一位神秘的观众在直播节目中跟随两位主持人。他没有考虑任何后果地像以前一样送礼物和评论。然而， 这一次他给两位主人都带来了悲惨的结局。

7月14日起，每周六晚22:00,江苏卫视推出大型文化情感特色栏目《阅读·阅美》第二季。节目共12期，每期共3篇美文分享。节目分为美文朗读和人物访谈两个部分。内容立足当下、扎根大众，将普通人生活中的鲜活美好、酸甜苦辣、所感所悟以文载情，温暖传递有厚度的文化、有温度的情感、有价值的感悟。

7月14日起，每周六晚22:00,江苏卫视推出大型文化情感特色栏目《阅读·阅美》第二季。节目共12期，每期共3篇美文分享。节目分为美文朗读和人物访谈两个部分。内容立足当下、扎根大众，将普通人生活中的鲜活美好、酸甜苦辣、所感所悟以文载情，温暖传递有厚度的文化、有温度的情感、有价值的感悟。

《瞎看什么》停播后，《阅后即瞎汽她屑》是由其内容创作团队独立打造的一档全新电影解说节目。原班人马，依然盲人瞎马。也许你还记得那句:二整酷兆号去听经，晚上住旅店，三号去餐厅，然后看电影。。。。。。是的，他们有着傲人的三观。相比于解说那些炙手可热的院线电影，他叠艰寒询们更偏向于选一些评分高的，冷门的电影。这么说吧:你看过喜剧大师 比利·怀尔德的作品吗？

1992年，哈尔滨731陈列馆工作人员小金在整理史料时，发现这段历史的记录残缺不全，为寻找真相，他踏上了一场跨越数十年的跨国取证之旅，逐渐还原出那段被尘封的黑暗岁月真相。故事采取双时间线叙事，镜头回到日军侵华期间的哈尔滨，通过几个当事人的视角，深刻揭露日军731部队残酷的人体实验和泯灭人性的暴行，鞭笞日本军国主义的反人类本质，凸显中国人民坚韧的抗争精神。

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

民国年间，青年老师吴威带领一群学生来到远遥村采风。夜晚，众人留宿黄家大宅时，发现每个房间都摆放着诡异木偶。午夜怪事频发，几名学生离奇丧命。与木偶戏班班主的爱女哑女死因同样诡异，吴威和学生芊芊不信鬼怪，开始深挖平远遥村背后的秘密……

民国年间，青年老师吴威带领一群学生来到远遥村采风。夜晚，众人留宿黄家大宅时，发现每个房间都摆放着诡异木偶。午夜怪事频发，几名学生离奇丧命。与木偶戏班班主的爱女哑女死因同样诡异，吴威和学生芊芊不信鬼怪，开始深挖平远遥村背后的秘密……