90年前长安街上五四青年的呐喊，拉开了中国新民主主义革命的序幕，也为中国共产党的成立进行了思想上和组织上的准备；60年前天安门城楼上毛泽东的宣告，结束了中国半殖民地半封建的黑暗，新中国如日初升；30年前京西宾馆召开的十一届三中全会，把中国推上了以经济建设为中心的改革开放快车道。 　　毛泽东曾经讲过：“我们中华民族有同自己的敌人血战到底的气概，有在自力更生的基础上光复旧物的决心，有自立于世界民族之林的能力。”如果我们把这段话分为三段，似乎暗合了三个30年中国历史的进程，每一个重要的历史阶段，都在长安街留下了鲜明的记忆。 　　第一个30年是浴血奋战和民族抗争：从五四运动到抗日战争，长安街上的热血青年脚步匆匆，国共两党分分合合，血雨腥风。第二个30年是自力更生和光复旧物：长安街和天安门广场一度成为中国最大的建筑工地，中国革命和历史博物馆、人民大会堂仍参照“左庙右社”的建制在广场的东西两侧拔地而起，每年五一、十一的大游行，把毛泽东推向“个人崇拜”顶峰的红海洋，还有十里长街送总理和欢庆粉碎四人帮的悲喜人潮。第三个 30年是开放的中国逐步自立于世界民族之林：每天清晨庄严的升旗式，气势磅礴的大阅兵，CBD和金融街，世纪坛和大剧院，风格特异的现代建筑竞相媲美在长安街。 　　它历经了中华民族的沧桑，它印证了共和国的成长；它像一本无字的书籍，在历史的风雨里伫立了一个世纪；它是一道道闪光的印记，将民族的复兴写在六十个春秋里……它就是长安街，一条被赋予了深厚意义的“神州第一街”。 　　文献纪录电影《长安街》是一部将镜头与思考直接指向这条街、透过这条街展现中华民族百年沧桑以及新中国六十年巨变的电影，以此向共和国第六十个华诞献礼。

贞冠元年，人族以天璇为首的宗门之士，大兴方术，与异族之人各持两界，相互对立。 数年前，洛灵城中，有一条名为长安幻街的街道，因为异震的缘故，意外连通了两界，为了避免长安乃至整个洛灵城沦为两界交战的战场。住在此处的异人，一边同时做着两界的生意，一边小心翼翼的维护着此处连通两界的秘密。 人族少年顾少宁，在一次误打误撞之下，来到了长安幻街，并且结识了生活在这条街上异族之人。同时，少年原本平凡的命运，也因为发现了这条长安幻街的秘密，而发生了翻天覆地的改变。 命运之轮一旦开启，便只能推撵着少年不断的成长向前，却也因此，将他一步一步的卷入了宗门与异族争斗的旋涡之中.....

贞冠元年，人族以天璇为首的宗门之士，大兴方术，与异族之人各持两界，相互对立。 数年前，洛灵城中，有一条名为长安幻街的街道，因为异震的缘故，意外连通了两界，为了避免长安乃至整个洛灵城沦为两界交战的战场。住在此处的异人，一边同时做着两界的生意，一边小心翼翼的维护着此处连通两界的秘密。 人族少年顾少宁，在一次误打误撞之下，来到了长安幻街，并且结识了生活在这条街上异族之人。同时，少年原本平凡的命运，也因为发现了这条长安幻街的秘密，而发生了翻天覆地的改变。 命运之轮一旦开启，便只能推撵着少年不断的成长向前，却也因此，将他一步一步的卷入了宗门与异族争斗的旋涡之中.....

