15世纪末欧洲某地，一个女人被指控为女巫而被处以火刑，复仇的故事由此展开。。。这部意大利经典哥特式恐怖电影由芭芭拉·斯蒂尔，乔治·阿尔迪松，哈丽娜·扎莱夫斯卡，内洛·帕扎菲尼，翁贝托·拉霍和劳拉·努奇等主演，由安东尼奥·马格赫特执导。

桑娅和萨蒂亚是一对同居夫妇。萨蒂亚背叛了妻子，他有一个情妇，名叫坎哈。坎哈是一位美丽的女人，一头长发垂到腰间。两人一直保持着秘密，直到坎哈生下孩子，而当时他的妻子索尼娅也怀孕了。作为父亲，萨蒂亚承诺不再背叛妻子，并将与她共度美好时光，为家庭带来幸福。他建议坎哈结束这段关系并堕胎。当卡哈意识到自己是情妇并被抛弃后，她极度沮丧，决定跳楼自杀，结果有人把她的头发全部剪掉了。作为妻子，索尼娅知道丈夫更喜欢长发女性，而不是传统女性，于是努力博得丈夫的喜爱。

桑娅和萨蒂亚是一对同居夫妇。萨蒂亚背叛了妻子，他有一个情妇，名叫坎哈。坎哈是一位美丽的女人，一头长发垂到腰间。两人一直保持着秘密，直到坎哈生下孩子，而当时他的妻子索尼娅也怀孕了。作为父亲，萨蒂亚承诺不再背叛妻子，并将与她共度美好时光，为家庭带来幸福。他建议坎哈结束这段关系并堕胎。当卡哈意识到自己是情妇并被抛弃后，她极度沮丧，决定跳楼自杀，结果有人把她的头发全部剪掉了。作为妻子，索尼娅知道丈夫更喜欢长发女性，而不是传统女性，于是努力博得丈夫的喜爱。

A group of friends uncover an otherworldly object in a rural field, which they soon discover holds greater secrets than they could imagine.

Wickedly funny and observant slice of life NYC gangster pic, that's decidedly Jewish, quirky and anarchistic. The surprise cult comedy/drama hit was shot in 1969 and put on the shelf when no distributor was willing to take a chance on it when test audiences didn't laugh, but it was released in 1989 to play in the NYC Film Festival. Rave reviews gave this pic a new lease on life, and it got its long awaited theatrical release--only twenty years too late to help the splendid aging unknown cast advance their careers. 　　In this low-budget black and white shot indie, writer-director Michael Roemer ("Nothing But A Man") makes good use of location shots in the Big Apple, exhibits a winsome dead-on droll humor and gets a super performance from Max Priest--the washed-up small-time mob leader with a deadpan expression (perhaps equaling Buster Keaton's) that seemingly can absorb all kinds of bad news without letting on he's in pain. It's like a time capsule pic, as it takes us back to the 1960s when mafioso types were riding around the city in big gas-guzzling Cadillacs, stylish dames were sporting bee-hive hairstyles, Go-Go dancers were in vogue and there was liberal John Lindsay's racially changing NYC that altered forever the way urban America was to be from now on. 　　It's a scream as a cutting satire on middle-class Jewish aspirations, their showy bar mitzvah rituals and of the almost tragic downfall of a two-bit gangster who didn't have the heart for the rough business, just the will to lead a soft life. The cinéma-vérité pic looks authentic even if it's covering familiar territory, and has the balls to make such an unsympathetic low-life criminal as Harry as an almost sympathetic heroic one by the end of the day.

Nesmluvená setkání is the story of a group of astronauts and their Cyborg worker who are assigned to jump from planet to planet in search of suitable living conditions for future inhabitants. Their mission is side tracked one day when they receive a communiqué from Earth requesting that they search and recover a team that went missing 6 years earlier on that same planet. That space craft had crash landed not too far from their current location with a small crew, including a 5-year-old boy: the pilot's son. 　　They soon find their missing colleagues, dead in the rubble and report back to Earth that all information gathered by the previous crew was lost in the crash. They are given the assignment to carry on with that crew's work before heading to the next planet. One night, over dinner, a strange person wonders on to the space craft's flight deck. An 11-year-old boy (Petr Ricanek), with nothing but magical branches he uses as weapons, and a dirty, shaggy look comparable to a caveman. Through a series of flashback sequences we see that this boy is the dead pilot's son, and survived the crash with only a few cuts. A storm is brewing outside the ship, and nasty space storm at that! Worried for the boy's safety, the crew's captain (Jan Jacer) heads out to find him

