独立運動が続くミャンマー国境、ナガの人々が住む村に、とうとう電気がやってくる。困難を極める工事の末に家々を照らした光は、村人たちの生活や人生をどう変えるのか？ 　　Electricity finally comes to a village of the Naga people on the Myanmar border, where the independence movement continues. After all the laborious construction work, how will the light that illuminates the houses change the everyday life and the people of the village?

独立運動が続くミャンマー国境、ナガの人々が住む村に、とうとう電気がやってくる。困難を極める工事の末に家々を照らした光は、村人たちの生活や人生をどう変えるのか？ 　　Electricity finally comes to a village of the Naga people on the Myanmar border, where the independence movement continues. After all the laborious construction work, how will the light that illuminates the houses change the everyday life and the people of the village?

The Flicker is a 1966 American experimental film by Tony Conrad. The film consists of only 5 different frames: a warning frame, two title frames, a black frame, and a white frame. It changes the rate at which it switches between black and white frames to produce stroboscopic effects. 　　Conrad spent several months designing the film before shooting it in a matter of days. He produced and distributed The Flicker with the help of Jonas Mekas. The film is now recognized as a key work of structural filmmaking.

The Flicker is a 1966 American experimental film by Tony Conrad. The film consists of only 5 different frames: a warning frame, two title frames, a black frame, and a white frame. It changes the rate at which it switches between black and white frames to produce stroboscopic effects. 　　Conrad spent several months designing the film before shooting it in a matter of days. He produced and distributed The Flicker with the help of Jonas Mekas. The film is now recognized as a key work of structural filmmaking.

一对年轻夫妇在希腊岛上度假，探索一家废弃的旅馆。一场意外和不同世界的冲突引发了暴力和报复的恶性循环。

身无分文的歌手山姆发现自己染上爱滋病后，终日借酒消愁，但很快就疯狂地恋爱了。在前东德的破旧环境里，他要为千禧年、为染上爱滋病的年轻患者建立一个“家庭”。他这个组建的“家庭”包括前任男友Rainer，他的密友Bastl和他的性伙伴Mike。这些形形色色的“同志”带出一个充满怀旧东欧色彩，甜蜜而催人泪下的悲剧故事。

身无分文的歌手山姆发现自己染上爱滋病后，终日借酒消愁，但很快就疯狂地恋爱了。在前东德的破旧环境里，他要为千禧年、为染上爱滋病的年轻患者建立一个“家庭”。他这个组建的“家庭”包括前任男友Rainer，他的密友Bastl和他的性伙伴Mike。这些形形色色的“同志”带出一个充满怀旧东欧色彩，甜蜜而催人泪下的悲剧故事。

露西娅和埃伦娜从孩提时期就是一对好朋友。她们驾车从巴黎到乡下。她们的谈话内容公开地亲密，但更引人入胜的是她们对彼此性格以及情欲的一致的理解……

该剧讲述了以1960年代的韩国为时代背景，父亲去世和家族没落之后，从解放村克服困难生活的主人公最终实现了韩国最棒的时装设计师的梦想过程的故事。

A forbidding soundtrack of horns and distorted noise sets the scene for Ross Meckfessel’s Spark from a Falling Star, where shots of grocery store parking lots and dimly lit suburban roads breed atmospheres of low-level menace. At the other extreme, smooth digital renderings promise a shiny, spectral future utopia of clean lines and mirrored grids.