Set during the rise of the Nazi regime, Marriage in the Shadows is modeled after the tragic true story of Meta and Joachim Gottschalk. In the film, Elisabeth Maurer and Hans Wieland enjoy successful careers as actors in Berlin; Elisabeth in particular is adored by the public. Confident in her career, Elisabeth, who is Jewish, ignores the advice of a colleague to leave Germany in the face of increasing anti-Semitism. When Nazi influence on the theater's management grows, Elisabeth is forbidden from performing. Believing that he can protect her if she becomes his wife, Hans convinces Elisabeth to marry him. In the following years, as Hans's career thrives, Elisabeth awaits the end of the Nazi terror which bars her from public life. When the situation worsens in 1938 with the Kristallnacht pogrom, Elisabeth decides to leave the country, but Hans, who still believes he can protect her, convinces her to stay with him. Eventually Elisabeth is scheduled to be deported; instead of accepting ...

Set during the rise of the Nazi regime, Marriage in the Shadows is modeled after the tragic true story of Meta and Joachim Gottschalk. In the film, Elisabeth Maurer and Hans Wieland enjoy successful careers as actors in Berlin; Elisabeth in particular is adored by the public. Confident in her career, Elisabeth, who is Jewish, ignores the advice of a colleague to leave Germany in the face of increasing anti-Semitism. When Nazi influence on the theater's management grows, Elisabeth is forbidden from performing. Believing that he can protect her if she becomes his wife, Hans convinces Elisabeth to marry him. In the following years, as Hans's career thrives, Elisabeth awaits the end of the Nazi terror which bars her from public life. When the situation worsens in 1938 with the Kristallnacht pogrom, Elisabeth decides to leave the country, but Hans, who still believes he can protect her, convinces her to stay with him. Eventually Elisabeth is scheduled to be deported; instead of accepting ...

The music of this movie was recorded using some of the finest jazz musicians from Argentina: Ruben "Baby" Lopez Furst (piano), Fernando Gelbard (flute) and Alfonso Ferramosca (tenor sax).

1952年朝鲜战争时期，美帝国主义为了继续实现强占全朝鲜的侵略野心，在停战协定的背后准备实施所谓冒险的“新攻势”计划，而朝鲜人民军“豆满江”行动组组长俞林和潜入敌人内部代号为“金刚石”的顺姬密切配合，机智勇敢地和敌人展开了情报争夺战，彻底粉碎了他们的“新攻势”阴谋。

讲述了沈尧光接父母双亡的苏念念回家，沈南熙强烈排斥，言语刻薄却会暗中护她，如制止张妈欺负、辞退扔其画作的张妈。沈南熙知父亲与苏念念父母车祸真相后，质问父亲时撞得苏念念烫伤，处理伤口时尽显温柔，苏念念一句 “姐姐害羞了” 缓和关系。最终沈南熙让苏念念 “在沈家好好待着”，两人从敌对走向接纳，展现外冷内热与善良坚韧的特质。

Die Journalistin Norah will in Wien einen Neuanfang wagen. Eine Bettlerin sagt ihr voraus, dass sie in sechs Wochen einen Mann namens Arthur Grimm töten werde. Anfangs gibt Norah dem Vorfall keine Beachtung, doch dann passieren merkwürdige Dinge.

Die Journalistin Norah will in Wien einen Neuanfang wagen. Eine Bettlerin sagt ihr voraus, dass sie in sechs Wochen einen Mann namens Arthur Grimm töten werde. Anfangs gibt Norah dem Vorfall keine Beachtung, doch dann passieren merkwürdige Dinge.

1999年，丹上了11年级，他转学到圣劳伦斯，一所全男生天主教学校。他的父亲因晚期脑癌正在附近的医院接受治疗；他母亲在他只有七岁的时候就去世了。丹与阿努拉克修士关系密切，阿努拉克修士是该校的院长，也是一名心理学家。阿努拉克修士试图治愈丹的睡眠瘫痪。在他的梦里，丹看到了一个让他窒息 的影子当他转移的时候会变得更糟。阿努拉克兄弟在梦中寻找意义；他认为丹对他父亲有某种情结。丹在第一天上班时引起了一阵恐慌，因为他选择了一个高年级学生Trin的座位，Trin一年前在学校后面的湖边神秘失踪。那张桌子没人敢坐，也没人敢扔。他认识了他的同学九和室友乔治，以及来参加年度演出的圣玛丽学校的学生查姆。随着他们四人的关系越来越密切，他们开始调查Trin的失踪，同时帮助Dan摆脱困扰他的阴影