我Thomas（Ioan Gruffudd饰，年青时期由Billy Gunnion饰演）爱上了一个玫瑰般的女孩。在我们这所蔚蓝海岸的高中里，她，Vinca（Ivanna Sakhno饰），是最受欢迎的女生。二十五年前的一个暴风雪之夜，她消失了。有人看到她和她的秘密情人出现在巴黎的酒店，那是她最后的踪迹。 　　在同一个夜晚，我和好友Maxime（Grégory Fitoussi饰，年青时期由Loyan Pons de Vier饰演）失手犯下一桩杀人案，并将受害人的尸体藏在学校体育馆的墙壁内。二十五年后，背负秘密的我成了一名畅销书作家，Maxime则正在竞选议员。这时传来消息，我们的母校突然决定翻修，旧的体育馆要被拆除，秘密即将败露，我回到镇上，决定接受命运的审判。 　　紧接着，我和Maxime陆续收到匿名恐吓信，学校里我弃用多年的储物柜里发现巨款，我的家人也遭遇意外，我们发现事情绝不是看上去那么简单。当年知晓个中秘密的人几乎都已不在人世，是谁在背后操控这一切？那个黑夜究竟掩埋了怎样的真相？而我们的人生是否行将分崩离析？

Wickedly funny and observant slice of life NYC gangster pic, that's decidedly Jewish, quirky and anarchistic. The surprise cult comedy/drama hit was shot in 1969 and put on the shelf when no distributor was willing to take a chance on it when test audiences didn't laugh, but it was released in 1989 to play in the NYC Film Festival. Rave reviews gave this pic a new lease on life, and it got its long awaited theatrical release--only twenty years too late to help the splendid aging unknown cast advance their careers. 　　In this low-budget black and white shot indie, writer-director Michael Roemer ("Nothing But A Man") makes good use of location shots in the Big Apple, exhibits a winsome dead-on droll humor and gets a super performance from Max Priest--the washed-up small-time mob leader with a deadpan expression (perhaps equaling Buster Keaton's) that seemingly can absorb all kinds of bad news without letting on he's in pain. It's like a time capsule pic, as it takes us back to the 1960s when mafioso types were riding around the city in big gas-guzzling Cadillacs, stylish dames were sporting bee-hive hairstyles, Go-Go dancers were in vogue and there was liberal John Lindsay's racially changing NYC that altered forever the way urban America was to be from now on. 　　It's a scream as a cutting satire on middle-class Jewish aspirations, their showy bar mitzvah rituals and of the almost tragic downfall of a two-bit gangster who didn't have the heart for the rough business, just the will to lead a soft life. The cinéma-vérité pic looks authentic even if it's covering familiar territory, and has the balls to make such an unsympathetic low-life criminal as Harry as an almost sympathetic heroic one by the end of the day.

Glenn and Carlo are in beautiful and exotic island of Bali where they work on writing a photo book. Glenn is in the grip of a mystical crisis, influenced by the magical rituals of the place, converted to Hinduism, attends a holy friend, Tillem and lives as a polygamist with two indigenous wives. Carlo is skeptical, he doesn't believe in anything, only in his work, even if he doesn't disdain the company of a faithful indigenous lover. When his wife Daria joins him in Bali she makes a great friendship with the mystic Glenn and ends up falling in love with him. Daria and Carlo have an open marriage. Despite the love of Daria, Glenn kills himself after having performed a magic ritual that binds him to the Hindu holy man. Carlo returns to Rome alone in the throes of a depressive crisis, after three years he thinks he is seeing his wife again, but it is only a prostitute that he identifies with his wife. Tragic ending with Carlo who kills the alleged wife and commits suicide, after confessing everything to a bewildered police commissioner who is looking for a rational explanation for the story. The photographer has a native mistress, and encounters a missionary with a nymphomaniac daughter.