Sam Hopkins是一位伟大的德克萨斯乡村蓝调艺人，他的演艺生涯从上个世纪20年代一直延续到80年代。沿着这条轨迹，可以明显地看到Hopkins风格的变化，但是无论是箱琴和电吉他作品，他从未改变他的悲恸孤单的标志性的声音。复杂的boogie riffs即兴在Lightnin' Hopkins的手中简直是轻而易举，配上幽默诙谐的即兴歌词，他成为了人们所喜爱的布鲁斯艺人。 　　本片是电影制片人Les Blank在1967年由他摄制的记录片， "The Blues Accordin' to Lightnin' Hopkins" 中记录了这位德克萨斯吟游诗人不拘礼节的生活方式。作为上世纪最后一位伟大的乡村蓝调艺人，Hopkins在田园蓝调和都市蓝调的风格之间架起一座桥梁，作为上世纪最伟大的蓝调艺人之一，塑造出一个完美的形象。

Nearly eight years after the critically acclaimed series, Hopkins 24/7, ABC News returns to Baltimore's Johns Hopkins Hospital for a new six-part documentary entitled Hopkins, which delves even deeper into the world of caregivers at this hospital. Hopkins offers a rare look at the impact this high pressure profession can have on doctors' personal lives. For four months ABC News' high definition cameras had unparalleled access to this legendary hospital and to more than a hundred caregivers and patients who gave their consent to be filmed. Hopkins captures astounding scenes of medical crisis, with young doctors forced to make life and death decisions on the fly. The result is a stunningly intimate portrait of the men and women who call this hospital home. Hopkins premieres THURSDAY, JUNE 26 (10:00-11:00 p.m., ET), and will continue for five subsequent Thursdays through July on the ABC Television Network. 　　Culled from nearly 1500 hours of footage, Hopkins contains scenes that are remarkably raw and private. Viewers will watch as doctors pose the wrenching question to the family of a nearly drowned little girl about whether to disconnect life support, since her brain function is minimal. They'll experience the tension when a young surgical resident punctures a woman's lung during a routine procedure, and will also learn about the unlikely journey of an illegal migrant worker picking tomatoes in California who rises to become one of the nation's top brain surgeons. Hopkins examines the interplay between the public and private worlds of the men and women who wear the white coats. A young cardiac surgeon and his wife allowed ABC News' cameras to witness some of their most difficult and sensitive moments as they confront a crisis in their marriage. There are no narrators in Hopkins; the voices belong to the patients and doctors. Interwoven storylines unfold in cinéma vérité sequences. 　　Since Hopkins 24/7 aired in 2000, there has been a revolution within the culture of the hospital. During the first series, the chief of surgery told ABC that women didn't have "the stamina" for his field. Today women at Hopkins have breached the walls of medicine's most macho preserve. The chief of surgery is female, and roughly 20% of incoming surgical residents are female. And even though residents' workloads have dropped by a third since ABC News' last visit, in Hopkins young doctors are still struggling to balance quality of life issues. Additionally, while America's preeminence in medicine partly depends on a handful of academic medical centers like Hopkins, the future is far from secure for these great hospitals, which face budget cuts that jeopardize their mission of training, research and innovation. Hopkins is a revealing look at life inside the walls.

Nearly eight years after the critically acclaimed series, Hopkins 24/7, ABC News returns to Baltimore's Johns Hopkins Hospital for a new six-part documentary entitled Hopkins, which delves even deeper into the world of caregivers at this hospital. Hopkins offers a rare look at the impact this high pressure profession can have on doctors' personal lives. For four months ABC News' high definition cameras had unparalleled access to this legendary hospital and to more than a hundred caregivers and patients who gave their consent to be filmed. Hopkins captures astounding scenes of medical crisis, with young doctors forced to make life and death decisions on the fly. The result is a stunningly intimate portrait of the men and women who call this hospital home. Hopkins premieres THURSDAY, JUNE 26 (10:00-11:00 p.m., ET), and will continue for five subsequent Thursdays through July on the ABC Television Network. 　　Culled from nearly 1500 hours of footage, Hopkins contains scenes that are remarkably raw and private. Viewers will watch as doctors pose the wrenching question to the family of a nearly drowned little girl about whether to disconnect life support, since her brain function is minimal. They'll experience the tension when a young surgical resident punctures a woman's lung during a routine procedure, and will also learn about the unlikely journey of an illegal migrant worker picking tomatoes in California who rises to become one of the nation's top brain surgeons. Hopkins examines the interplay between the public and private worlds of the men and women who wear the white coats. A young cardiac surgeon and his wife allowed ABC News' cameras to witness some of their most difficult and sensitive moments as they confront a crisis in their marriage. There are no narrators in Hopkins; the voices belong to the patients and doctors. Interwoven storylines unfold in cinéma vérité sequences. 　　Since Hopkins 24/7 aired in 2000, there has been a revolution within the culture of the hospital. During the first series, the chief of surgery told ABC that women didn't have "the stamina" for his field. Today women at Hopkins have breached the walls of medicine's most macho preserve. The chief of surgery is female, and roughly 20% of incoming surgical residents are female. And even though residents' workloads have dropped by a third since ABC News' last visit, in Hopkins young doctors are still struggling to balance quality of life issues. Additionally, while America's preeminence in medicine partly depends on a handful of academic medical centers like Hopkins, the future is far from secure for these great hospitals, which face budget cuts that jeopardize their mission of training, research and innovation. Hopkins is a revealing look at life inside the walls.

