Matthew is a troubled boy from a broken home. When he vandalizes the local church to get back at his parents, Matthew has to repair the damage to the church to avoid criminal charges. While working at the church, he meets Ernest (John Ratzenberger), an accomplished wood carver who created the intricate woodwork decoration that Matthew destroyed. Now Ernest and Matthew must work together to preserve the church’s beautiful antiquity, and along the way, they also manage to restore their faith in God and in life.

Matthew is a troubled boy from a broken home. When he vandalizes the local church to get back at his parents, Matthew has to repair the damage to the church to avoid criminal charges. While working at the church, he meets Ernest (John Ratzenberger), an accomplished wood carver who created the intricate woodwork decoration that Matthew destroyed. Now Ernest and Matthew must work together to preserve the church’s beautiful antiquity, and along the way, they also manage to restore their faith in God and in life.

一位歌手，一位报纸的编辑，一位富裕的慈善家和一位牧师失去了信心。所有誓言走在耶稣的步骤，大约4个人和发人深省的故事。每一天，每一个决定成为他们生活中的转折点，因为他们必须问自己上帝会怎么做？同样的事情临到我们，发生的我们身上，我们该怎么做？还是应该学习基督会怎么做？

一位歌手，一位报纸的编辑，一位富裕的慈善家和一位牧师失去了信心。所有誓言走在耶稣的步骤，大约4个人和发人深省的故事。每一天，每一个决定成为他们生活中的转折点，因为他们必须问自己上帝会怎么做？同样的事情临到我们，发生的我们身上，我们该怎么做？还是应该学习基督会怎么做？

米粒立志成为古古纳的大木匠，并被现任大木匠阿吉多收为徒。阿吉多发现米粒虽然很有天分，但缺乏木工常识，因此设置了一系列课程来训练他“劈、锯、刨、凿”等基本功。两人一起向“古古纳大木匠”的目标努力。

The film is reminiscent of "Gosciminska" by virtue of both analogy and a reversal. Both films are based on a written text - a colloquially worded document written and read out by the protagonist, which initially takes form of curriculum vitae, but as it progresses begins to sound more like a letter of complaint. The protagonist's account spans from the pre-war to the post-war period. What is reversed is the relationship accounts and the film footage illustrating them. The unique method of editing archive material is particularly worthy of note. As each take is replayed a number of times the footage looses its credibility.

讲述在无重力的宇宙空间站工作的指挥官伊芙·金（孔晓振 饰）与拥有秘密任务的意外访客孔龙（李敏镐 饰）所展开的太空生活记，也是韩国首部以宇宙空间站为背景的太空职场剧。

罗马帝国统治下的埃及，一个家庭为躲避追杀而隐秘生活。家中年轻的儿子（被称为“男孩”）开始对自己的监护人（被称为“木匠”）的身份和教诲产生深深的怀疑。 　　男孩体内沉睡着某种神秘而强大的超自然力量。随着他的成长与反叛，这股力量开始觉醒并失控。每当他动用一次能力，就会打破现实的脆弱平衡，招致更可怕的反噬——他们不仅要面对罗马士兵的世俗威胁，更要遭遇因亵渎神明而引发的、超越自然规律的恐怖现象：尼罗河水逆流、沙暴中浮现古老邪灵、瘟疫以超自然的方式蔓延…… 　　这个家庭被迫在双重恐惧的夹缝中求生：一边是外部世界的追捕，另一边是来自男孩自身力量的、逐渐失控的神性（或魔性）灾难。

主人公黄沙鼓是民间踏实本分的木工匠人，靠着传统手艺营生。因木匠中有人搬弄封建迷信传说诈取东家钱财，路见不平的黄沙鼓誓要揭穿其中骗局，为传统匠人宣扬正气，立志捅破一切封建迷信的谎言。此影片在立足于工匠精神史料和发掘，并从小人物出发，塑造出完整角色的同时，更宣扬出博大精深和生生不息的传统文化理念。无论时代如何变迁，老手艺人独具匠心、精益求精的追求都值得我们歌颂和传承，在新时代下，谱写出一首时代的赞歌。