东北荒村里，两个做坏事的人遇到另一个做坏事的人，他们团结起来一起做坏事，由于太软弱，让他们做不成坏事，竟总像在做傻事。黑色幽默，是荒凉，是荒诞，是荒唐，也是荒废。一切都让人发慌，也许发笑。

东北荒村里，两个做坏事的人遇到另一个做坏事的人，他们团结起来一起做坏事，由于太软弱，让他们做不成坏事，竟总像在做傻事。黑色幽默，是荒凉，是荒诞，是荒唐，也是荒废。一切都让人发慌，也许发笑。

The hammer is the tool a sculptor uses to chip away at the block. It is the emblematic tool of French artist Jean-Luc Vilmouth. Akerman here instigates a game of musical chairs. The winner is then permitted to hurl the hammer out into the starry night.

The hammer is the tool a sculptor uses to chip away at the block. It is the emblematic tool of French artist Jean-Luc Vilmouth. Akerman here instigates a game of musical chairs. The winner is then permitted to hurl the hammer out into the starry night.

Day in, day out, Mr. Grimm is busy with his job as the Reaper, harvesting people's lives. One day, his monotonous existence is interrupted by the door bell. It's a little girl. She wants her cat back. Little does she know that she's the next life on Mr. Grimm's list.

Day in, day out, Mr. Grimm is busy with his job as the Reaper, harvesting people's lives. One day, his monotonous existence is interrupted by the door bell. It's a little girl. She wants her cat back. Little does she know that she's the next life on Mr. Grimm's list.

42 workers take their lunch break in a corridor that stretches the entire length of a shipyard. What was a brief interval in their work day expands into a sustained gaze. 　　源自：https://www.cinemadureel.org/en/films/lunch-break-2/

42 workers take their lunch break in a corridor that stretches the entire length of a shipyard. What was a brief interval in their work day expands into a sustained gaze. 　　源自：https://www.cinemadureel.org/en/films/lunch-break-2/