From PBS and Frontline: Thanks to social media, today's teens are able to directly interact with their culture - artists, celebrities, movies, brands, and even one another - in ways never before possible. But is that real empowerment? Or do marketers still hold the upper hand? In Generation Like, author and FRONTLINE correspondent Douglas Rushkoff (The Merchants of Cool, The Persuaders) explores how the perennial teen quest for identity and connection has migrated to social media - and exposes the game of cat-and-mouse that corporations are playing with these young consumers. Do kids think they're being used? Do they care? Or does the perceived chance to be the next big star make it all worth it? The film is a powerful examination of the evolving and complicated relationship between teens and the companies that are increasingly working to target them.

From PBS and Frontline: Thanks to social media, today's teens are able to directly interact with their culture - artists, celebrities, movies, brands, and even one another - in ways never before possible. But is that real empowerment? Or do marketers still hold the upper hand? In Generation Like, author and FRONTLINE correspondent Douglas Rushkoff (The Merchants of Cool, The Persuaders) explores how the perennial teen quest for identity and connection has migrated to social media - and exposes the game of cat-and-mouse that corporations are playing with these young consumers. Do kids think they're being used? Do they care? Or does the perceived chance to be the next big star make it all worth it? The film is a powerful examination of the evolving and complicated relationship between teens and the companies that are increasingly working to target them.

日本文豪谷崎润一郎的作品《阴翳礼赞》描写了没有电灯时代的日本美学——日式生活与自然相融合的“风雅”之趣。在他看来，西方人尽可能将房间的角角落落都点亮，最大程度地消除阴影的存在。与此相对，日本人往往会特意保留阴翳的存在，并且善于在阴翳中创造艺术。导演凯瑟琳·马丁的这部纪录片如同文学作品一样，分为三个章节。谷崎的《阴翳礼赞》、光线与黑暗、摄影和电影的起源都交织在这三章的“电影冥想”中，转瞬即逝的阴影在光线中起伏流动。这部电影捕捉和试图探究的，正是这种独特的美感。这是一种迷人的梦境，它反映了我们在世界上的位置、时间的流逝、生命的本质及其脆弱性。

日本文豪谷崎润一郎的作品《阴翳礼赞》描写了没有电灯时代的日本美学——日式生活与自然相融合的“风雅”之趣。在他看来，西方人尽可能将房间的角角落落都点亮，最大程度地消除阴影的存在。与此相对，日本人往往会特意保留阴翳的存在，并且善于在阴翳中创造艺术。导演凯瑟琳·马丁的这部纪录片如同文学作品一样，分为三个章节。谷崎的《阴翳礼赞》、光线与黑暗、摄影和电影的起源都交织在这三章的“电影冥想”中，转瞬即逝的阴影在光线中起伏流动。这部电影捕捉和试图探究的，正是这种独特的美感。这是一种迷人的梦境，它反映了我们在世界上的位置、时间的流逝、生命的本质及其脆弱性。

本片讲述了一次前往也门的启蒙之旅，对帕索里尼（Pasolini）的寻迹以及与熟悉的阴影的邂逅。在萨那（Sanaa）古城的石块和一部纪录片的影像里寻找人生的意义，构成了一场关于记忆和失落的对话。

本片讲述了一次前往也门的启蒙之旅，对帕索里尼（Pasolini）的寻迹以及与熟悉的阴影的邂逅。在萨那（Sanaa）古城的石块和一部纪录片的影像里寻找人生的意义，构成了一场关于记忆和失落的对话。

Maria travels to Puerto Williams to star in a movie. But the film crew won't be able to arrive due to a strong storm. Alone, she'll seek help for severe back pain, which will lead her to discover life in the southernmost city in the world and a pending story in her life.

拉米，一个住在英国的罗马尼亚移民，一面尽力维系着和穆斯林家庭关系，一面为了自己开始新的生活。主演包括罗马尼亚著名女演员玛雅·摩根斯坦和出演了《权力的游戏》的利诺·法希奥利，以及扮演拉米的新人霍拉·萨维斯库。

拉米，一个住在英国的罗马尼亚移民，一面尽力维系着和穆斯林家庭关系，一面为了自己开始新的生活。主演包括罗马尼亚著名女演员玛雅·摩根斯坦和出演了《权力的游戏》的利诺·法希奥利，以及扮演拉米的新人霍拉·萨维斯库。

Paloma 是一個名工人農場工人，她想和男友 Zé 在教堂舉行傳統婚禮。當地牧師拒絕了她的請求。但作為一個名跨性別女性，Paloma將為她的夢想而戰。