林宇查清陈锋为争项目耍手段的证据，对质时陈锋承认破坏其与苏瑶感情还威胁他。后陈锋在公司楼下持刀行凶，被及时赶到的警察控制。审讯后陈锋悔悟，主动向林宇、苏瑶道歉，获两人谅解。他一改往日作风，积极配合林宇工作，从对手成伙伴，还在团队会议上公开致歉。林宇弥补过往忽略，精心策划求婚，苏瑶感动答应。最终三人成好友，公园散步畅谈未来，故事在幸福中收尾，尽显真爱与人性之善。

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war. 　　This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war. 　　This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.

新疆乌恰县医院院长吴登云，是从南方城市扬州来支援边疆的，他带着妻子女儿在乌恰扎下了根。 吴院长长年累月地巡回医疗，很少同妻子女儿团聚。妻子阿芬强忍着孤寂和思乡之情。一年的大年除夕，阿芬想给女儿燕子买一件新衣服，没想到，她辛辛苦苦积攒的钱都不见了，原来是吴登云拿去帮助了无钱买药的病人。吴院长经常这样做，使得家中生活十分窘迫。 一个生命垂危的烧伤儿童，需要植皮。在没有麻药的情况下，吴登云强忍巨大的疼痛割下自己的皮植给儿童。吴登云还经常把自己的鲜血输给病人，他心中只有病人，完全没有自己。 女儿燕子长大了，想离开乌恰去与男朋友团聚。可乌恰特别需要她这样的医务骨干，一面是女儿的幸福，一面是缺医少药的穷苦牧民，吴登云狠心要女儿留下来。 离开家乡二十多年，吴登云第一次回扬州看望病重的父亲。父亲恳求他留下，可他坚决地还要回边疆，父亲明白这次与儿子是永诀了，伤心地呜咽着。 矿工艾力江曾受到过吴登云五天五夜不合眼地抢救，病好后他带着未婚妻前来看望吴院长，深情地呼唤着他“爸爸”。 　　(以下为人物真实资料)吴登云，一个江南普通农民的儿子，二十世纪六十年代毕业于扬州医学专科学校。1963年，他从瘦西湖畔来到了被称为“万山之祖”的新疆帕米尔高原，将自己的青春投身于边疆的医疗事业，在乌恰一干就是37年。在这37年中，他用自己的身心和血肉挽救了一批批生命垂危的病人，培养出一批批土生土长的柯尔克孜族医生，创建了一座园林式医院。他可歌可泣的人生历程，赢得了边疆人民由衷的爱戴和赞誉。吴登云忠实履行了人民医生救死扶伤的崇高职责，他为边疆人民的健康，为边疆的改革与发展做出了巨大的贡献，他是人民心中的白衣圣人。

秦江市城中村发生了一起独居女性被害案，姜光明临危受命调查此案，石落发现一本悬疑小说《黑雨》和案发现场高度重合，此时《黑雨》的作家顾己鸣正在秦江开签售会，他和女友苏真真之间的关系似乎藏着什么秘密...

刑警姜光明（马伊琍 饰）和石落（高至霆 饰）在调查一起案件时，偶然发现作家顾己鸣（佟大为 饰）的小说中所描绘的犯罪现场与自己正在调查的案发现场离奇重合，虚构与现实交错，一切真的只是巧合？而小说的出现也为二人的追查提供了新的方向，但与此同时也将他们引向了更深的迷局......案中案，谜中谜，隐藏在幕后的凶手究竟是谁？ 　　该剧改编自松本清张同名小说。

工程师赵书信升为局长后深为文山会海而苦恼，甚至晚上发恶梦。赵书信从梦中惊醒后从小机器人玩具中找到灵感，组装出一台与他一模一样的智能机器人。从此，派机器人替他开各种各样没有意义的会议，一段时间以后，办公室女秘书居然也没有发现端倪。但在一次宴会上，机器人饮酒过量，不得不找借口离开了宴会。机器人回来后要求赵书信为其安装贮存器，以应对这种情况。后来，机器人越来越得意，并向赵书信表示希望更多地介入他的工作。

赵书信（刘子枫 饰）做了那么多年的工程师，总算被升职成为了局长，然而，令他没有想到的是，等待着他的却是排山倒海般的各类文件和开不完的无聊会议，令他感到窒息。灵机一动之下，赵书信做了一个和他样貌一模一样的智能机器人，将自己不愿意参与的工作打发给这个机器人做，每一次，机器人都能出色的完成这些任务，没有被任何人察觉出破绽。 　　然而，随着时间的推移，机器人的个性开始变得愈发张狂，它渐渐的渗入到了赵书信生活的角角落落中去，甚至开始企图插手主人的感情生活！察觉出异像的赵书信找到机器人和它谈判，要么唯命是从，要么就要被毁灭，面对这样的选择，机器人竟然发动了叛乱！

一只苍蝇绕着灯泡旋转，一只勺子在杯子里转动。这里的一切都在绕圈，包括这对夫妇的生活。他看他的手机，她做她的健身操，但即便是她在他面前翻筋斗，也不能让他抬头。 　　《错位》是波兰导演玛尔塔·马格努斯卡的作品，入围了2022年洛迦诺短片国际竞赛单元，导演曾凭借前作《异客》入围了2018年戛纳电影节电影基石单元。《错位》以简洁的炭笔素描动画和精妙的声音设计有力地刻画了一段陷入困境的婚姻，是一部想象力非常出色的实验动画。

马小军和梁文到省里调下来的包警官处报道一起办上河镇“罗美珍”的案子。见了其女儿方晓荷，告知她不会让她妈死得不明不白，和晓荷爸也是高中同学，保证一定抓住这个凶手。但是晓荷得了创伤应激综合征，对于当年案发时候的情景什么都不记得了，但是姑妈还在镇上，所以包警官他们去了她姑妈家，询问下来感觉对方有所隐瞒没有提起。于是去了罗美珍当年相好的老王处了解情况，当晚去美珍家会面，没多久似乎来人，美珍让他从猪圈离开，后面美珍就遇害了。老包替许鑫还了欠下的债，把欠条给他送去。还叫回来自己的儿子想要了解创伤后应急综合症，原来晓荷和自己儿子从小就认识。。。