The project seeks to reflect about the image, and its contemplative experience from the factors of time, color and movement. We focus our view on the human-landscape relationship, facing it in two temporal dimensions: the geological and human. This definition synthesize well the will of the project: “The landscape are layers of time condensed into an image”. We seek to merge different temporal layers into a single image, proposing two exploration lines: emphasize the ephemeral and fleeting passage of man over the territory; and invite to a leisurely contemplation showing the poetry and mystery of the movements of landscape.

The project seeks to reflect about the image, and its contemplative experience from the factors of time, color and movement. We focus our view on the human-landscape relationship, facing it in two temporal dimensions: the geological and human. This definition synthesize well the will of the project: “The landscape are layers of time condensed into an image”. We seek to merge different temporal layers into a single image, proposing two exploration lines: emphasize the ephemeral and fleeting passage of man over the territory; and invite to a leisurely contemplation showing the poetry and mystery of the movements of landscape.

繼好評如潮的《黑力量集錦帶1967-1975》後，奧臣再一次發揮剪輯的力量，走進瑞典電視資料庫，藉大量新聞片，展示非洲各國在二次世界大戰後前仆後繼的民族獨立運動。Lauryn Hill有力唸出法農的《地球上的苦命人》的關鍵文本，指出殖民主義的暴力本質，引發更多暴力衝突份屬必然。奧臣發掘革命新意象，如黑色維納斯的斷臂女人，在森林進行拯救戰士手術，都是深刻震撼的鏡頭，再配以葡語民歌及鏗鏘爵士樂，把九個反帝反殖自衛場景重塑過來。柏林影展法爾賓達電影獎。 　　Göran Hugo Olsson returns to the Sundance Film Festival (The Black Power Mixtape 1967–1975 played in the World Cinema Documentary Competition in 2011) with this bold, fresh, and compelling visual narrative about the African liberation struggles of the 1960s and 1970s. Concerning Violence combines newly discovered archival material depicting some... » 　　About the Director 　　Göran Hugo Olsson's previous film at the Sundance Film Festival, The Black Power Mixtape 1967–1975, won the 2011 Documentary Editing Award and became a huge hit in festivals and theatres and on... » 　　Cast and Credits 　　Director: Göran Hugo Olsson 　　Producers: Annika Rogell, Tobias Janson 　　Co, Producers: Joslyn Barnes, Danny Glover, Monica Hellström, Miia Haavisto 　　Editors: Michael Aaglund, Dino Jonsäter, Göran Hugo Olsson, Sophie Vukovic 　　Art Director: Stefania Malmsten 　　Assistant Director: Sophie Vukovic 　　Associate Producer: Corey Smyth 　　Principal Cast: Narrated by Lauryn Hill

天下三分，澧国居首。 大皇子殷戈止贵为天潢，却身负“帝血铺路、不得善终”。他不信命，运筹帷幄、步步为营，沙场换得一身功，武神之名震天下。不料厄运终降，万般灭。 换生为质，他以身入棋，再不闻这天地安排，与“双面花”关清越，于敌国搅动时局。 剑锋破迷雾、三国作棋子，朝堂之上波诡云谲，二人你追我逐，待他日平天下，他站云端，她亦笑看风云......

A big wedding in India with ensuing culture clashes.

导演亲自扮演一位电影导演，他辛苦工作收入菲薄，而且还无法满足自己的妻子。影片中夫妻俩在打架、交谈、修补关系，再谈话、接着打架。

在卡萨布兰卡港口的街道和受欢迎的酒吧周围，一群电影制片人与人们讨论他们对新兴的摩洛哥国家电影院的期望和期望。当一个心怀不满的工人意外杀死他的上司时，他们的审讯转移了注意力，并开始调查谋杀的背景和动机。《德奎克》的核心是对电影（和艺术）在社会、纪录片和现实中的作用的审问，以及对即将诞生的国家电影的紧迫性的构成。这一独特的电影体验被认为是在摩洛哥对言论自由的高度镇压之时，激进的电影制片人、演员、音乐家、诗人和记者的独立和集体努力，并由几位当代画家的画作销售提供资金。这部电影于1975年首次在巴黎放映，但立即受到审查，禁止展览和出口。直到2016年在Filmoteca de Catalunya的档案中发现了一张底片，并将其复原，人们才将其遗忘。影片完成45年后，将最终上映。 　　Around the port’s streets and popular bars of Casablanca, a group of filmmakers conduct discussions with people about their expectations of, and aspirations for, the emerging Moroccan national cinema. When a disgruntled worker kills his superior accidentally, their inquest shifts focus, and they begin to probe the context and motives of the killing. At the heart of De quelques événements sans signification is an interrogation on the role of cinema (and art) in society, documentary and the Real, and what constitutes an urgency for a national cinema that is being born. This unique filmic experience was conceived as an independent and collective effort of militant filmmakers, actors, musicians, poets and journalists at a time of heightened repression on freedom of expression in Morocco and was funded by the sale of paintings by several contemporary painters. The film was first screened in Paris in 1975 but was immediately taxed with censorship and forbidden from exhibition and export. It was forgotten until a negative print was found in the archives of the Filmoteca de Catalunya in 2016 and restored there. 45 years after its completion, the film will finally be released.