“两个人进，一个人出”，走进笼中需要勇气，获胜走出不仅需要勇气，还需要力量、智慧、技艺，甚至运气！快速KO，极限降服，惊天逆转，无情绞杀，都将戏剧般地呈现铁笼之内。

一部实体光电影。它处理的是投射光束本身，当光束照射到平面（银幕）时才会被解码。它以普通方式在16毫米胶片放映机上放映。虽然不可避免地会有一堵墙限制光束的长度，但不需要银幕。观众观看影片时，背对着通常的银幕站立，沿着光束看向放映机本身。影片开始时是一条像激光束一样的连贯光线，经过 30 分钟的放映，逐渐发展成一个完整的空心光锥。在这个真实的时间之外，它没有任何所指。空间是真实的，而非指涉的；时间是真实的，而非指涉的... 　　安东尼·麦考尔 Anthony McCall，英国艺术家，在曼哈顿生活工作。他的作品介于雕塑、电影和绘画之间，其历史意义已在以下展览中得到认可：“走进光明：1964-77美国艺术中的投影图像”，惠特尼美国艺术博物馆（2001-2）；"扩大的屏幕：60和70年代的行为和装置”，维也纳现代艺术博物馆（2003-4）；“超越电影：投影艺术”，汉堡火车站，柏林（2006-7）；“电影效果：幻觉、现实和投影图像”，赫什霍恩博物馆，华盛顿特区（2008）；“在线”，现代艺术博物馆（2010-11）。

Die Journalistin Norah will in Wien einen Neuanfang wagen. Eine Bettlerin sagt ihr voraus, dass sie in sechs Wochen einen Mann namens Arthur Grimm töten werde. Anfangs gibt Norah dem Vorfall keine Beachtung, doch dann passieren merkwürdige Dinge.

Die Journalistin Norah will in Wien einen Neuanfang wagen. Eine Bettlerin sagt ihr voraus, dass sie in sechs Wochen einen Mann namens Arthur Grimm töten werde. Anfangs gibt Norah dem Vorfall keine Beachtung, doch dann passieren merkwürdige Dinge.

Relu is a family man. He has two children, a wife and a double life. Seen through the eyes of his family, Relu Oncescu appears to be an ordinary taxi driver. No one suspects that Relu works as a collector for Capitanu', a local mobster. Neither of the two worlds (his family and the mafia) knows of the other's existence. Relu manages to keep everything under control, but not for long. After accidentally killing a man, he tries to get out of the underworld, but he can't find his way back. Day by day, the secrets he keeps become increasingly oppressive and the lies begin to surface, one by one.

1999年，丹上了11年级，他转学到圣劳伦斯，一所全男生天主教学校。他的父亲因晚期脑癌正在附近的医院接受治疗；他母亲在他只有七岁的时候就去世了。丹与阿努拉克修士关系密切，阿努拉克修士是该校的院长，也是一名心理学家。阿努拉克修士试图治愈丹的睡眠瘫痪。在他的梦里，丹看到了一个让他窒息 的影子当他转移的时候会变得更糟。阿努拉克兄弟在梦中寻找意义；他认为丹对他父亲有某种情结。丹在第一天上班时引起了一阵恐慌，因为他选择了一个高年级学生Trin的座位，Trin一年前在学校后面的湖边神秘失踪。那张桌子没人敢坐，也没人敢扔。他认识了他的同学九和室友乔治，以及来参加年度演出的圣玛丽学校的学生查姆。随着他们四人的关系越来越密切，他们开始调查Trin的失踪，同时帮助Dan摆脱困扰他的阴影

Daniela is losing her hearing. Going deaf is one of her greatest fears. For a moment, reality takes the form of one of her darkest nightmares.

Les ombres ("Shadows") is set in a low rent apartment in Paris' suburb, and depicts the life of a working class family. Pierre, the father, pretends to believe in the love of his wife, who acts as she was a diva. Franck, the son, plays the rocker and escapes as often as possible from the family life. Only Nathalie, the younger one, brings balance into this breaking-down family, and puts life back into the surrounding shadows.

In Manila, a solitary man from a far-away province lives in poverty. The only thing he has is a camera, and he stays at churches hoping people will hire him to take their photographs. During one day, he has three encounters that change his life: the first, with a smooth-talking young man who's standing by the church door who berates him for wasting his life in church, the second with a boy who offers to take his picture, and the third with a Mercedes-driving man who's been stuck in traffic and has no patience left. Is there any deliverance from the soullessness of the city?

Les ombres ("Shadows") is set in a low rent apartment in Paris' suburb, and depicts the life of a working class family. Pierre, the father, pretends to believe in the love of his wife, who acts as she was a diva. Franck, the son, plays the rocker and escapes as often as possible from the family life. Only Nathalie, the younger one, brings balance into this breaking-down family, and puts life back into the surrounding shadows.