這部電影由四個部分組成，具有與性相關的主題和重疊的角色： 　　第一部分， The Devil in Madrid（馬德里的惡魔）： 　　矮小的惡魔（Allen King飾）從地獄冒出來，並開始在一個大公墓引誘所有正在哀悼的男人們。一位天使（Sean Ford飾）開始觀察他的惡魔 般的舉動，並最終與他對峙，導致善惡之間的一場史詩般的戰鬥。 　　第2部分，ÜberMenschen（超人）： 　　一位教授（Colby Keller飾）從布宜諾斯艾利斯訪問馬德里，正打算從著名的自殺地點塞哥維亞大街上跳橋自殺。當他遇到年輕的Uber司機（Calvin Banks飾）時他放棄了輕生的念頭，司機為他提供了非常個人化的城市遊覽。 　　（註：這裡的標題是雙關尼采的「超人學說」（Übermenschen）和Calvin Banks扮演的UBER司機） 　　第三部分，Purple Army Faction（紫衣軍團）： 　　在不久的將來，一個名為紫衣軍團（PAF）的恐怖組織（Arad Winwin、Dato Foland及Levi Karter飾）旨在減少人口過剩的危險世界。為此，他們綁架了毫無戒心的異性戀者（其中一位是François Sagat），並致力於將其掰彎。 　　第四部分，Dirty Cinema (Fleapit)（骯髒的電影院（蚤窩））： 　　在70年代，一個放映B級片、剝削電影和色情內容的骯髒電影院被稱為「蚤窩」。在「蚤窩」中，11個男人（Arad WinWin, Dato Foland, Levi Karter, A.J. Alexander, Bishop Black）聚眾觀看Bruce LaBruce的「覆盆子帝國」（The Raspberry Reich），並開始慢慢調情。當他們在銀幕上觀看色情片段時，引起了性刺激，直到他們自己成為色情影片的一部分。| MJØLK@DOUBAN

這部電影由四個部分組成，具有與性相關的主題和重疊的角色： 　　第一部分， The Devil in Madrid（馬德里的惡魔）： 　　矮小的惡魔（Allen King飾）從地獄冒出來，並開始在一個大公墓引誘所有正在哀悼的男人們。一位天使（Sean Ford飾）開始觀察他的惡魔 般的舉動，並最終與他對峙，導致善惡之間的一場史詩般的戰鬥。 　　第2部分，ÜberMenschen（超人）： 　　一位教授（Colby Keller飾）從布宜諾斯艾利斯訪問馬德里，正打算從著名的自殺地點塞哥維亞大街上跳橋自殺。當他遇到年輕的Uber司機（Calvin Banks飾）時他放棄了輕生的念頭，司機為他提供了非常個人化的城市遊覽。 　　（註：這裡的標題是雙關尼采的「超人學說」（Übermenschen）和Calvin Banks扮演的UBER司機） 　　第三部分，Purple Army Faction（紫衣軍團）： 　　在不久的將來，一個名為紫衣軍團（PAF）的恐怖組織（Arad Winwin、Dato Foland及Levi Karter飾）旨在減少人口過剩的危險世界。為此，他們綁架了毫無戒心的異性戀者（其中一位是François Sagat），並致力於將其掰彎。 　　第四部分，Dirty Cinema (Fleapit)（骯髒的電影院（蚤窩））： 　　在70年代，一個放映B級片、剝削電影和色情內容的骯髒電影院被稱為「蚤窩」。在「蚤窩」中，11個男人（Arad WinWin, Dato Foland, Levi Karter, A.J. Alexander, Bishop Black）聚眾觀看Bruce LaBruce的「覆盆子帝國」（The Raspberry Reich），並開始慢慢調情。當他們在銀幕上觀看色情片段時，引起了性刺激，直到他們自己成為色情影片的一部分。| MJØLK@DOUBAN

巴伐利亚本土侦探喜剧《蒸面布鲁斯》(2013) 揭开兰茨胡特田园风光掩盖下朴实面孔的居民的黑暗秘密，除塑造沉默寡言的反英雄式警察主角外，在方言环境下利用对单调随意的乡村生活的刻板印象和一系列古怪可爱的配角来制造黑色幽默。片中特写时常以独特的打光方式强调角色瞳孔的反光，以 表现其狂热痴迷。(小易甫字幕组)

虽然脱胎换骨开了拉面店，但却没有干劲的40多岁的中年男子和忍受不了空虚时常集体偷窃的预备校女生之间没有目的地的旅行。女学生快要被袭击时长门的台词“我有保护处女的义务”让人印象深刻。此外，秋吉那不寻常的魅力也备受瞩目...

虽然脱胎换骨开了拉面店，但却没有干劲的40多岁的中年男子和忍受不了空虚时常集体偷窃的预备校女生之间没有目的地的旅行。女学生快要被袭击时长门的台词“我有保护处女的义务”让人印象深刻。此外，秋吉那不寻常的魅力也备受瞩目...

A film by photographer Robert Frank on the Rolling Stone's 1972 American tour. Not released by the Stones because it contained scenes of drug use and groupie orgies.