萨比格尼·瑞比克金斯基导演1988年制作的《Fouth Dimension》是一部极具视觉观赏性的影片，静物和人体都可以在思维空间中扭曲，特别是一对男女相拥时周围出现DNA的双螺旋结构，极富艺术感。浮动的精子、贝壳等性的象征物表现出阴阳结合的自然美好，歌颂了造物的神奇。

“Created under a ‘manifesto’ whose directives would make Lars von Trier shudder, this three-part film might look on paper like an exercise in forced hipness. Working under orders tall, whimsical (according to the manifesto, a stuffed animal must make an appearance no matter what) and surreal, Korine’s Lotus Community Workshop drops Val Kilmer in an alternate-universe existence as a BMX-riding motivational speaker with a fanny pack. Fedorchenko’s Russia-set Chronoeye spins the tale of a grumpy inventor whose noisy neighbor interrupts his time-travel experiments. And Kwiecinski’s eerily beautiful Fawns follows a quartet of friends as they prance through an empty Polish town seemingly unconcerned about the deadly flood about to overtake them.”

“Created under a ‘manifesto’ whose directives would make Lars von Trier shudder, this three-part film might look on paper like an exercise in forced hipness. Working under orders tall, whimsical (according to the manifesto, a stuffed animal must make an appearance no matter what) and surreal, Korine’s Lotus Community Workshop drops Val Kilmer in an alternate-universe existence as a BMX-riding motivational speaker with a fanny pack. Fedorchenko’s Russia-set Chronoeye spins the tale of a grumpy inventor whose noisy neighbor interrupts his time-travel experiments. And Kwiecinski’s eerily beautiful Fawns follows a quartet of friends as they prance through an empty Polish town seemingly unconcerned about the deadly flood about to overtake them.”

该纪录片以建筑为坐标，以时间为脉落，讲述了鲜为人知的建筑故事，同时勾联出在中国共产党的带领下，中华民族从筚路蓝缕到蔚为大观的伟大历史奋进之路。建筑从来不是冰冷的，矗立在十里长安街沿线的建筑群犹是。历史毗邻着现实，600年古都北京的痕迹犹在；现实印证着历史，无论是老建筑还是新建筑，都有一段不能被中华民族忘却的记忆，等待着我们去寻找，去追思。《漫步长安街》或许给了我们这样一个启迪——长安街往事，漫步，或许是最好的阅读方式。

Acclaimed filmmaker Trinh T. Minh-ha ventures into the digital realm with her stunning feature, THE FOURTH DIMENSION, an incisive and insightful examination of Japan through its art, culture, and social rituals. As is the case with Trinh's previous films, her film is a multi-layered work addressing issues around its central theme: the experience of time, the impossibility of truly "seeing," and the impact of video on image-making. 　　THE FOURTH DIMENSION is an elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Minh-ha deconstructs the role of ritual in mediating between the past and the present. She explains, "Shown in their widespread functions and manifestations, including more evident loci such as festivals, religious rite and theatrical performance, 'rituals' involve not only the regularity in the structure of everyday life, but also the dynamic agents in the world of meaning." With its lush imagery, Minh-ha's Japan is viewed through mobile frames, with doors and windows sliding shut, revealing new vistas as it blocks out the old light. 　　“Trinh T. Minh-ha’s newest essayistic work and her first videotape, cuts an intricate key for unlocking this elusive culture. Her tack finds great visual pleasure in the everyday, composing and decomposing the social landscape, while constructing a poetic grid of temporalities, symbolic meaning, and ritual. In THE FOURTH DIMENSION, Trinh’s lyrical narration guides us through ‘Japan’s likeness,’ the perfected framing of the sacramental familiar.” - Steve Seid

《喜乐街》是央视综合频道第三季度的核心节目。即兴飙戏考验大咖演技，节目方已向众多一线大咖发出邀请，目前成龙已经确认加盟。其中沙溢、贾玲、瞿颖、李菁组成的“四喜丸子”常驻组合无论造型还是台词都十分搞笑。沙溢饰演艺人跟班，贾玲演想做明星的追梦人，李菁扮演动物园的会计，瞿颖演时尚杂志编辑。节目将每期请一位神秘嘉宾。因为节目没有剧本、没有台词，明星上台必须按导演的口令要求即兴展示幽默天赋。