Matthew is a troubled boy from a broken home. When he vandalizes the local church to get back at his parents, Matthew has to repair the damage to the church to avoid criminal charges. While working at the church, he meets Ernest (John Ratzenberger), an accomplished wood carver who created the intricate woodwork decoration that Matthew destroyed. Now Ernest and Matthew must work together to preserve the church’s beautiful antiquity, and along the way, they also manage to restore their faith in God and in life.

Matthew is a troubled boy from a broken home. When he vandalizes the local church to get back at his parents, Matthew has to repair the damage to the church to avoid criminal charges. While working at the church, he meets Ernest (John Ratzenberger), an accomplished wood carver who created the intricate woodwork decoration that Matthew destroyed. Now Ernest and Matthew must work together to preserve the church’s beautiful antiquity, and along the way, they also manage to restore their faith in God and in life.

一位歌手，一位报纸的编辑，一位富裕的慈善家和一位牧师失去了信心。所有誓言走在耶稣的步骤，大约4个人和发人深省的故事。每一天，每一个决定成为他们生活中的转折点，因为他们必须问自己上帝会怎么做？同样的事情临到我们，发生的我们身上，我们该怎么做？还是应该学习基督会怎么做？

一位歌手，一位报纸的编辑，一位富裕的慈善家和一位牧师失去了信心。所有誓言走在耶稣的步骤，大约4个人和发人深省的故事。每一天，每一个决定成为他们生活中的转折点，因为他们必须问自己上帝会怎么做？同样的事情临到我们，发生的我们身上，我们该怎么做？还是应该学习基督会怎么做？

米粒立志成为古古纳的大木匠，并被现任大木匠阿吉多收为徒。阿吉多发现米粒虽然很有天分，但缺乏木工常识，因此设置了一系列课程来训练他“劈、锯、刨、凿”等基本功。两人一起向“古古纳大木匠”的目标努力。

The film is reminiscent of "Gosciminska" by virtue of both analogy and a reversal. Both films are based on a written text - a colloquially worded document written and read out by the protagonist, which initially takes form of curriculum vitae, but as it progresses begins to sound more like a letter of complaint. The protagonist's account spans from the pre-war to the post-war period. What is reversed is the relationship accounts and the film footage illustrating them. The unique method of editing archive material is particularly worthy of note. As each take is replayed a number of times the footage looses its credibility.

The film is reminiscent of "Gosciminska" by virtue of both analogy and a reversal. Both films are based on a written text - a colloquially worded document written and read out by the protagonist, which initially takes form of curriculum vitae, but as it progresses begins to sound more like a letter of complaint. The protagonist's account spans from the pre-war to the post-war period. What is reversed is the relationship accounts and the film footage illustrating them. The unique method of editing archive material is particularly worthy of note. As each take is replayed a number of times the footage looses its credibility.

讲述在无重力的宇宙空间站工作的指挥官伊芙·金（孔晓振 饰）与拥有秘密任务的意外访客孔龙（李敏镐 饰）所展开的太空生活记，也是韩国首部以宇宙空间站为背景的太空职场剧。