵景深主编的《民间文艺丛书》，由北新书店出版单行本。1952年1月1日至20日，华东越剧实验剧团复演于大众剧场，钟泯导演，刘如曾、陈捷、薛岩作曲，幸熙、苏石凤装置设计，薛敏、许仁清灯光设计，田钧化装设计。袁雪芬、吕瑞英饰贞夫，魏凤娟、赵雅麟饰韩凭，吴小楼饰宋王，张桂凤饰梁伯，金艳芳饰韩母。《新闻报》、《新民晚报》、《大公报》于1月5日、7日发表剧评，说该剧“违反时代要求”、“模糊了古代人民的斗争”。

写宋国人韩凭，离别新娘贞夫上京求官，6年不归，贞夫绣鱼书，托人捎给韩凭，韩见鱼书相思入梦。上朝钟响，韩怀鱼书匆匆进宫，不慎鱼书落地，为好色无道的宋王所见，诬为奸细打入土牢。宋王将贞夫接来宫中，见她貌美，封为新娘娘，贞夫不从，宋王让贞夫与韩凭在清凌台相见，又毁韩容，贞夫借弓箭射血书于台下，韩接读血书后触箭自杀，贞夫亦跳台自尽，临死前求与夫合葬一处。宋王大怒，命分葬两处，遥遥相对，日后两坟前各长一树，渐成合抱。宋王命砍树，树倒，飞出一对鸳鸯，宋王发箭射下一片羽毛，取之观赏，毛忽生火，烧死宋王。不久两树重长，后人谓之相思树。